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AliiDii
(Robert Altman)
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Donadona (2022)
Connections Over Talent
The prime objective of cinema is telling a story and entertaining the viewers. This movie succeeds in storytelling. The plot is simple yet profound; we live in a world where real artists are misunderstood and often overlooked unless they immerse themselves in the busy world of social media and advertising.
The central character is frustrated that film producers today expect actors to shout intensely. He believes actors should reveal the nuanced aspects of their character and yelling to the camera is pointless. Those with more money, connections and industry acquaintances have an advantage according to the protagonist. Talent goes unnoticed. This is a film that sheds light on the struggles of lesser-known artists with a modest budget and in a very simplistic manner.
The filmmakers deserve praise for their effort and I look forward to their future projects. In summary, while low budget, the movie delivers a thoughtful story that shines a light on an important issue.
Okul tirasi (2021)
An Intimate Bond Amongst Oppression
Set against the backdrop of a remote boarding school in the mountains of eastern Turkey, Brothers' Keeper explores the tender yet tragic friendship between two Kurdish boys. Director Ferit Karahan evokes a melancholic tone through cinematography and long, lingering takes of the school's austere setting. We follow the quiet Yusuf (Samet Yildiz) as he navigates the oppressive institution, ruled by abusive administrators who seek to stamp out Kurdish identity.
When the defiant Memo (Ekin Koç) arrives at the school, he and Yusuf develop an intimate bond that provides solace amidst the unrelenting trauma and violence. Their wordless glances and subtle gestures reveal a depth of unspoken devotion. However, the constant threat of separation and punishment haunts their relationship. Karahan patiently draws out the tension, refusing easy sentimentality or melodrama.
While simple and elegantly crafted, I hoped for more complexity and background on the characters' inner lives. The sparse dialogue and restrained style create emotional distance at times. Still, Brothers' Keeper remains a poignant examination of love and resilience in the face of systematic cruelty.
Blind Vaysha (2016)
An Ordinary End to Extraordinary Artistry
This animated short immediately draws the viewer in with its captivating and mesmerizing tale. The storytelling and visual artistry on display are impressive, keeping the audience enthralled from start to finish.
The story builds a remarkable climax, but the ending falls. Opting an ordinary conclusion rather than an extraordinary finale to match the brilliance preceding it is disappointng. This leaves a tinge of disappointment at the film's close.
Nonetheless, with its engaging originality and stunning visuals, the short remains a laudable artistic achievement that leaves a lasting impression.
A Shot in the Dark (1964)
A Shot in the Dark: A Missed Opportunity in the Pink Panther Series
With 'A Shot in the Dark,' director Blake Edwards and actor Peter Sellers aim to capitalize on the success of their previous collaboration, 'The Pink Panther,' but ultimately deliver a film that is a far cry from a comedic masterpiece. Despite the beloved Peter Sellers at its helm, the film is plagued by a weak script and a lack of direction.
The plot of 'A Shot in the Dark' is as thin as the celluloid it's printed on, often feeling like an afterthought to the antics of Sellers' Inspector Clouseau. This lack of a solid narrative is keenly felt, leaving the viewer with a sense of dissatisfaction as the film meanders aimlessly from one scene to the next.
Edwards' direction is inconsistent, with the opening sequences dragging on at an inexplicably slow pace, leaving the audience yearning for the fast and farcical comedy they were promised. The film's comedic timing is off-kilter, with jokes and gags overstaying their welcome and becoming predictable to the point of tedium.
Sellers, a comedic genius in his own right, is reduced to a caricature of his character from 'The Pink Panther.' His talents are overshadowed by the film's over-reliance on his portrayal of the bumbling and clueless Inspector Clouseau. While Sellers' comedic chops cannot be denied, they are wasted here on a script that seems to believe that repetition is the key to comedy.
The supporting cast appears disinterested, going about their roles as if they are merely fulfilling contractual obligations. Herbert Lom, who plays the now demented Chief Inspector Charles Dreyfus, is one of the few bright spots in the film, delivering some genuinely entertaining scenes.
The film's resolution is a letdown, with the filmmakers seemingly giving up on crafting a satisfying conclusion to the murder mystery they've set up. The result is an ending that feels haphazardly thrown together, leaving the audience feeling as though they've been cheated out of a proper climax.
The film's humor, which may have been seen as innovative and fresh in the 1960s, feels dated and stale in the modern era. Coupled with the film's slow pacing and lack of a coherent narrative, 'A Shot in the Dark' is unlikely to resonate with contemporary audiences, who are accustomed to sharper, more sophisticated comedy.
P. S. In the film, in 1:15:50, a scene features a woman performing an impressive dance, potentially of native origin, on stage. I'm interested in this dancer and knowing the name of this special dance style.
Takara - La nuit où j'ai nagé (2017)
Ok, so what?
It is not necessary, in my opinion, to make a movie for no clear reason when you have no idea what you are doing. The fact that there was no dialogue in the movie and that it took place in the child's world were both things that I liked about it. By delving into the child's viewpoint, the filmmakers captured the innocence, wonder, and unfiltered emotions of childhood; however, the movie is completely boring and lacks any engaging story. It's good that the movie is 1 hour and 20 minutes long, because by the time it's over, you find yourself wondering, "So what?". As the film progressed, the lack of a clear narrative left me questioning the purpose and ultimate impact of the events unfolding before me.
Never Rarely Sometimes Always (2020)
Extreme feminist movie
Extremely exaggerated movie, men are not monsters!