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The Substitute (1993 TV Movie)
8/10
Oh Amanda!
5 October 2012
The film, made for Cable, is far from perfect but the truth is I was engrossed. Riveted actually. Amanda Donohoe gives a fantastic performance as someone trying to hide from her own past and failing in the most devastating way. Her torture is written all over her fabulous face. Great part of the film is just mesmerizing. Young faces full of something lyrical and magic. Including the future Oscar nominee, Mark Whalberg. There is an undeniable Hitchcockian touch, even the score has a Bernard Herrman sound. I saw it a week ago and here I am, still thinking about it. Not available on DVD. I would love to hear the behind the scenes. I'm sure there is story there.
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10/10
A Splendid Look Back At Luchino Visconti
1 October 2012
Exquisite and yet dark, pungent, unforgiving. The best, the most cinematic kind of period drama since Visconti's "Senso'. Martin Scorsese is, without question, the master of his generation. After his dark paintings of New York, the New York of "Taxi Driver" or "The King Of Comedy" this look back at a time when not just New York, but America was defining its identity. Daniel Day Lewis is sublime and Michelle Pfeiffer gives the performance of her life. I was also profoundly moved for that glimpse of Alexis Smith in her last film appearance and the wonderful voice of Joanne Woodward narrating Edith Wharton's words. Thank you!
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The Tenant (1976)
10/10
Oh the pleasures of horror!
1 October 2012
How can I be so devoted to this film? I'm a fairly ordinary person with a very regular life, so, why am I drawn to this darkness. "The Tenant", "Rosemary's Baby", "Kiss Of The Spider Woman", "Apartment Zero" are films I've seen many, many times. All of them terrifying in their own way. Last night, I saw "The Tenant" again for the nth time. I was as riveted and unsettled as I was the very first time I saw it. There is something about playing with our inner-fears without actually confirm or deny anything that makes it a genre of its own. A provocation of sorts. If Polansky is unique behind the camera he is also remarkable in front of it. His performance here is a tragic-comic creation of the first order. For film lovers all over the world, this is a real must see!
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