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The Expendables (2010)
The plot is Expendable
There are a few moments during its running time where "The Expendables" manages to become the movie it should be, where it feels effortlessly bloodthirsty and appropriately over-the-top. There are moments of real red-meat action-movie glory, with bodies blown in half and entire buildings vanishing in white-hot explosions and one-liners that actually land a punch.
I've enjoyed this late-career resurgence by Sylvester Stallone. Both "Rocky Balboa" and "Rambo" demonstrated a real understanding of his own iconography, and walking into "The Expendables," I hoped he was going to do the same for his whole cast, and that this would be a knowing celebration of the macho ensemble movie, a great big men-on-a-mission flick with a fat bag of mayhem to unleash on audiences conditioned by modern action films to expect special effects and shaky cams.
And, like I said, there are moments where the film almost pulls it off, but not enough of those moments, and they are unfortunately wrapped in a big limp noodle of a movie, a largely impotent mess that wastes its cast to no memorable effect. Taken as a whole, "The Expendables" is a disappointment, and a frustrating one at that.
Stallone plays Barney Ross, the leader of this group of mercenaries, and the film is, at heart, a buddy movie between him and Lee Christmas, played by Jason Statham. They're the real core of the movie. As much as the marketing for the film leans on the idea of the massive ensemble, there aren't many sequences where everyone appears on screen. The film opens, as so many action films do, at the tail end of a job. The Expendables have been engaged to free some hostages from some high-seas pirates, and they roll in as a group to do that in spectacular, bloody fashion. It's a strong sequence, and it sets up the dynamics of the group pretty well. During the tail end of the raid on the ship, Gunner (Dolph Lundgren) has a meltdown and threatens to hang one of the pirates for fun. When Ying Yang (Jet Li, and yes, I swear to god that's his character's name) stops Gunner, the big guy almost beats him to death. Barney steps in to stop the fight, and he throws Gunner off the team until he can get his drug habit under control.
The film downshifts a bit to show the guys during their off-hours, and here's where the problems start. Stallone and his co-writer Dave Callaham ("Doom," "Tell-Tale") want to make you care about these guys and their lives away from the battlefield, but they fail completely. Jason Statham's got a weak subplot about his maybe-girlfriend played by Charisma Carpenter that goes nowhere and that wastes her presence as a performer completely. Jet Li complains a few times about needing money for his family, but it never pays off in any way. Mickey Rourke shows up as a former mercenary-turned-tattoo-artist who is meant to spark some sort of crisis of conscience in Stallone's character, and he's got a monologue that is obviously supposed to be the soul of the film. But it's all so drenched in cliché, so painfully familiar, that it just doesn't connect. Rourke is a fascinating on screen figure these days, all ruined beauty and scar tissue, and he is good in his big moment... it's just that it doesn't feel connected to the movie around it, and the writing is so pedestrian that the performance works in spite of what is on the page, not because of it.
The "big moment" in the movie, ruined months ago by the trailers, involves Arnold Schwarzenegger and Bruce Willis, and it's honestly a non-starter. I guess if it's enough for you as an audience member to see the corporate partners behind Planet Hollywood on screen together, then you'll be happy. But aside from a bizarre non-sequitur about Arnold wanting to be President, there's nothing memorable or interesting about the scene. It's just three big-name actors standing around for a few minutes, and then it's over. If they had made a film with the three of them starring together, that would be something, but this is half-assed, and it pretty much sums up the movie. I get the intent, but the execution is lacking.
Willis hires Stallone and his team to head into a fictional banana republic and take the country back from the corrupt General Garza (David Zayas) and the rogue CIA agent James Muroe (Eric Roberts) that are bleeding it dry. Stallone and Statham venture down for a first look around, and they meet the general's daughter, Sandra (Giselle Itie), who is a freedom-fighter determined to topple her father's regime. She helps them to scout out the job... or at least that's what they're supposed to be doing... but again, the film sets up the most basic ideas for scenes or set pieces and then fumbles them, time and time again. All the first trip really does is give Stallone an excuse to go back and make it "personal," because evidently his five minutes with a surly Latina are enough to suddenly awaken a sense of duty and love in him. It's one of those attractions of convenience, where Stallone becomes fixated on her because that's the only way they could motivate the rest of the movie.
It is worth stating again that a great action movie needs to have a bad guy (or bad guys) who are every bit as interesting as the heroes, and "The Expendables" fails that test outright.
Eat Pray Love (2010)
Worth a watch if you're bored
It's a thin line between "self-aware" and "self-involved" and it's one the movie treads uncertainly.
The sometimes vague adaptation may leave casual viewers wondering just what was so terrible about Roberts' marriage to dilettantish (but devoted) Billy Crudup. Or how anyone can afford to take off an entire year and simply travel the world. For a spiritual story, there seems to be an awful lot of self-indulgence and privilege.
Is it "Eat Pray Spend"? Maybe just a bit, but at least the pensione Roberts stays in is run-down, and while she seems to have fit a lot of clothes into her limited luggage, there's no obvious fashion porn. This spiritual quest isn't "The Razor's Edge," sadly, but neither is it "Sex and the City 3." (Roberts' flat, worn sandals almost function as a silent rebuke to Sarah Jessica Parker's Manolos.) The best parts of the film, though, are clearly the "Eat" and the "Love." The first third is a virtual advertisement for Rome and its food, full of gorgeous cinematography by Robert Richardson (a regular recent collaborator with Martin Scorsese and Quentin Tarantino). The ancient ruins never looked more alive, the lifestyle never more irresistible.
And in the third and final section, at last the movie moves into the romantic genre it has been avoiding (and its audience has been wishing for) all along. Bardem shows up as an ex-pat Brazilian, sambas start on the soundtrack, and finally he takes Roberts' hand and murmurs, "It's time." And throughout the theater women murmur, "It sure is." Bardem is effortlessly charming and nicely commanding (in what, in romantic dramas, is typically a thankless, objectified role). In fact, all the male performers are very good. (Richard Jenkins has a standout scene as a fellow seeker in India.) Even Roberts, who so often projects mere impatient superiority, rediscovers an on-screen vulnerability.
Of course, some on-screen selflessness would have helped here, too — finding meaning by working in some homegrown charity, perhaps, instead of working on her own bliss in some far-flung country. But, then, this film is Gilbert's book, and Gilbert's book is her life.
Vigilante (2008)
Good movie marred by a hero you can't route for.
Me and a pal came across this movie while looking for some old style action flicks. And while it does provide some good action and fights, ultimately it's let down by the lead actors wooden performance.
It's your standed revenge type flick that sees the hero's life "Luke" destroyed by 3 wannabe tough guys in a senseless violent act. This sets him on a path of self destruction and redemption that has been done before and a lot better too.
The lead actress and actors performance where dull, lifeless and unbelievable. Only once did we ever believe him throughout the flick. We both found it hard to sympathize or care about the guy and could care less about his journey. I suspect this has to do with not only his acting but the direction and editing too.
Where this flick really shines is in the supporting cast. The 3 tough wannabe crims were all fabulously brought to life and every time they came back on screen the atmosphere picked up.
It was these guys that we both found interesting and wanted to watch. Funny, angry and a tad crazy the bad guy "Alex" was a stand out. We both related to him as he had issues with his father that i think most could follow. Though i really felt sorry for his 2 pals that had to follow him around.
Over all the movie was a tad disjointed but watchable only for the bad guys and their hilarious attitudes. An average movie made better by these three stooges.
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