Premise: Teenage girl gets pregnant and learns about life and relationships with her new "status." Significance: Anyone calling this a movie about teenage pregnancy has completely missed the point of the movie. The pregnancy is nothing more than a vehicle to provide an important contrast across several different relationships. Case in point: there is not one moment in the movie where Juno evaluates or considers her pregnancy. As such, those looking for a pro-life/pro-choice agenda in the movie will not find one -- because there isn't one.
Similarly, while the protagonist is clearly an intelligent, sharp-witted, and proactive, young female -- leaving some to believe this movie has a feminist agenda -- that is also not the case. This would not even be discussed if it were a male lead. Moreover, Juno by the end sees that she needs both her Dad and her best friend, Pauly. Most importantly, the career-driven adoptive mother's struggle is that despite her career success, her life is dominated by wanting to be a mom -- clearly not a feminist point.
Instead, the movie highlights that people and relationships are not always what they seem. Through the story, the heroine realizes that her best friend is someone she loves. She realizes that her quirky and off-beat Dad and step-mom, are actually "good" people. The adoptive parents have the biggest character change in the movie, with the soon-to-be Dad swinging from hip to shallow and selfish, while the soon-to-be-mom swings from cold to warm and loving.
Boiled down, this is a simple, feel-good, love story. The heroine realizes that her best friend, whom she has taken for granted, is someone she loves. Overlayed on this simple, heart-warming and timeless story (you realize you always had what you thought you were missing) is witty dialog and significant character development -- providing much more depth then the typical teen comedy -- like "Knocked-Up" or "Napoleon Dynamite". In fact, this is one of the best movies of the year and probably one of the best comedies to come in years.
With this movie, Jason Reitman has established himself as one of the great young directors in Hollywood. Diablo Cody has also seen meteoric rise in her stock, although it will be interesting to see how she follows up with such immediate initial success. Every life probably has one good movie in it. And Ms. Cody apparently borrowed heavily from her own life in creating Juno. As such, her next endeavor will be crucial for determining if she is a "one-hit" wonder or one of the next great screenwriters.
Similarly, while the protagonist is clearly an intelligent, sharp-witted, and proactive, young female -- leaving some to believe this movie has a feminist agenda -- that is also not the case. This would not even be discussed if it were a male lead. Moreover, Juno by the end sees that she needs both her Dad and her best friend, Pauly. Most importantly, the career-driven adoptive mother's struggle is that despite her career success, her life is dominated by wanting to be a mom -- clearly not a feminist point.
Instead, the movie highlights that people and relationships are not always what they seem. Through the story, the heroine realizes that her best friend is someone she loves. She realizes that her quirky and off-beat Dad and step-mom, are actually "good" people. The adoptive parents have the biggest character change in the movie, with the soon-to-be Dad swinging from hip to shallow and selfish, while the soon-to-be-mom swings from cold to warm and loving.
Boiled down, this is a simple, feel-good, love story. The heroine realizes that her best friend, whom she has taken for granted, is someone she loves. Overlayed on this simple, heart-warming and timeless story (you realize you always had what you thought you were missing) is witty dialog and significant character development -- providing much more depth then the typical teen comedy -- like "Knocked-Up" or "Napoleon Dynamite". In fact, this is one of the best movies of the year and probably one of the best comedies to come in years.
With this movie, Jason Reitman has established himself as one of the great young directors in Hollywood. Diablo Cody has also seen meteoric rise in her stock, although it will be interesting to see how she follows up with such immediate initial success. Every life probably has one good movie in it. And Ms. Cody apparently borrowed heavily from her own life in creating Juno. As such, her next endeavor will be crucial for determining if she is a "one-hit" wonder or one of the next great screenwriters.
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