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Wonder Boys (2000)
10/10
My New Favorite Movie
27 April 2002
For years, the Accidental Tourist was my favorite movie. But Wonder Boys has taken the forefront. I stumbled on to this rare gem at 1:40 a.m. while channel checking during a particularly bad bout of insomnia. The catchy opening ballad sort of caught my attention, and then Michael Douglas, playing a truly divine, thoroughly disheveled college professor appealed to my sense of whimsy. Add in Toby Maguire as a dark, morose English Lit major and Robert Downey, Jr. as a gay (sort of) New York literary agent and I was completely sucked in. The cast is rounded out with Frances McDormand as the cynical married mistress of Douglas, a blind pit bull (that hates Douglas), and an ugly pinkish chenille bathrobe (worn by Douglas) and you have a little movie magic.

The beauty of this movie is there is not one wasted line of dialogue. Every single line is perfect. Every time I watch it, there is something funnier that I didn't pick up on the first five times I watched it.

The plot is pretty simple, an aging writer, Grady Tripp (Douglas) is struggling with letting go and handing over his "Wonder Boy" title to the next literary genius, James Leer (Toby Maguire. Together Grady Tripp and James Leer sort of blunder along through the weekend trying to figure out where they belong in the world and work through a few "issues." We are lucky enough to be pulled along with them through Wordfest at the college where Grady Tripp teaches, a ratty bar, and a few of other places along the way.

It is worth whatever you pay to see this movie just to watch Frances McDormand act perfectly gracious when Terry Crabtree (Robert Downey, Jr.) brings a HUGE transvestite wearing a 3-inch heels and bright red coat over to her house for cocktails. McDormand also delivers some fabulous one liners in her dry understated style.

Let's face it, a movie that features a huge transvestite in a red coat, a tuba, a dead dog, an ugly car, the president of the James Brown hair club for men, Marilyn Monroe's jacket and Robert Downey, Jr. can't be all bad. You have to see the movie to see how they all turn out.
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5/10
What just happened to me????
27 April 2002
I had to watch this movie twice just to make sure I watched the WHOLE thing. This movie has been reviewed by some pretty snotty people that think it's genius. If genius is defined by making the viewer uncomfortable, then yes this is a work of genius.

This movie is dark and disturbing. I get the feeling that Robert Downey, Jr. is playing himself. There is a very dark scene where he confronts himself in the mirror, and I don't think anyone could have possibly written that dialogue.

This movie pushes the envelope on the way we think about relationships. The gritty, unrehearsed style may be a bit rough on an audience that is used to a polished performance.

I didn't hate it, but I didn't love it. Robert Downey, Jr. is always worth watching, even when it isn't much fun.
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9/10
If you are a cowboy, cowgirl or cowboy wanna be you will like this movie
27 April 2002
I don't usually watch Robert Redford movies because they make me cry. This movie was no exception. I read the Nicholas Evans novel in a single sitting but it took me nearly a year and several boxes of kleenex before I got through the movie. My people are ranchers from Northern Idaho, near Montana where this film was shot. Redford managed to capture the true essence of a lifestyle almost wiped by "progress." All of the details of the family could have been lifted from my family photo album. The premise of a neurotic New Yorker bringing her injured horse and equally injured daughter out west to find the renowned "horse whisperer" to save her world is completely believable. Redford plays the character of Tom Booker perfectly, his technical aptitude with the horses was "just right." Dianne Weist provides a stellar performance as the matriarch of the ranching family.

The book was a bit brutal for my taste, I favored the gentler ending of the movie. Otherwise, the film was true to the book. I would recommend this move as a "must see, must buy." If nothing else, it is a true logbook of what was once the real west and shows some fine horsemanship **except Kristin Scott Thomas rode a little far forward in the saddle--I thought she was going to fall off the horse.**
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