Two girls, Carla and Lou meet on the street outside a loft waiting for their boyfriends. In a short time, they find out that they're waiting for the same guy - young actor Blake, who said ... See full summary »
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
Elisabeth leaves her abusive and drunken husband Rolf, she packs her bags, takes the kids and goes to her brother Göran. The year is 1975 and Göran lives in a commune called Together. ... See full summary »
Young Indian man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by... See full summary »
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Two girls, Carla and Lou meet on the street outside a loft waiting for their boyfriends. In a short time, they find out that they're waiting for the same guy - young actor Blake, who said that he loves only her to both of them but was actually leading double life for a few months already. Angry, they break into his loft and when he returns, a round of accusations and explanations begins. Written by
Horn Trio in E Flat Maj. Op. 40 - Finale: Allegro Con Brio
Written by Johannes Brahms
Performed by Vladimir Ashkenazy (as Vladimar Ashkenazy) and Radovan Vlatkovic' (as Radoran Vlatovic)
Courtesy of Decca/London Records and Polygram Film & T.V. Licensing See more »
Convict/thespian Robert Downey, Jr. tops his frenzied role in "Natural Born Killers" with another manic Tasmanian Devil-style performance. It's the funniest of the year, an actor's nightmare (how far do you go when you can do whatever you want?), but also the quintessential Downey, Jr. persona.
Heather Graham is my baby, she just doesn't know it yet. Just kidding--truth be told, she excels in the part of one of Downey Jr.'s girlfriends. Wagner nearly matches her in the role of the other.
Toback's direction is stagey (what else can you do with one set?), but his writing is on fire. Sometimes, you snag bits of the actor's riffs and laugh at what you can get your hands on. At other times, you sit back and let it flow over you--this is high-speed Jack Kerouac, coupled with Whit Stillman's keen ear for American bourgeois speech patterns. Wagner and Graham test each other on Downey Jr.'s lovemaking speeches, tying a noose for him before he even arrives, later Downey Jr. verbally abuses and repairs himself in his bathroom mirror--highlights of a dynamite script.
1998 was the year for actors and actresses, and many notables (and a few unknowns) did landmark work: Jim Carrey in "The Truman Show", Jane Horrocks in "Little Voice", Warren Beatty in "Bulworth", John Travolta and Kathy Bates in "Primary Colors", Roberto Benigni in "Life is Beautiful", Bill Pullman in "Zero Effect", and Robert Downey Jr. in this one. James Toback, who also penned the wretched (and similarly themed) "The Pick-Up Artist" in '87, is back on track. With "Bugsy", "The Gambler" and this film on his record, I eagerly anticipate his next picture.
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