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Jaws 3-D (1983)
4/10
It could have worked, but DOES NOT
29 June 2010
I'm certain if you read the screenplay for this third entry in the Jaws franchise you'd think it could amount to a solid sequel. There's nothing fundamentally wrong with the idea, it at least adds many new elements to the Jaws formula. Where it all goes wrong is in the execution. The acting, direction, and production values are way, way below what they should have been. The 3-D effects are ridiculous. They bring to mind a SCTV parody of 3-D films, with exaggerated tricks that add nothing to someone watching this in regular format. Compare this to something like The Creature From The Black Lagoon, or It Came From Outer Space- those films were 3-D but play perfectly well as flat films. But those were made by people with talent, this film is not.

There's also the weird idea of using the Sea World park, but making it a fictitious one located near the ocean with completely different attractions- it's a strange bit of promotional advertising. The real Sea World is quite different, and yet it's shown with all these fantastic elements that are pure fantasy. A better idea would have been to name the marine attraction something original. The scenes somehow come off way more corny and trite than the actual theme park was at the time. The use of the dolphins is a great idea that is staged horribly. The old Flipper show had better shark vs. dolphin scenes.

The effects are wretched. In fact, had they worked it would have helped save the whole film from being a waste, but they are totally amateurish, below that of a Roger Corman exploitation film from the 50s or 60s. One expects more from a major studio mounting a sequel to a mega-hit.

The actors offer nothing here. Dennis Quaid and Louis Gosset have shown remarkable talent, but none of it is on display here. Bess Armstrong and Lea Thompson are both very attractive, but again they don't really add anything, and Thompson seems especially vapid here. Luckily all these actors are in a film so filled with incompetence that the music, effects, editing and overall storytelling distract from their work.
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7/10
Memorable, touching film
6 June 2010
Ivan Tors produced many films and TV shows that nudged the audience to treat other species with respect and wonder. This was a novel film in its time that introduced audiences to the "Killer Whale" as a potential friend rather than threat. Based on a true story and very well made (lots of great location photography). The cast is low-key and everything is handled in a convincing manner. This was typical of the Tors approach. It's well-done material- not overly sentimental, with a respect for science and a plea to evolve as a species. It's the sort of movie that one doesn't see these days in a sea of CGI fantasy and family films that are merely bad comedy. Seeing this as a kid it made a lasting impression.
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8/10
Hugely enjoyable
6 June 2010
This was fun back when it was released. Watching it now I find it even more delicious. It's a potent dose of 60s nostalgia. The Ivan Tors team did one comedy previous to this (Birds Do It with Soupy Sales), but here everything clicks into place. The excellent cast really helps keep this afloat- with sure-footed timing and affable charm. The production values are top-notch- with excellent effects and the sort of superb underwater action you would expect from the Tors team (Lamar Boren and Ricou Browning). The underwater house is great- it's everything I wanted from a house as a kid. Really quite ridiculous and all the better for it.
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7/10
a favorite from the Ivan Tors team
6 June 2010
I have fond memories of this film, and watching it now they come back as strong as ever. Not only does lovely Bond girl Shirley Eaton make an appearance, but the stars of many of my fave shows of the 60s are present and accounted for: Lloyd Bridges (Mike Nelson of Sea Hunt), Brian Kelly (dad to Flipper), Marshall Thompson (Daktari himself), and David McCallum (the ever-cool Illya Kuryakin of U.N.C.L.E.). Along with the superb Keenan Wynn these cast members make a good compliment of aquanauts traveling in a futuristic sub on a mission to plant earthquake detecting devices around the globe. There's a solid script, just enough tension, and assured performances that supply a fun and diverting story. What really shines are the excellent underwater sequences courtesy of the Tors unit that set the standard for underwater action sequences (such as their Bond film sequences). Photographer Lamar Boren and director Ricou Browning do some of their best work here. The sub here is a real one (I found it decades later lying by the side of the interstate highway in south Florida next to an amusement park). It was built in 1956 by Martine Diving Bells of San Diego. Another nice part of this film are the great special effects by Project Unlimited (TV's Outer Limits and the props from the original Star Trek). While all the film seems quite dated now, it was believable action in its day, the sort of thing that was a not-so-guilty pleasure for a kid like me back then, and still very enjoyable today. Note the excellent score by Harry Sukman, which was released as a soundtrack LP that is a rare find these days.
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5/10
Outside the Ivan Tors team comfort zone
6 June 2010
There's nostalgic charm if you're a fan of the films of this era. I happen to hugely admire the Ivan Tors film and TV projects. This is possibly a script from the 1950s, as it was co-written by actor Richard Carlson, who made SF films with Tors in the 1950s. It's certainly creaky stuff that seems outdated even by the mid-1960s when it was made. It's far more a fantasy than the usual Tors material, which strove for believability and achieved it. This doesn't. The animal sequences, which were always top-notch in Tors films thanks to trainer Ralph Helfer (inventor of affection training), but here they are awkwardly shot and silly. The cast is likable but the script is just not up to making anything work to its advantage.
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