A giant great white shark arrives on the shores of a New England beach resort and wreaks havoc with bloody attacks on swimmers, until a part-time sheriff teams up with a marine biologist and an old seafarer to hunt the monster down.
Several years after Amity's former Police Chief Martin Brody electrocuted the shark at Cable Junction, his sons, Mike & Sean, are now working in different roles at Sea World Orlando. Mike is working as a park engineer and considering marriage to his girlfriend, killer whale biologist Kathryn Morgan. Sean is also involved with 1 of the park's water skiers, Kelly Ann Bukowski. Sea World is about to open a massive 'Undersea Kingdom' which will bring visitors closer to marine life than ever before. The park is accessible from the ocean by a series of gates, one of which malfunctions. A young Great White Shark swims through the gate, and when a maintenance diver heads down to fix the gate he does not return. The young Great White is captured & placed in a tank but soon dies despite Kathryn's best efforts to save it. More alarming though, is the young shark's massive, 35 foot mother which has followed the baby shark into the lagoon and killed the maintenance diver, whose body is recovered. ... Written by
This film was the first shot on Arriflex's single-camera ArriVision 3D system. However, the system was not actually ready for use until a week into production. During the wait, the Optimax and StereoVision 3D systems were used. All of the footage from the Optimax system was deemed unusable and thrown out (that system was prone to serious misalignment issues), while StereoVision was deemed acceptable enough that it continued to be used for second-unit work through the entire production. ArriVision footage makes up the bulk of the final film, with the earliest-shot and second-unit scenes shot in StereoVision and miniatures and effects shot with a two-camera beam-splitter system similar to later digital 3D setups. See more »
Different voice actors dubbed Dan's voice throughout the film. See more »
"Jaws III" is nowhere near as bad as it's been lead to believe it is.
As Sea World is about to open a new attraction, Sean Brody, (John Putch) arrives to visit brother Michael Brody, (Dennis Quaid) and girlfriend Kathryn Morgan, (Bess Armstrong) when park owner Calvin Bouchard, (Louis Gossett Jr.) welcomes Phillip FitzRoyce, (Simon MacCorkindale) to the park. With strange accidents in the park becoming a routine occurrence, they dive into a lagoon on the grounds and find a shark in it. After capturing the shark and putting it on display, it dies in it's first show. Unsure of how to carry on, they find the shark's mother still living inside the park and attacking the facilities. Working against the possible disasters, they race to stop the fix the attractions and shark before it destroys the park.
The Good News: This one wasn't that bad and was actually pretty decent. The film's greatest factor is that the characterization scenes aren't all that aggravating to sit through. The bar scenes and the few shown with the couples on the job are decently done, giving off a nice sense that a normal couple could be involved in these types of affairs without being forced into them. This sticks out mostly from the uncharacteristic nature of them, and are handled quite nicely, and while they do go on a little bit long for some, they're not a complete time-waster and that's a nice thing to know. The action does come along at the end in all the right installments, featuring a lot of big action set-pieces that come off really well. The discovery of the mother promotes all this, and the film starts in earnest at the time when it crashes into the complex and floods it. The sight of the shark appearing out of nowhere in front of a panicked crowd of tourists and crashes into their structure has delightful possibilities, and they are somewhat played nicely here. It also has a neat shock, as the disembodied head of a victim floats on-screen in front of an unsuspecting child. It's a classic shock that never fails. The race to fix the problem of the stranded visitors is a nice suspense-builder, coming off in a very elegant manner and allowing for some really nail-biting scenes. The chase through the underwater ship is pretty nicely done, and comes off with a great air of urgency about it. The shark in here also looks the closest to a real shark, giving off a realistic shape that is really close to a great white rather than a demonic face with a shark's body. It also displays a realistic touch by moving it's upper lip to attack, something that none of the other sharks did. This wasn't all that terrible.
The Bad News: There actually isn't that much to really dislike in this one. Most of what's wrong with the film is that the effects are pretty abysmal. The 3-D effect isn't employed beyond poking objects into the camera for no reason, stopping the film cold to show those effects. Needless scenes, as having a needle make sure it'll eject properly or having a dolphin emerge out of the water in our faces being prime examples. The green-screen photography present also doesn't help matters, often times making them look worse. The miniature tub is the greatest example, although the young, lifeless shark comes really close. There's no believability at all in hardly anything in the film, and this really hurts the film. It's nearly impossible to have any fear or tension in a film where the main threat isn't imposing, and it's on display nearly every time there's a shark on-screen here. The stupidity inherent in so many situations is a major crime, especially in the first shark's capture and display to the public being quite obvious. The reasons why won't be revealed, but upon thinking of the circumstances surrounding it are mind-numbing and wouldn't play out in real life. The measure of taking out the creature also applies, as it really defies logic that it would be so, and in a scene full of nonsensical things, it's hard to pick one thing about the ending that really works. Just about everything, from the really bad 3-D effects to the shark effects and the eventual outcome all having some manner of involvement together really make it underwhelming. The shark itself deserves mention, as the body count in here is really unacceptable. For a giant shark to cause as much damage and mischief as it does, to be around as many thrashing bodies in the water as it always manages to be around, and the fact that it sneaks up on the victims isn't going to be left out. There should've been more kills in here, and with so many missed opportunities, it's a real shame. The number of times it manages to sneak up on the water-skies without managing so much as to nick them on the leg is a major misgiving, and it really does nothing to help inspire fear in the shark, and with it's appearance and failure to get at so many of it's potential victims, this really fails as a compelling killer shark. These are the main things involved with this that really bring it down.
The Final Verdict: While it's not a complete, utter and total catastrophe like others in the series, there is some fun in this being a total camp-fest. It's a fun, cheesy affair that doesn't really do anything other than be great at that, and that's not that bad for a film to be. If this appeals to you, take a shot, if not, stick to the first two of the sequels.
Rated PG: Graphic Violence and some mild Language
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