Four friends set out by boat for an idyllic vacation on a private, remote island. But unknown to them, a weaponized shark has escaped from a top secret military lab nearby, a shark that was... See full summary »
Catherine Mary Clark
When an oil company unwittingly unleashes a prehistoric shark from its icy prison, the Jurassic killer maroons a group of thieves and beautiful young female college students on an abandoned... See full summary »
The mutant sharks from Dr. Craven's experiments in "Shark Attack 1" are back, this time choosing Cape Town, South Africa as their hunting ground. Two sisters, Amy and Samantha, while diving... See full summary »
The seemingly tranquil waterways of Venice are terrorized by the perfect killing machine. In search of his father who has mysteriously disappeared diving in the city, David stumbles across ... See full summary »
Hilda van der Meulen
Michael Brody and Sean Brody, the sons of former Amity police chief Martin Brody, work at Florida's Sea World, a seaside park run by Calvin Bouchard. Sean befriends Kelly Ann Bukowski, and Michael's girlfriend Kathryn Morgan is Sea World's head scientist who always works with Sea World's dolphins Cindy and Sandy. In its man-made lagoon, about 40 feet under the water, Sea World opens the Undersea Kingdom, a new set of underwater glass tunnels that have their own control room, and Calvin's friend Philip FitzRoyce is there to do some filming. When Sea World diver Shelby Overman vanishes, everyone is worried. Michael and Kathryn head into the water, where they find a baby great white shark and decide to bring it to Sea World to put it on display, but at Sea World, the baby shark dies. When Overman's body is found, Michael vomits when he sees it. Kathryn looks at the body and knows that the baby shark could not have been the shark that killed Overman, because the baby shark's bite radius ... Written by
There wouldn't be another fictional feature 3D shark movie after this film until 2011, when Shark Night 3D (2011) debuted. See more »
At Calvin Bouchard's press conference, a reporter for Channel 6 is interviewing him, but her camera person is right behind her watching, not shooting. The camera is marked Channel 6 and the camera-man is wearing a Channel 6 shirt. See more »
[trying to start the boat]
Damn boat. I flooded the damn boat.
See more »
In the original 3D version, the Universal Pictures Logo is in 3D. Plus the title "Jaws 3D" comes "toward" the viewer, clamping together as if it was like a shark's mouth. See more »
I'm certain if you read the screenplay for this third entry in the Jaws franchise you'd think it could amount to a solid sequel. There's nothing fundamentally wrong with the idea, it at least adds many new elements to the Jaws formula. Where it all goes wrong is in the execution. The acting, direction, and production values are way, way below what they should have been. The 3-D effects are ridiculous. They bring to mind a SCTV parody of 3-D films, with exaggerated tricks that add nothing to someone watching this in regular format. Compare this to something like The Creature From The Black Lagoon, or It Came From Outer Space- those films were 3-D but play perfectly well as flat films. But those were made by people with talent, this film is not.
There's also the weird idea of using the Sea World park, but making it a fictitious one located near the ocean with completely different attractions- it's a strange bit of promotional advertising. The real Sea World is quite different, and yet it's shown with all these fantastic elements that are pure fantasy. A better idea would have been to name the marine attraction something original. The scenes somehow come off way more corny and trite than the actual theme park was at the time. The use of the dolphins is a great idea that is staged horribly. The old Flipper show had better shark vs. dolphin scenes.
The effects are wretched. In fact, had they worked it would have helped save the whole film from being a waste, but they are totally amateurish, below that of a Roger Corman exploitation film from the 50s or 60s. One expects more from a major studio mounting a sequel to a mega-hit.
The actors offer nothing here. Dennis Quaid and Louis Gosset have shown remarkable talent, but none of it is on display here. Bess Armstrong and Lea Thompson are both very attractive, but again they don't really add anything, and Thompson seems especially vapid here. Luckily all these actors are in a film so filled with incompetence that the music, effects, editing and overall storytelling distract from their work.
11 of 12 people found this review helpful.
Was this review helpful to you?