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ahmed-arshi
Reviews
Ordinary Angels (2024)
Emotional
This film unfolds the story of a family grappling with the aftermath of the mother's passing shortly after the birth of their youngest daughter. The young girl is facing a severe medical condition that requires a liver transplant, placing the father under immense financial pressure from the hospital bills for his daughter and the debts from his late wife's medical care, making him feel as though everything is closing in on him.
A turning point comes when a hairdresser, reading about the family's struggles in a local newspaper, decides to help them raise the necessary funds for the child's treatment. Through her actions, we uncover her motives, as she too seeks a safe haven in her challenging life, striving to live kindly and righteously despite her circumstances.
What initially drew me to watch this movie was its cast of prominent and significant actors. I was surprised that the film was not marketed to the extent it deserved, to be discussed in the media, nor did I read about it in film reviews. This baffles me because, after watching the film, I can assert that it carries an immense positive energy and a profoundly deep message for us as humans and as a society living together, hoping and rejoicing together.
The directorial vision is remarkable, managing to convey the characters' emotions in a powerful and poetic style. As a true story, it was crucial to narrate beyond clichés, delving into the heart of the subject from the beginning to the last second. The film's score emotionally engages us, with the filmmakers smartly leveraging the family's journey of hope in every scene in a clever and unforced manner.
The film addresses a deep message of faith in God, self-confidence, and perseverance in achieving our goals. Most importantly, it emphasizes the need not to fear or feel embarrassed about asking for help from others. Because as humans, we naturally need each other, and it's in our nature to offer help when asked.
Jonah (2023)
Great story, weak execution
"Jonah," directed by Ben Van Kleek in 2024, weaves a compelling narrative about a journalist confronted with his repressed childhood trauma while investigating a mother's claim that her son was abducted by aliens. On paper, the film's premise, conflicts, and the backstories of its characters check all the boxes for a captivating thriller. It cleverly raises questions about the true intentions of each character and the enveloping mystery they are all trying to unravel, setting the stage for an engaging exploration of human emotion and the unknown.
The potential of "Jonah" lies in its ability to blend personal struggle with supernatural elements, offering a rich soil from which complex character dynamics and thrilling plot twists can grow. The backstories are poised to add depth, making the audience invested in the outcomes of these well-conceived characters. This depth, coupled with the overarching mystery, should have provided a fertile ground for suspense and engagement, drawing viewers into a web of intrigue and emotional complexity.
However, the film stumbles significantly when it comes to its execution, particularly in the casting and performance aspects. Despite the brilliance of the script and the clear vision behind the project, the actors' portrayals fall short of bringing the characters to life in a believable manner. This disconnect between the characters' potential depth and their on-screen representation undermines the immersive experience that is critical for a thriller of this nature. The audience's belief in the characters and the story they inhabit is crucial, and when the performances are not convincing, it detracts from the entire narrative, no matter how well-written or conceived it may be.
In conclusion, while "Jonah" promises a riveting exploration of human psyche intertwined with otherworldly mysteries, its impact is dulled by a cast that fails to deliver the emotional and psychological complexity required. This results in a film that, despite its intriguing premise and underlying script brilliance, offers an experience that falls below expectations, leaving viewers disengaged from what could have been a profoundly moving journey.
Jinn (2019)
Horrible is a small word for it!
You want to make Arabic series? Hire Arabic writers! Stop forcing the dumb American culture on everything, I was expecting this to be the case, thank God they didn't add a gay character to this series, but it will be in future projects of Netflix because that's their agenda!