No major spoilers, but I will address specific things about the film because it's unfair (and unhelpful) to criticize it as much as I'm going to without explaining why.
The only reason you're likely to want to watch this is for the same reason I did -- the gimmick of seeing a guy who looks exactly like Charles Bronson. And in that way - and ONLY that way - the movie works. Robert Kovacs looks so much like vintage Bronson it's eerie. They probably have the same fingerprints. I've seen a lot of look-alikes in movies, but never has one nailed it like this one. So, as far as the gimmick goes, it's successful and it's pretty amazing just marveling at the resemblance whenever he's on screen.
Other than that, though, you've really got nothin'. The script is incompetent, the direction is awful and the soundtrack is some of the worst garbage I've ever heard in my life. I get that they were probably trying to sound like cheesy 80's Cannon Film type music, but, yeesh... this music's so bad it actually removes production values from the visuals; the film already looks like they didn't spend more than $39.95 on it, and the soundtrack makes it feel like now they owe us money.
Low budgets aren't always a bad thing, but it looks like even the blanks and squibs are mostly CGI added in post. They look like they're effects lifted from a Doom game. That takes a lot of the fun out of it. The direction is about as skilled as your average home movie, with every shot held two or three seconds too long because the guy doesn't understand pacing, has no feel for it. I guess it's better than flash-cut editing that plagues a lot of films now, but, still, nope... I'm sorry, this director just doesn't hear the music. I'm not expecting Sergio Leone or anything, but this direction is bad enough to make itself noticed and be a distraction. If you're as big a Cannon fan as I am, you want to help it along and give it as much credit as you can, but, sorry, it just doesn't let you.
Story-wise, it's all dead-end meandering. There are subplots, but they never really amount to anything and seem clumsily wedged in there so the movie won't just look like a videogame of a dude shooting folks who conveniently are doing horrible crimes whenever he passes by. There's a young mother Bronson's sending money to because he feels guilty about something that happened in the past... and then she's just kind of addressed and dropped out of the storyline, like, "Well, glad we dispensed with that." And I'm not sure why Daniel Baldwin's here at all, other than to add a "name" (well, sort of) to the cast. He pads the screen time with completely rants about vigilantism, which are SO Spam-chunk-headed idiotic they're probably intended as a satire of right-wing views. There's not much other way to take 'em, because even Rush Limbaugh doesn't say things this dumb... hell, Archie Bunker doesn't say things this dumb. Baldwin's character takes an either-or "logic" to problems, like, "Why are we stopping wife-beaters and racists when child molesters and drug dealers exist?" Um... I'm pretty sure we should address ALL those problems? I hate child molesters, most definitely, but wife-beaters aren't a whole lot better. And yet he mocks the cops for stopping them. He comes across as pretty much defending everything BUT drug-dealing and rape, which is an odd view. Dunno about y'all, but I've got room to hate all kinds of criminals, I don't have to pick just two. Whoever wrote his dialogue seems to have a particular grudge against women that he wants us to share in, even bringing up "why are we protecting women from revenge porn?" That's pretty specific and sounds kinda personal there. In any case, all the Baldwin scenes are add nothing and feel tacked on just to drag this thing to a marketable 90 minutes. Edit them out and you'd do nothing but speed up the storyline and help Daniel Baldwin's reputation.
The action scenes are basically people running around and missing each other (even with full-auto fire) until enough time's gone by so that "Bronson" can go ahead and shoot the bad guy. No real tension is built, and some scenes are outright silly, such as when "Bronson" uses an old car door as a shield against a machine gun. I don't think whoever wrote that has ever actually fired one of those puppies. Don't ever try that, kids, those bullets will go through about five of those things. A lot of the action is "Bronson" shooting unarmed people, including a guy who's tied up and unconscious. The guy was a scumbag, I don't weep for him, but letting 'em fight back would have at least added some action.
The acting is... eh. It's not painful, for the most part. The young mother and her daughter are probably the best in the cast. Kovacs sounds dubbed, but, I don't know. He doesn't sound like Bronson at all.
But he does look exactly like him, and that's really the only reason you might watch this film; for the gimmick. As far as that goes, it's eerie. Hopefully some directors and writers with some actual talent will put Kovacs to better use. There's nothing else here to salvage.
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