Founded in 1953, bought by Julio Fernández in 1987 and now run by his brother Carlos Fernandez and daughter Laura Fernández, Filmax is one of its biggest true-blue independent studios in Spain, involved in film and TV production, and movie distribution, international film and TV sales and exhibition.
How it got there is another question. “At Filmax, we’ve always bet on creative talent. In Spain, there’s always been creative talents that have revolutionized its sector: Architects, artists and designers,” says Laura Fernández, a Filmax executive producer. “Filmax has known how to find talent in all parts of film production: Composers, screenwriters, DPs, casting, VFX and directors.”
Jaume Balagueró’s “Nameless” gave Filmax its first experience of fulsome international pre-sales at 1999’s Mifed, helping to usher in a golden age of Spanish auteur genre that resonates to this day.
A director on “Polseres Vermelles,” the original Catalan version of “The Red Band Society...
How it got there is another question. “At Filmax, we’ve always bet on creative talent. In Spain, there’s always been creative talents that have revolutionized its sector: Architects, artists and designers,” says Laura Fernández, a Filmax executive producer. “Filmax has known how to find talent in all parts of film production: Composers, screenwriters, DPs, casting, VFX and directors.”
Jaume Balagueró’s “Nameless” gave Filmax its first experience of fulsome international pre-sales at 1999’s Mifed, helping to usher in a golden age of Spanish auteur genre that resonates to this day.
A director on “Polseres Vermelles,” the original Catalan version of “The Red Band Society...
- 5/18/2023
- by John Hopewell
- Variety Film + TV
Enrique Buleo’s “Still Life With Ghost,” Ana Asensio’s “The Goat Girl,” Gala Gracia’s “The Remnants of You” and Esteban Alenda Bros.’ “There Is Evil” are some of the film projects pitched at the spotlight event on Spanish cinema at Cannes’ Producers Network on Friday May 20.
Five Spanish production companies– Un Capricho de Producciones, Quatre Films Audiovisuales, Potenza Producciones, Aquí y Allí Films and Solita Films – were selected by Spain’s trade promotion board Icex and the Icaa film institute to pitch their production slates at the Marché du Film event.
As part of the Production Day, which kicked off with the Producers Network, the five Spanish producers made a video pitch with their projects – the main part of them at development stage – to encourage international partnerships with co-producers and sales agents.
Comedy is the predominant genre among the feature projects selected.
In the evening, 25 Spanish producers will...
Five Spanish production companies– Un Capricho de Producciones, Quatre Films Audiovisuales, Potenza Producciones, Aquí y Allí Films and Solita Films – were selected by Spain’s trade promotion board Icex and the Icaa film institute to pitch their production slates at the Marché du Film event.
As part of the Production Day, which kicked off with the Producers Network, the five Spanish producers made a video pitch with their projects – the main part of them at development stage – to encourage international partnerships with co-producers and sales agents.
Comedy is the predominant genre among the feature projects selected.
In the evening, 25 Spanish producers will...
- 5/20/2022
- by Emiliano De Pablos
- Variety Film + TV
Barcelona-based Filmax has picked up international rights to “We Won’t Kill Each Other With Guns,” by Spanish director Maria Ripoll.
Described as a generational tale, the film tells the story of a group of friends in their thirties who get together after years of not seeing each other. Ingrid Garcia-Jonsson (“Beautiful Youth”) leads a cast that also includes Elena Martin (“Julia Ist”), Lorena Lopez, Joe Manjon (“The August Virgin”) and Carlos Troya.
While the village is getting ready for its annual fest, Blanca (Garcia-Jonsson) is organizing a get-together with all her old friends, whom she hasn’t seen in years. They’re all in their thirties now and feel their youth slipping away. As they struggle to find job security, the stress of constantly having to start all over again is finally taking its toll.
The party goes on into the night, as secrets and past mistakes are revealed and hard feelings surface.
Described as a generational tale, the film tells the story of a group of friends in their thirties who get together after years of not seeing each other. Ingrid Garcia-Jonsson (“Beautiful Youth”) leads a cast that also includes Elena Martin (“Julia Ist”), Lorena Lopez, Joe Manjon (“The August Virgin”) and Carlos Troya.
While the village is getting ready for its annual fest, Blanca (Garcia-Jonsson) is organizing a get-together with all her old friends, whom she hasn’t seen in years. They’re all in their thirties now and feel their youth slipping away. As they struggle to find job security, the stress of constantly having to start all over again is finally taking its toll.
The party goes on into the night, as secrets and past mistakes are revealed and hard feelings surface.
- 3/23/2022
- by Ed Meza
- Variety Film + TV
Charles Grodin, the comic, scene-stealing actor of such films as The Heartbreak Kid, Midnight Run and Beethoven who later established himself as a curmudgeonly talk show guest without rival, died today at his home in Wilton, Conn. He was 86.
His son, Nicholas, told The New York Times that the cause of death was bone marrow cancer. A spokesperson said Grodin died peacefully at his home.
Born Charles Sidney Grodin in Pittsburgh, Grodin, who studied under Lee Strasberg, made his big-screen debut in the small role as the duped obstetrician who turns Mia Farrow’s Rosemary over to a coven of witches in Roman Polanski’s Rosemary’s Baby (1968), Grodin graduated to leading man by 1972’s The Heartbreak Kid, the Elaine May film that established his career and set the hapless, dry-wit style that would become his signature.
Showbiz & Media Figures We’ve Lost In 2021 – Photo Gallery
Though he would achieve fame on screen,...
His son, Nicholas, told The New York Times that the cause of death was bone marrow cancer. A spokesperson said Grodin died peacefully at his home.
Born Charles Sidney Grodin in Pittsburgh, Grodin, who studied under Lee Strasberg, made his big-screen debut in the small role as the duped obstetrician who turns Mia Farrow’s Rosemary over to a coven of witches in Roman Polanski’s Rosemary’s Baby (1968), Grodin graduated to leading man by 1972’s The Heartbreak Kid, the Elaine May film that established his career and set the hapless, dry-wit style that would become his signature.
Showbiz & Media Figures We’ve Lost In 2021 – Photo Gallery
Though he would achieve fame on screen,...
- 5/18/2021
- by Greg Evans
- Deadline Film + TV
Disney Plus has acquired Latin American broadcast rights to animated musical “Turu and the Wackies,” a 26-episode CGI spin-off series from the hit 2019 toon movie “Turu, the Wacky Hen,” a Spanish Academy best animated feature winner that Filmax has sold to 75 countries.
In further deals, Spanish public broadcaster Rtve has taken broadcast rights in Spain and A’Punt those to Spain’s Valencia region.
An ode to diversity, “Turu, the Wacky Hen” turns on a hen which can’t lay eggs but, when taken in by Isabel, an elderly lady and ex music teacher, discovers that it can speak to humans. Also, it sure can sing.
In the Spanish-Argentine series, which is being sold internationally by Filmax, Turu sets up a band with his farm friends: the elegant little pig Rhythm, who plays guitar, and energetic sheep Beat, on drums. Together they discover the world around them through adventures and...
In further deals, Spanish public broadcaster Rtve has taken broadcast rights in Spain and A’Punt those to Spain’s Valencia region.
An ode to diversity, “Turu, the Wacky Hen” turns on a hen which can’t lay eggs but, when taken in by Isabel, an elderly lady and ex music teacher, discovers that it can speak to humans. Also, it sure can sing.
In the Spanish-Argentine series, which is being sold internationally by Filmax, Turu sets up a band with his farm friends: the elegant little pig Rhythm, who plays guitar, and energetic sheep Beat, on drums. Together they discover the world around them through adventures and...
- 4/12/2021
- by John Hopewell
- Variety Film + TV
Jaione Camborda’s “The Rye Horn,” Enrique Buleo’s “Still Life with Ghosts” and Eva Saiz’s “Casa de fieras” feature among a bevy of new Spanish film projects to be offered at the 4th Madrid-based Incubator.
A mentorship program hosted by Madrid’s Ecam Film School, the Incubator has fast consolidated as one of the foremost development labs in Spain targeting producers of first and second features.
The 4th Incubator runs from April through October.
Projects were chosen from a preselection made from over 200 submitted projects led by The Screen program manager Gemma Vidal. All Incubator’s projects receive €10,000 for development. As valuable, however, will be the tutorship led, among directors, by Arantxa Echevarría (“Carmen & Lola”), Rodrigo Sorogoyen (“May God Save Us”), Juan Cavestany (“Spanish Shame”) and director-producer Alberto Marini (“Summer Camp”).
Producer mentors, packing a large experience and multiple hits, take in Simón de Santiago (“While at War...
A mentorship program hosted by Madrid’s Ecam Film School, the Incubator has fast consolidated as one of the foremost development labs in Spain targeting producers of first and second features.
The 4th Incubator runs from April through October.
Projects were chosen from a preselection made from over 200 submitted projects led by The Screen program manager Gemma Vidal. All Incubator’s projects receive €10,000 for development. As valuable, however, will be the tutorship led, among directors, by Arantxa Echevarría (“Carmen & Lola”), Rodrigo Sorogoyen (“May God Save Us”), Juan Cavestany (“Spanish Shame”) and director-producer Alberto Marini (“Summer Camp”).
Producer mentors, packing a large experience and multiple hits, take in Simón de Santiago (“While at War...
- 4/8/2021
- by Emilio Mayorga
- Variety Film + TV
In late July, “Ane,” a Basque Country mother-daughter social drama, scored one of the three-or-so berths reserved for Spanish titles at the New Directors sidebar of the San Sebastián festival, the most prestigious film event in the Spanish-speaking world.
It followed on “The Innocence,” a girl’s coming-of-age tale set in rural Spain, which made 2019’s New Directors’ cut. Selected for the TIFF Filmmakers Lab, in July Chema García Ibarra’s low-fi sci-fi drama “The Sacred Spirit” also secured financing from Eurimages, Europe’s biggest pan-regional production fund.
All three projects were put through the Madrid-based Incubator, a six-month producer mentorship initiative, which forms part of The Screen industry program at the Madrid Film and Audiovisual School (Ecam).
Increasingly, festival slots and film funding in Europe is going to feature titles which have performed an industry rites-of-passage, being put through a series of industry labs in both Europe and North America.
It followed on “The Innocence,” a girl’s coming-of-age tale set in rural Spain, which made 2019’s New Directors’ cut. Selected for the TIFF Filmmakers Lab, in July Chema García Ibarra’s low-fi sci-fi drama “The Sacred Spirit” also secured financing from Eurimages, Europe’s biggest pan-regional production fund.
All three projects were put through the Madrid-based Incubator, a six-month producer mentorship initiative, which forms part of The Screen industry program at the Madrid Film and Audiovisual School (Ecam).
Increasingly, festival slots and film funding in Europe is going to feature titles which have performed an industry rites-of-passage, being put through a series of industry labs in both Europe and North America.
- 8/18/2020
- by John Hopewell
- Variety Film + TV
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