A young couple move into an apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
Carrie White is shy and outcast 17-year old girl who is sheltered by her domineering, religious mother, and unleashes her telekinetic powers after being humiliated by her classmates for the last time at her senior prom.
A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
Several people are hunted by a cruel serial killer who kills his victims in their dreams. When the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
Rosemary and Guy Woodhouse move into an apartment in an opulent but gothic building in Manhattan. Their landlord Edward "Hutch" Hutchins attempts to dissuade them from doing so: the building has an unsavory history. They discover that their neighbors are a very friendly elderly couple named Roman and Minnie Castevet, and Guy begins to spend a great deal of time with them. Strange things begin to happen: a young woman Rosemary meets in the laundry commits suicide, Rosemary has strange dreams and hears strange noises and Guy becomes remote and distant. Then Rosemary falls pregnant and begins to suspect that her neighbors have special plans for her child. Written by
Rosemary, in Mia Farrow's performance, is so immediately recognizable that everything that happens to her, happens to us. Her explanation to Dr Hill (Charles Grodin) about the absurdity she's at the center of, is so brilliantly written that she becomes more than just one of us, she becomes us in all the depth of our unspoken fears. To see this film in 2007 is really amazing. Perfection! And that for our benefit. Polanski is not one of those directors who concocts camera tricks to feed his own ego. Everything is at the service of the story. John Cassavettes is a scarily convincing weakling with an ambition bigger than his talent. Ruth Gordon got, what I, in my modest opinion, consider one of the most deserving Oscars in the history of the Oscars. Her performance is beyond superb. Okay, I'm running out of superlatives but let me finish with one more...Roman Polanski is the greatest.
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