A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these bloodthirsty, flesh-eating monsters.
Desirous of starting a family, Rosemary Woodhouse, a young Catholic housewife, and her husband, Guy Woodhouse, a struggling actor, move into the Bramford, a New York building with an unpleasant history of obscure dwellers and ghastly occurrences. Before long, the young couple is befriended by their elderly and somehow eccentric next-door neighbours, Roman and Minnie Castevets, and shortly afterwards, Rosemary finally gets pregnant. However, little by little, as the inexperienced mother becomes systematically cut off from her circle and friends, alarming hints of a well-planned and sinister conspiracy will begin to emerge, enfolding Rosemary in a shroud of suspicion and mental agony. In the end, why is everyone so conveniently eager to help, furthermore, why is Guy allowing this? Written by
Rosemary (Mia Farrow) says to Terry Gionoffrio (Angela Dorian), "I thought you were Victoria Vetri, the actress," to which Terry responds, "Everyone says that, but I don't see the resemblance." Victoria Vetri is Angela Dorian's real name. See more »
Though we hear Minnie's dialogue, "No matter where we are, our thought's will always be with you", her lips are not moving. See more »
Rosemary, in Mia Farrow's performance, is so immediately recognizable that everything that happens to her, happens to us. Her explanation to Dr Hill (Charles Grodin) about the absurdity she's at the center of, is so brilliantly written that she becomes more than just one of us, she becomes us in all the depth of our unspoken fears. To see this film in 2007 is really amazing. Perfection! And that for our benefit. Polanski is not one of those directors who concocts camera tricks to feed his own ego. Everything is at the service of the story. John Cassavettes is a scarily convincing weakling with an ambition bigger than his talent. Ruth Gordon got, what I, in my modest opinion, consider one of the most deserving Oscars in the history of the Oscars. Her performance is beyond superb. Okay, I'm running out of superlatives but let me finish with one more...Roman Polanski is the greatest.
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