IMDb > Rosemary's Baby (1968)
Rosemary's Baby
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Rosemary's Baby (1968) More at IMDbPro »

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Rosemary's Baby (1968) -- A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.

Overview

User Rating:
MOVIEmeter: ?
Up 4% in popularity this week. See why on IMDbPro.
Director:
Writers:
Ira Levin (novel)
Roman Polanski (screenplay)
Contact:
View company contact information for Rosemary's Baby on IMDbPro.
Release Date:
12 June 1968 (USA) more
Tagline:
Pray for Rosemary's Baby
Plot:
A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life. full summary | full synopsis
Plot Keywords:
Awards:
Won Oscar. Another 11 wins & 9 nominations more
NewsDesk:
(157 articles)
Polanski's Ghost Writer to premiere in Berlin
 (From The Guardian - Film News. 16 December 2009, 9:00 AM, PST)

Polanski Extradition Ruling Set For New Year
 (From WENN. 16 December 2009, 4:06 AM, PST)

User Comments:
In a word, outstanding. more (293 total)

Cast

  (Cast overview, first billed only)

Additional Details

Runtime:
136 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:

Fun Stuff

Trivia:
The script called for Rosemary (Mia Farrow) to explain to Guy (John Cassavetes), that she'd "been to Vidal Sassoon" for her dramatic new haircut. Thus, Vidal Sassoon was in fact flown to the set to arrange Mia Farrow's hair into the now iconic pixie cut she sports during the second half of the film. For the first part, she wears a blonde wig designed by famed stylist Sydney Guilaroff. more
Goofs:
Continuity: At Rosemary's party, Guy steps from behind the bartender to accept a drink in a closeup shot. In the following mid-range shot, from a different angle, he is shown in the background stepping up again to take a glass from the bartender. more
Quotes:
[First lines]
Mr. Nicklas: Are you a doctor?
Rosemary Woodhouse: He is an actor.
Mr. Nicklas: Oh! An actor! We're very popular with actors! Have I seen you in anything?
Guy Woodhouse: Well, I did "Hamlet" a while back, didn't I, Liz? Then we did "The Sandpiper"...
Rosemary Woodhouse: He's joking. He was in "Luther" and "Nobody Loves an Albatross" and a lot of TV plays and commercials.
Mr. Nicklas: That's where the money is, right? The commercials.
Guy Woodhouse: And the artistic thrill too!
more
Movie Connections:
Referenced in "Enterprise: Twilight (#3.8)" (2003) more
Soundtrack:
Lullaby more

FAQ

What have critics said?
A Note Regarding Spoilers
Is "Rosemary's Baby" based on a novel?
more
36 out of 43 people found the following comment useful.
In a word, outstanding., 19 February 2003
Author: oyason from Seattle

There are only a tiny handful of horrorfilms that really deserve the superlative outstanding, but Rosemary's Baby is definitely on my personal list and damn near the top of the column.

Elements of the supernatural are present; the murderous coven, the devil come to earth, the use of juju to destroy the enemy. But all of these things are at nothing compared to the real horror in Rosemary's life: that she is nothing more then a gestation vessel for her ambitious husband, the gory eccentrics in her building, and the most powerful demon in the Christian pantheon. No one takes her seriously in any other capacity. Even at the end, her last bit of resistance is broken down as Roman Castavet eases her into the role of the "mother of destruction".

I don't think it's any coincidence that Ira Levin wrote this novel or that it became such a huge hit in the sixties, when birth control pills became household words and the first open battles for legal abortion were being waged and won. The strength of this film is that it deals with social issues (reproductive rights) that were actively bouncing between the ears of the greater population of this country, and yet still doesn't become a tedious piece of social realism or agitprop.

The cast of the film is remarkable. Mia Farrow plays a woman protagonist who is far more self identified then the usual female victim in a Gothic, Guy Cassevetes plays a treacherous husband whose actions are beneath contempt, both performances are very precise. The film bounces adroitly from the high camp of Elija Cook's fastidious building superintendent to the great white fatherliness seen in Maurice Evan's character Hutch. The use of Ruth Gordon is inspired, having Sidney Blackmer play straight man to her zaniness even more so. The very fine comedienne Patsy Kelly shows up as a more obstreporous member of the coven, Ralph Bellamy is sedate and subdued as the suave warlock Sapperstein. And somehow or other, director Roman Polanski managed to tie all these energies together and create a solid, consistent package with a subdued pace that is both hysterical and chilling at the same time. It is one powerful satire.

Finally, the film contains one very strong nightmare sequence. Dreams are scary, Neil Gaiman reminds us,but there are few portrayed on film as strikingly as the one Rosemary has under a drug induced slumber on the night of her demonic group rape and the child's conception.

Rosemary's Baby is a magnificent effort. And I believe it set a standard that every new horror film should be measured against, just as the film 2001 has become for many admirers of science fiction one of the benchmarks of that genre.

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