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Rosemary's Baby (1968)

 -  Drama | Horror | Mystery  -  12 June 1968 (USA)
8.0
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Ratings: 8.0/10 from 115,888 users  
Reviews: 403 user | 188 critic

A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.

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Title: Rosemary's Baby (1968)

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Won 1 Oscar. Another 11 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Hutch
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Terry (as Angela Dorian)
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Laura-Louise
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Mr. Nicklas (as Elisha Cook)
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Dr. Hill
Hanna Landy ...
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Dr. Shand (as Philip Leeds)
D'Urville Martin ...
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Storyline

Rosemary and Guy Woodhouse move into an apartment in a building with a bad reputation. They discover that their neighbours are a very friendly elderly couple named Roman and Minnie Castevet, and Guy begins to spend a lot of time with them. Strange things start to happen: a woman Rosemary meets in the laundry dies a mysterious death, Rosemary has strange dreams and hears strange noises and Guy becomes remote and distant. Then Rosemary falls pregnant and begins to suspect that her neighbours have special plans for her child. Written by Goth <brooks@odie.ee.wits.ac.za>

Plot Summary | Plot Synopsis

Plot Keywords:

apartment | dream | neighbor | laundry | baby | See more »

Taglines:

Pray for Rosemary's Baby

Genres:

Drama | Horror | Mystery

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

12 June 1968 (USA)  »

Also Known As:

El bebé de Rosemary  »

Box Office

Budget:

$2,300,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Mia Farrow does the vocals on the title-sequence lullaby. See more »

Goofs

When Rosemary visits Dr. Sapirstein in the last act, his office manager tells her that the tannis root amulet she wore gave off the same nasty smell as the doctor's aftershave, but Dr. Sapirstein wears a beard. But then, the secretary says "But then it isn't is it?" meaning she realized it couldn't be his aftershave she smelled. See more »

Quotes

[First lines]
Guy Woodhouse: Are you a doctor?
Guy Woodhouse: Yes. Yes.
Rosemary Woodhouse: He's an actor.
Mr. Nicklas: Oh,an actor. We're very popular with actors. Have I, uh, seen you in anything?
Guy Woodhouse: Well,let's see, I-I did "Hamlet" a while back, didn't I, Liz? And then we did "The, uh, The Sandpiper" and then...
Rosemary Woodhouse: He's joking. He was in "Luther" and "Nobody Loves an Albatross" and a lot of television plays and commercials.
Mr. Nicklas: Well, that's where the money is, isn't it? Commercials.
Guy Woodhouse: And the artistic thrills, too!
See more »

Connections

Referenced in Sisters (1973) See more »

Soundtracks

Lullaby
(uncredited)
Composed by Krzysztof Komeda
Sung by Mia Farrow
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Polanski's Baby
13 March 2004 | by (Los Angeles, USA) – See all my reviews

When people talk about perfect films I don't actually know what they mean. Perfect for whom? Perfect compared to what? I think that perfection is in the brain and heart of the beholder. "Rosemary's baby" is a perfect film to me. Scary in a way that makes you breathless. You're thinking and feeling throughout the film. One of the many sides of Polanski's genius is to suggest. And what he suggest is so monstrous that we don't want to believe it, but we do. The characters are so perfectly drawn that there is no cheating involved. John Cassavettes's superb study in selfishness and egomaniacal frustration is so real that comes to no surprise that he could do what he does to advance his career, but we are surprised, we're horrified. The spectacular Ruth Gordon and Sidney Blackmer are not Deborah Kerr and David Niven, are they? So that they turn out to be what they turn out to be is totally believable, but Polanski presents it in such a light of normality that you can't believe it. Mia Farrow's predicament is as classic as the boy who cried wolf tale and yet, as told by Roman Polanski in the wonderful face of Mia Farrow, is as if we're hearing it, seeing it and living it for the first time. Every silence, every voice in the distance, every door opening. Your heart is always in your throat. There is something there that accelerates a constant state of dread. Very few movies have been able to take me to that place, most of them by Roman Polanski, what about "The Tenant" or "Repulsion"? Other movies that come to mind: David Lynch's "Eraserhead" and Martin Donovan's "Apartment Zero" But "Rosemary's baby" stands alone as a terrifying masterpiece.


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