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Rosemary's Baby (1968)

R  |   |  Drama, Horror  |  12 June 1968 (USA)
8.0
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Ratings: 8.0/10 from 128,354 users  
Reviews: 431 user | 206 critic

A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.

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Title: Rosemary's Baby (1968)

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Won 1 Oscar. Another 12 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Hutch
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Terry (as Angela Dorian)
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Laura-Louise
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Mr. Nicklas (as Elisha Cook)
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Dr. Hill
Hanna Landy ...
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Dr. Shand (as Philip Leeds)
D'Urville Martin ...
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Storyline

Rosemary and Guy Woodhouse move into an apartment in a building with a bad reputation. They discover that their neighbours are a very friendly elderly couple named Roman and Minnie Castevet, and Guy begins to spend a lot of time with them. Strange things start to happen: a woman Rosemary meets in the laundry dies a mysterious death, Rosemary has strange dreams and hears strange noises and Guy becomes remote and distant. Then Rosemary falls pregnant and begins to suspect that her neighbours have special plans for her child. Written by Goth <brooks@odie.ee.wits.ac.za>

Plot Summary | Plot Synopsis

Taglines:

Pray for Rosemary's Baby

Genres:

Drama | Horror

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

12 June 1968 (USA)  »

Also Known As:

El bebé de Rosemary  »

Box Office

Budget:

$2,300,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Many scenes are shot in a continuous unbroken take or with minimal cuts in an unnoticeable way such as the opening scene where Rosemary and Guy first tour their apartment (two cuts), the laundry room scene (only one cut), the "let's have a baby" scene, the New Year's Eve party, Rosemary's and Guy's argument after their party, Rosemary's getting the unfortunate phone call about Hutch, the final scene at Dr. Sapirstein's office where she tells him of Adrian Marcoto, Rosemary's phone call with Baumgard, and the famous phone booth scene. See more »

Goofs

When Rosemary comes home and makes her first complaint of her pregnancy pain to Guy she goes to sit on the sofa and a Scrabble game board is seen on the coffee table. When Hutch comes to visit a few scenes later, several days have passed in the plot and the Scrabble board is still in the exact same place even though Rosemary and Guy played a game of Scrabble in between these two scenes. See more »

Quotes

Rosemary Woodhouse: [crying] I *won't* have an abortion!
Joan Jellico, Rosemary's Girlfriend: But nobody's telling you to have an abortion!
Elise Dunstan: Rosie, a pain like that is a clear sign that something is not right. We just want you to get another opinion, see someone else, that's all.
Tiger, Rosemary's girlfriend: Yeah, some doctor besides that... that... *nut*!
See more »

Connections

Referenced in Ghost World (2001) See more »

Soundtracks

Lullaby
(uncredited)
Composed by Krzysztof Komeda
Sung by Mia Farrow
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

One of the ultimate horror classics
2 May 2001 | by (northeastern PA) – See all my reviews

Every bit of acclaim that Rosemary's Baby has earned is totally deserved. The Dakota, located at 72nd and Central Park West, is the perfect setting for the demonic events; all that rich Gothic detail in the heart of Manhattan provides the perfect atmosphere, serving as a dark fairy-tale world of its own within the modern setting. Roman Polanski knows this and utilizes it brilliantly, opening the film with stunning aerial shots of the skyline and focusing in on the ornate castle amongst the skyscrapers and tenements.

The acting is fantastic, particularly Mia Farrow, who is the only person I can envision as Rosemary. Her fine-boned fragility makes her the ideal target for terror. She goes from obliviousness to suspicion to fear to near madness without showing a seam, and we as the audience are with her all the way. And Mia is given a run for her money by the delightful Ruth Gordon, a comical yet sinister presence popping in on a deliberate schedule with pale green drinks and sandpapery advice. She's scary because we know her--a batty old broad with a seemingly sweet nature beneath her caustic surface. That such a person could possibly be a vessel of evil is a thoroughly unnerving concept.

Unnerving is the proper adjective for the entire movie. Unnerving, eerie, and penetratingly frightening in a very subtle manner. The subtlety is key, since a more explicit treatment would've spoiled everything. As the tension heightens, we feel what Rosemary feels: Curiosity, then vague suspicion, then paralyzing terror at the final revelation. At all times, the movie retains its dignity, from the opening and closing shots of the building to the flourishing title script to the beautiful music. Even on TV, this picture can chill you to the bone. The best big-budget horror movie of all time.


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