A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.
Modern 4 hour mini-series adaptation of the classic novel by Ira Levin focusing on young Rosemary Woodhouse's suspicions that her neighbors may belong to a Satanic cult who are hell bent on getting one thing: the baby she is carrying.
Patrick J. Adams,
Several people are hunted by a cruel serial killer who kills his victims in their dreams. When the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
Rosemary and Guy Woodhouse move into an apartment in a building with a bad reputation. They discover that their neighbours are a very friendly elderly couple named Roman and Minnie Castevet, and Guy begins to spend a lot of time with them. Strange things start to happen: a woman Rosemary meets in the laundry dies a mysterious death, Rosemary has strange dreams and hears strange noises and Guy becomes remote and distant. Then Rosemary falls pregnant and begins to suspect that her neighbours have special plans for her child. Written by
Many scenes are shot in a continuous unbroken take or with minimal cuts in an unnoticeable way such as the opening scene where Rosemary and Guy first tour their apartment (two cuts), the laundry room scene (only one cut), the "let's have a baby" scene, the New Year's Eve party, Rosemary's and Guy's argument after their party, Rosemary's getting the unfortunate phone call about Hutch, the final scene at Dr. Sapirstein's office where she tells him of Adrian Marcoto, Rosemary's phone call with Baumgard, and the famous phone booth scene. See more »
During the dinner scene at the Castevets' apartment, Minnie hands Guy a slice of cake with her right hand while licking icing off her left index finger; in the next shot her left hand is offering Guy the cake. See more »
Polanski successfully sets the tone right from the beginning as the strange and somewhat scary lullaby plays as the opening credits appear. In the background we see Rosemary's neighborhood while the focus is on her window. This tone is maintained throughout the entire film. The film is quite well executed. Polanski creates a gloomy, isolated and chilling mood. 'Rosemary's Baby' is a horror film but unlike most movies of this genre, this one is very subtle and is more dependent on the atmosphere rather than the 'horror creatures'. It is only in the excellently executed nightmare sequence, which is comprised of fragments of scenes, that one witnesses something 'out of the ordinary'. I was initially dissatisfied by the ending but after some thought, I couldn't think of a better more effective conclusion. The ending itself is so spine-chilling and makes the movie experience more horrifying. The haunting lullaby replays in the end capturing that moment of horror like a photographic memory. The cast does a fine job though clearly this is Farrow's film. Mia Farrow is spellbinding. The way she captures Rosemary's kindness, agony, anguish, fragility and courage is noteworthy. She is simply amazing to watch. I can understand why it is still so popular after 40 years. There has been hardly anything else like it.
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