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Rosemary's Baby (1968)

R  |   |  Drama, Horror, Mystery  |  12 June 1968 (USA)
8.0
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Ratings: 8.0/10 from 126,545 users  
Reviews: 425 user | 201 critic

A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.

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Title: Rosemary's Baby (1968)

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Won 1 Oscar. Another 12 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Hutch
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Terry (as Angela Dorian)
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Laura-Louise
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Mr. Nicklas (as Elisha Cook)
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Dr. Hill
Hanna Landy ...
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Dr. Shand (as Philip Leeds)
D'Urville Martin ...
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Storyline

Rosemary and Guy Woodhouse move into an apartment in a building with a bad reputation. They discover that their neighbours are a very friendly elderly couple named Roman and Minnie Castevet, and Guy begins to spend a lot of time with them. Strange things start to happen: a woman Rosemary meets in the laundry dies a mysterious death, Rosemary has strange dreams and hears strange noises and Guy becomes remote and distant. Then Rosemary falls pregnant and begins to suspect that her neighbours have special plans for her child. Written by Goth <brooks@odie.ee.wits.ac.za>

Plot Summary | Plot Synopsis

Taglines:

Pray for Rosemary's Baby

Genres:

Drama | Horror | Mystery

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

12 June 1968 (USA)  »

Also Known As:

El bebé de Rosemary  »

Box Office

Budget:

$2,300,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

According to Mia Farrow, the scenes where Rosemary walks in front of traffic were spontaneous and genuine. Roman Polanski is reported to have told her that "nobody will hit a pregnant woman." See more »

Goofs

When Rosemary is in downtown Manhattan during the Christmas season of 1965 (her baby, we are told, is due to be born in June 1966), the title of the movie on the marquee of Radio City Music Hall is The Happiest Millionaire, which didn't open until the Christmas season of 1967. See more »

Quotes

Rosemary Woodhouse: I look awful.
Guy Woodhouse: What are you talking about? You look great. It's that haircut that looks awful.
See more »

Connections

Spoofed in The Devil's Daughter (1973) See more »

Soundtracks

Für Elise
by Ludwig van Beethoven
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Veneer Of Normalcy
25 November 2007 | by (Dallas, Texas) – See all my reviews

It starts off like one of those 1950's Doris Day movies. Young, idealistic Rosemary (Mia Farrow) and new hubby Guy (John Cassavetes) move into a Manhattan apartment building called the "Bramford". Throughout most of the film we, as viewers, see and hear what innocent Rosemary sees and hears. There's a veneer of normalcy at the Bramford that belies what's really going on, behind our backs. It's the script's POV, therefore, that makes this film so chilling.

At the Bramford, which has quite a colorful history, you can hear through the walls. And, as Rosemary and we viewers soon find out, strange people lurk in other parts of the building. The strangest of all are Roman and Minnie Castevet (Sidney Blackmer and Ruth Gordon), superficially cordial, but a bit too inquisitive. Roman is retired. His wife, Minnie, wears tons of makeup and pawnshop jewelry, and gushes with praise for herbal cures, especially something called tannis-root. And Minnie's friend Laura-Louise (Patsy Kelly) wears thick glasses that make her eyes seem to bulge, and she talks with a strangely deep voice.

"Rosemary's Baby" is one of the great thrillers of all time. Given the underlying subject matter, can you imagine how this film must have come across to viewers in 1968? The strength of the film is the script, which through its plot and dialogue implies and suggests. Not until near the end do we, like Rosemary, find out the presumed truth. Suspense increases toward the end as Rosemary ventures into the inner sanctum of the Bramford.

The film's acting is great, and reinforces the strong script. I particularly liked Ruth Gordon, with her delightfully eccentric behavior and mannerisms. Production design and especially costumes are lavish and colorful. Clothes and hairstyles, as you would expect, are very 1960ish. Visual effects are minimal, and are used to enhance the story, not be the story.

Given the film's POV, the story is rather subjective. Its interpretation is based on Rosemary's perceptions, images, and fears. One could explain that Rosemary suffers from delusions. Or, alternately, one could explain that what happens is real. It's all in the interpretation. Either way, it's a great movie. It holds up well, forty years later, a tribute to its writer and director, Roman Polanski.


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The creepiest parts for me... danasider
an unintentional funny ebonyruffles
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