The year's most acclaimed screenwriters gathered onstage tonight at the Writers Guild Theater for the WGA Foundation's annual Beyond Words get together. Funny and informal – the only panelist wearing a tie was Aaron Sorkin – it had the feel of a reunion of old war buddies talking about life in the trenches. But here the battlefield was the process of writing movies. The evening, toasting this year's WGA-nominated screenplays, began with Greta Gerwig (Lady Bird) recalling…...
- 2/2/2018
- Deadline
An African man—a hopeful immigrant—says something very interesting to his prospective lawyer Michael (Jakub Gierszal) at the start of Urszula Antoniak’s Beyond Words. When asked if he has a better excuse for finding refuge in Germany than the simple desire to choose his own home as a free human being, he says, “No.” He states that he doesn’t need one. It’s an argument that’s been raging here in America since the 2016 presidential campaign began, this idea that a country can turn you away on a whim or a technicality in whatever way it sees fit to discriminate or “cleanse” itself. And Michael understands why. He embraces it. The reason? Because he didn’t need a better excuse when he immigrated. He fit right in.
In his quest for the freedom to be successful, Michael only had to apply for a job. He’s white...
In his quest for the freedom to be successful, Michael only had to apply for a job. He’s white...
- 9/10/2017
- by Jared Mobarak
- The Film Stage
Stranger in a Strange Land: Antoniak Explores the Black and White of the Refugee Crisis
The ongoing refugee crisis provides the framework of Urszula Antoniak’s fourth feature, Beyond Words, a black and white drama of estranged family members uniting in a deliberation on origins and identity, and how these concepts don’t quite wholly define lives.
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The ongoing refugee crisis provides the framework of Urszula Antoniak’s fourth feature, Beyond Words, a black and white drama of estranged family members uniting in a deliberation on origins and identity, and how these concepts don’t quite wholly define lives.
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- 9/8/2017
- by Nicholas Bell
- IONCINEMA.com
SydneysBuzz New Report: 2017 Toronto By Numbers: Women, Lgbtq, African American, Mena, Asian, African Diaspora and More
Want to get a head start on your competition? The Toronto By Numbers Report gives you an easy organizing tool of all Tiff films, sortable by international sales agents, U.S., Canada and other territorial distributors and by categories such as language, country, female directors, Lgbtq, African and its diaspora, Asia and diaspora, Mena, Jewish, Latino, Indigenous. And all titles are linked to the Toronto online catalog which includes screening times.
After Tiff is over, look for the Rights Roundup which reports on sales made, again showing not only titles and sales agents, but distributors alson with contact information on all of the 252 feature films, a smaller line-up compared to last year but still vaunting some impressive figures, 147 of world premieres, 19 international and 72 North American premieres.
For $99.99 you can download into your own database...
Want to get a head start on your competition? The Toronto By Numbers Report gives you an easy organizing tool of all Tiff films, sortable by international sales agents, U.S., Canada and other territorial distributors and by categories such as language, country, female directors, Lgbtq, African and its diaspora, Asia and diaspora, Mena, Jewish, Latino, Indigenous. And all titles are linked to the Toronto online catalog which includes screening times.
After Tiff is over, look for the Rights Roundup which reports on sales made, again showing not only titles and sales agents, but distributors alson with contact information on all of the 252 feature films, a smaller line-up compared to last year but still vaunting some impressive figures, 147 of world premieres, 19 international and 72 North American premieres.
For $99.99 you can download into your own database...
- 8/28/2017
- by Carlos Aguilar
- Sydney's Buzz
In order to make accurate predictions about the potential Cannes Film Festival lineup, it’s first important to explore which films definitely won’t make the cut. The glamorous French gathering is notorious for waiting until the last minute before locking in every slot for its Official Selection. That includes competition titles, out of competition titles, a small midnight section and the Un Certain Regard sidebar. Cannes announces the bulk of its selections in Paris on April 13, but until then, there are plenty of ways to make educated guesses. Much of the reporting surrounding the upcoming festival selection is simply lists of films expected to come out this year. However, certain movies are definitely not going to the festival for various reasons.
That’s why our own list of potentials doesn’t include “Image Et Parole,” Jean-Luc Godard’s followup to “Goodbye to Language,” which sales agent Wild Bunch now anticipates as a 2018 title.
That’s why our own list of potentials doesn’t include “Image Et Parole,” Jean-Luc Godard’s followup to “Goodbye to Language,” which sales agent Wild Bunch now anticipates as a 2018 title.
- 3/31/2017
- by Chris O'Falt, Eric Kohn, Jude Dry, Kate Erbland, Steve Greene and Zack Sharf
- Indiewire
Beyond Words
Director: Urszula Antoniak
Writer: Urszula Antoniak
Polish director Urszula Antoniak won Best First Feature (and several other prizes) at Locarno for her 2009 debut Nothing Personal, then followed that up with a pair of controversially themed titles, such as 2011’s Code Blue (kind of a female perspective synonym for Franco’s later film, Chronic) and 2014’s Nude Area.
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Director: Urszula Antoniak
Writer: Urszula Antoniak
Polish director Urszula Antoniak won Best First Feature (and several other prizes) at Locarno for her 2009 debut Nothing Personal, then followed that up with a pair of controversially themed titles, such as 2011’s Code Blue (kind of a female perspective synonym for Franco’s later film, Chronic) and 2014’s Nude Area.
Continue reading...
- 1/3/2017
- by Nicholas Bell
- IONCINEMA.com
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