Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her ... See full summary »

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Cast

Cast overview:
...
You
...
Martin
Tom Charlfa ...
Father Picknick
Ann Marie Horan ...
Mother Pocknick
Fintan Halpenny ...
Elder Son Picknick
Sean McRonnel ...
Younger Son Picknick
...
Man in Car
Fiona Kelly ...
Female Bartender
...
Fiddle Player
Petey Madigan ...
Accordeon Player
Jackie Coyne ...
Sean Nos Dancer
Wimie Wilhelm ...
Landlady Holland
Irene Sanchez ...
Hotelclerk Spain
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Storyline

Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin. Written by Warsaw Film Festival

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Drama

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Release Date:

19 November 2010 (USA)  »

Also Known As:

Nada personal  »

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1.85 : 1
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Did You Know?

Quotes

Martin: Talent knows where to stop.
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Soundtracks

Rubber Room
Written by Porter Wagoner
Copyright Porter Wagoner Music
Used by kind permission of Carlin Music Corp
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User Reviews

 
Plenty in Nothing Personal
17 January 2011 | by (United Kingdom) – See all my reviews

Based on the Locarno credentials of this movie (garnering six awards at that event, not counting many others) I decided to take a dive into some of my expatriate's work abroad. A very simple tale about Anne (Lotte Verbaek), who cuts away from everything connected to her previous life in Holland (most likely due to the death of her husband, but we can only speculate the real reason) and backpacks to Ireland. There she comes across an elderly fisherman, Martin, (the brilliant Stephen Rea), who lives in solitude in a desolate location close to the sea. On their encounter Anne is extremely rash, even rude, being in a state devoid of any warmth or friendliness. However they soon agree to an uneasy truce: Anne will work for food, but as long as no personal matters are touched.

Set in untiringly beautiful locations of the Irish countryside the movie always manages to remain an eye-catcher (especially a fascinating peninsular, which is the main location of the movie), which helps keep the focus on the story itself, despite its very slowly unwinding rudimentary plot. Emotionwise I wasn't however fully convinced by Lotte Verbaek and additionally I did feel that several scenes/dialogues seemed not to fit the overall tone and logic of the movie. Nonetheless the whole story rings with a somber truth, as emotions and feelings catch the characters unawares, which leads to an absolutely heart-wrenching finale (the scene from the poster). Very simply crafted and set in the most basic human feelings it really has an unbelievable capacity to capture the attention and linger in memory.

Despite it's flaws it remains a stunning, if very reserved, watch, which shows the immense potential of Polish-born Urszula Antoniak.


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