- Nominated for 1 Oscar. Another 68 wins & 133 nominations.
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Cast verified as complete
Brooklynn Prince | ... |
Moonee
(as Brooklynn Kimberly Prince)
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Christopher Rivera | ... |
Scooty
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Aiden Malik | ... |
Dicky
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Josie Olivo | ... |
Grandma Stacy
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Valeria Cotto | ... |
Jancey
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Edward Pagan | ... |
Dicky's Dad
(as Edward 'Punky' Pagan)
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Bria Vinaite | ... |
Halley
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Patti Wiley | ... |
Amber
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Jasineia Ramos | ... |
Luci
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Willem Dafoe | ... |
Bobby
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Rosa Medina Perez | ... |
Bertha
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Mela Murder | ... |
Ashley
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Krystal Nicole Watts | ... |
Case Worker
(as Krystal Gordon)
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Bronwyn Valley | ... |
Twistee Treat Girl
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Kelly Fitzgerald | ... |
Twistee Treat Girl's Mom
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Sandy Kane | ... |
Gloria
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Jim R. Coleman | ... |
Cabbie
(as Jim Coleman)
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Andrew Romano | ... |
Newlywed Groom
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Carolina Grabova | ... |
Newlywed Bride
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Terry Allen Jones | ... |
Patrice
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Karren Karagulian | ... |
Narek
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Sabina Friedman-Seitz | ... |
Church Group Sarah
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Caleb Landry Jones | ... |
Jack
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Troy Kohlmaier | ... |
Troy
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Ginger Cook | ... |
Room 151 Evicted Dealer
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Shih-Ching Tsou | ... |
Perfume Wholesaler
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Marisol Rivera | ... |
Twistee Treat Employee
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Carl Bradfield | ... |
Charlie Coachman
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Joop Katana | ... |
Paint-Splattered Guest
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Giovanni Rodriguez | ... |
Late for Tee-Time
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Angel Garcia | ... |
New Father Checking In
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Latanya Ortiz | ... |
New Child Checking In
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Sonya McCarter | ... |
Simone
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John Sutton | ... |
Room 246 Dad
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Adina Sutton | ... |
Room 246 Mom
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Betty Jeune | ... |
Security Guard
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Shail Kamini Ramcharan | ... |
Arabian Nights Owner
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Kit Sullivan | ... |
Arabian Nights Manager Jimmy
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Macon Blair | ... |
Tourist John
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Joanne Moreno | ... |
Cheap Tickets Lady
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Jason Blackwater | ... |
Stolen-Ticket-Buying Dad
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Lauren O'Quinn | ... |
DCF Investigator
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Hannah Peterson | ... |
Breakfast Buffet Worker
(as Hannah Logan Peterson)
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Cecilia Quinan | ... |
DCF Supervisor
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Gary B. Gross | ... |
Officer Gary
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Rest of cast listed alphabetically: | |||
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Samantha Parisi | ... |
Black-Eyed Woman (uncredited)
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Directed by
Sean Baker |
Written by
Sean Baker | ... | (written by) & |
Chris Bergoch | ... | (written by) |
Produced by
Sean Baker | ... | producer |
Chris Bergoch | ... | producer |
Kevin Chinoy | ... | producer |
Darren Dean | ... | executive producer |
Andrew Duncan | ... | producer |
Dani Johnson | ... | associate producer |
Samantha Quan | ... | associate producer |
Alex Saks | ... | producer |
Elayne Schmidt | ... | executive producer (as Elayne Schneiderman-Schmidt) / line producer |
Francesca Silvestri | ... | producer |
Shih-Ching Tsou | ... | producer |
Music by
Lorne Balfe |
Cinematography by
Alexis Zabe |
Editing by
Sean Baker |
Editorial Department
Yvette Cobarrubias | ... | executive producer: Cosmo Street (as Yvette Cobarrubias-Sears) |
Alex Coco | ... | post-production coordinator |
Jeff Cornell | ... | digital intermediate conform editor |
Sam Daley | ... | digital intermediate colorist |
Nate Davis | ... | digital intermediate film scanning |
Jeremiah Drueke | ... | dailies: film manager |
Nicole Guillermo | ... | digital intermediate producer |
Joey Handy | ... | digital intermediate producer |
Ray Horta | ... | digital intermediate producer |
Eric Horwitz | ... | Technicolor engineering |
Mike Hugo | ... | assistant editor |
Curt Kuhl | ... | Technicolor engineering (as Curtis Kuhl) |
Bernie Laramie | ... | post production supervisor |
Stacey Lee | ... | data manager |
Randy Main | ... | Technicolor engineering |
Matt Medeiros | ... | dailies producer |
Adam Moore | ... | colorist: dailies |
Sean Perry | ... | digital intermediate conform editor |
Patrick Rossi | ... | digital intermediate film scanning |
Chad Rupnarine | ... | data manager |
Robert Wales | ... | lab manager |
Christian Zak | ... | color science |
Sergey Zontak | ... | data manager |
Casting By
Carmen Cuba |
Production Design by
Stephonik | ... | (as Stephonik Youth) |
Set Decoration by
Kurt Thoresen | ... | (art director) |
Alexandra Tibbe |
Costume Design by
Fernando Rodriguez |
Makeup Department
Carol Raskin | ... | hair department head |
Diana Thomas-Madison | ... | makeup department head |
Production Management
B. Ted Deiker | ... | head of physical production: June Pictures |
Jennifer Radzikowski | ... | production manager / unit manager / unit production manager |
Perri Silver | ... | post production executive: A24 |
Second Unit Director or Assistant Director
Brittney Diez | ... | second second assistant director |
Katye Kalivoda | ... | second assistant director |
Joe McDougall | ... | first assistant director (as Joseph McDougall) |
Marten W. Piccinini | ... | first assistant director (as Marten Piccinini) |
Art Department
Mabel Barba | ... | additional graphics / wardrobe dept: graphic designer |
Alex Cooper | ... | swing |
Max Cooper | ... | prop master |
Christopher Gonzalez | ... | art intern |
Gary B. Gross | ... | props supplier |
Matthew Neumann | ... | prop master |
Marcos Quintas | ... | art pa |
Joseph E. Stone | ... | police picture cars |
Alexandra Tibbe | ... | leadman |
Sound Department
Coll Anderson | ... | re-recording mixer |
Christine E. Andrews | ... | production sound: project manager |
Valerio Brini | ... | re-recording mixer |
Duncan Clark | ... | dialogue/adr editor |
Mark Filip | ... | additional sound |
Andy Hay | ... | additional re-recording mixer |
Eric Huezo | ... | re-recording mix technician |
Vladimir Kerkez | ... | foley editor |
Juan Ortiz | ... | adr coordinator |
Matthew Petrick | ... | additional sound |
Jesse Pomeroy | ... | sound editor |
Jay Rubin | ... | senior vice-president of sound operations |
Matt Snedecor | ... | sound effects editor (as Matthew Snedecor) |
Aleksandra Stojanovic | ... | foley artist |
Kyle Weber | ... | boom operator |
Mark Weber | ... | sound mixer |
Chris White | ... | adr mixer |
Special Effects by
Jeremy S. Brock | ... | special effects set technician (as Jeremy Brock) |
Paul Damien | ... | special effects shop technician |
Peter Damien | ... | special effects coordinator (as Pete Damien) |
Harry Hurst | ... | special effects foreman |
Brandon Merlin | ... | special effects technician |
James L. Roberts | ... | special effects supervisor (as James Roberts) |
Visual Effects by
Wasselena Bilak | ... | visual effects production manager |
Jonathan Bouchard | ... | pipeline technical director |
Eloi Brunelle | ... | compositor |
Guillaume Chiavassa | ... | visual effects editor |
David Danesi | ... | visual effects producer |
Philippe Desiront | ... | visual effects supervisor: Digital District |
Maxime Dontigny | ... | compositor |
Pierre Dufour | ... | matte painter |
Jude Garnier | ... | visual effects editor (as Eve Garnier) |
Christine Hantzo-Stoll | ... | visual effects production manager (as Christine H. Stoll) |
Liliane Hudecova | ... | visual effects coordinator |
Loic Laurelut | ... | compositor / digital compositor |
Thomas Lhomme-Sorel | ... | fx artist / lighting artist: Digital District / tracking/matchmove artist (as Thomas Lhommesorel) |
Christelle Marcoux | ... | visual effects coordinator |
Nicolas Marion | ... | matte painter |
Sonia Marques | ... | visual effects producer: Digital District |
Ghislain Ouellette | ... | digital compositor |
Stéphane Paradis | ... | compositor |
Maxime Pearson | ... | compositor |
Mathieu Tremblay | ... | compositor |
Stunts
Jennifer Badger | ... | stunt double: Ashley |
Joop Katana | ... | stunts |
Richard Marrero | ... | stunts |
Jonathan Mercedes | ... | stunts |
Eric Miranda | ... | stunt coordinator: Play Safe |
Kevin Morgan | ... | supervising stunt coordinator |
Haley Nott | ... | stunts |
Digney Pozo | ... | stunts |
Marc Summers | ... | stunts |
Blanca Rosa Rosario | ... | stunt double: DCF Supervisor (uncredited) |
Camera and Electrical Department
Keith Bronsdon | ... | camera loader |
David Cook | ... | gaffer |
Henry Gelhart | ... | steadicam operator |
Don Gurzell | ... | best boy grip |
Alex V. Hurley | ... | video assist |
Anthony Ioannou | ... | steadicam operator |
Mike McGowan | ... | steadicam operator (as Michael McGowen Jr) |
Clayton Meng | ... | grip |
Pat Meng | ... | key grip |
Humberto Rico | ... | best boy electric |
Ognjen Sarovic | ... | a camera second assistant: additional |
Marc Schmidt | ... | still photographer |
Jake Schneiderman | ... | camera utility |
Osvaldo Silvera Jr. | ... | steadicam operator (as Osvaldo 'Ozzy' Silvera) |
Carla Sosa | ... | second assistant camera: "a" camera |
Harrison Thevenin | ... | still photographer |
Bas Tiele | ... | first assistant camera |
Rexx Villotti | ... | camera utility |
Casting Department
Michelle Cassidy | ... | casting intern |
Jennifer Conrader | ... | casting: Florida (as Jenny Conrad) |
Atsumi Foreman | ... | casting assistant: Crowdshot |
Chris Gaynor | ... | casting intern |
Abigael Grant | ... | casting assistant: Crowdshot |
Mark Mullen | ... | additional casting |
Linda Pereira | ... | casting assistant: Crowdshot |
Patti Wiley | ... | additional casting |
Costume and Wardrobe Department
Claudia Combee | ... | key costumer |
Luiie Otero | ... | costume assistant |
Julie S. Siegmund | ... | costume supervisor (as Julia S. Siegmund) |
Location Management
Darren Dean | ... | location scout |
John Garret | ... | location scout |
Stacey McGillis | ... | location manager / location scout |
Music Department
Max Aruj | ... | technical score assistant |
Dennis P. Coronel | ... | composer: additional music |
Matthew Hearon-Smith | ... | music supervisor |
Jack Norton | ... | composer: additional music |
Kitty Norton | ... | composer: additional music |
Steffen Thum | ... | technical score assistant |
Doug Walker | ... | composer: additional music |
Script and Continuity Department
Emily Pendas | ... | script supervisor |
Transportation Department
Tommy Kelly | ... | picture car coordinator |
Everett McClellan | ... | transportation captain (as Evert 'Jack' McClellan) |
Mike Rath | ... | assistant picture car coordinator |
Additional Crew
Nina Nahal Ameri | ... | production legal (as Nina Ameri) |
Björn Arnesen | ... | assistant production coordinator (as Bjorn Arnesen) |
Olivier Arnesen | ... | production coordinator |
Annie Avlon | ... | sales assistant |
Lorette Bayle | ... | for: Kodak Motion Picture Film |
Natalie Berk | ... | production office: LA |
Carles Berot | ... | marketing and creative services |
Dave Bishop | ... | head of worldwide acquisitions: Protagonist Pictures |
Emerald Black | ... | key set production assistant |
Laura Borowsky | ... | account executive |
Bradley Bowen | ... | stand-in |
Michael Brown | ... | for: Kodak Motion Picture Film |
Todd Burke | ... | for: Adobe |
Lisa Callif | ... | clearance counsel |
Haley Cerasuola | ... | production assistant |
Cameron Chidsey | ... | assistant to the producers |
Woo Jung Cho | ... | with: support from Cinereach |
Alex Coco | ... | assistant to the director / behind-the-scenes producer / stock footage researcher |
Khris Colgate | ... | set pa |
B. Ted Deiker | ... | head of physical production: June Pictures (as Ted Deiker) |
Marcus Demmon | ... | for: Mediasilo |
Charly Destombes | ... | press attache |
Milena Devincenzo | ... | additional set production assistant |
Ken DiGiorgio | ... | chef |
Philipp Engelhorn | ... | with: support from Cinereach |
Scott Ettin | ... | digital media manager |
Anne-Lise Fernandez | ... | operations manager: Protagonist Pictures |
Amy Fox | ... | stand-in |
Sabina Friedman-Seitz | ... | assistant to the producers |
Ellie Gibbons | ... | acquisitions manager: UK For Altitude |
Leah Giblin | ... | with: support from Cinereach |
Andrew Goldman | ... | with: support from Cinereach |
Mike Goodridge | ... | chief executive officer: Protagonist Pictures |
Gary B. Gross | ... | technical advisor: police |
Lon Haber | ... | publicity team |
George Hamilton | ... | director of international sales: Protagonist Pictures |
Simon Hanis | ... | office production assistant |
Clark Henderson | ... | head of theatrical: services |
Anne Hubbell | ... | for: Kodak Motion Picture Film |
Caroline Kaplan | ... | with: support from Cinereach |
Barbara Jean Kearney | ... | account executive |
Michael Keller | ... | stand-in |
Ian M. Kemp | ... | set medic |
Steve Lasky | ... | production staff |
Natalie Llerena | ... | production assistant |
Jon Longstaff | ... | production secretary |
Brora MacFarland | ... | key craft service (as Brora Doon MacFarland) |
Cassie Massa | ... | production office: LA |
Omar Mendez | ... | additional set production assistant |
Kristi Menyfield | ... | stand-in |
Benjamin Murray | ... | vice president of creative services |
Juan Ortiz | ... | set production assistant |
Bridget Pedgrift | ... | head of marketing: Protagonist Pictures |
Hannah Peterson | ... | set production assistant / stock footage researcher (as Hannah Logan Peterson) |
Mikal Philips | ... | stand-in |
James Pugh | ... | head of business affairs: Protagonist Pictures |
Samantha Quan | ... | acting coach |
Michael Raisler | ... | with: support from Cinereach |
Dori A. Rath | ... | production accountant |
Sascha Rice | ... | for: Kodak Motion Picture Film |
Mike Rizzuto | ... | account executive |
Bill Rodgers | ... | first assistant accountant |
Giovanni Rodriguez | ... | set production assistant |
Jeff Rotondi | ... | legal counsel |
Vanessa Saal | ... | head of worldwide sales: Protagonist Pictures |
Justin Schaefer | ... | assistant: to Alex Saks |
Mike Schaer | ... | medic |
Autumn Rae Shannon | ... | stand-in |
Beckett Smith-Levin | ... | stand-in |
Matt Thomas | ... | for: Mediasilo |
Dimitra Tsingou | ... | chief operating officer: Protagonist Pictures |
John Van Wyck | ... | with: support from Cinereach |
Rexx Villotti | ... | production assistant |
Essence Wallace Odomes | ... | outreach assistant |
Graciela Watrous | ... | coordinator: June Pictures |
Melissa West | ... | accounting clerk |
Elliott Whitton | ... | with: support from Cinereach |
Rebekah Wiggins | ... | stand-in |
Thanks
Joanne Argont | ... | special thanks |
Ramin Bahrani | ... | special thanks |
Gladys Caban | ... | special thanks |
Greg Calejo | ... | special thanks |
Vikram Chopra | ... | special thanks |
Victoria Devereaux | ... | special thanks |
Brandi Durling | ... | special thanks |
Eric Eckstein | ... | special thanks |
Sheena Fowler | ... | special thanks |
Leah Giblin | ... | thanks |
Andrew Goldman | ... | special thanks |
Clu Gulager | ... | special thanks |
Dennis Hauck | ... | special thanks |
Matthew Huffman | ... | special thanks |
Sheri Kebbel | ... | special thanks |
Kurt Leitner | ... | special thanks |
John Manning | ... | special thanks |
George 'Spanky' McFarland | ... | a special thanks from the director / special thanks: from the director for continuing inspiration |
Robert F. McGowan | ... | a special thanks from the director / special thanks: from the director for continuing inspiration |
Gus Meins | ... | a special thanks from the director / special thanks: from the director for continuing inspiration |
Paul Mezey | ... | special thanks |
James Ransone | ... | special thanks |
Sascha Rice | ... | special thanks |
Hal Roach | ... | a special thanks from the director / special thanks: from the director for continuing inspiration |
Marco Rubio | ... | special thanks: Senator |
Josh Safdie | ... | special thanks |
Rick Scott | ... | special thanks: Governor of Florida |
Christopher Slager | ... | special thanks |
Josh Sussman | ... | special thanks |
Tristen Tuckfield | ... | special thanks |
Ti West | ... | special thanks |
Elliott Whitton | ... | thanks |
Production Companies
Distributors
- A-One Films (2018) (Russia) (theatrical)
- A24 (2017) (United States) (theatrical)
- Altitude Film Entertainment (2017) (United Kingdom) (theatrical)
- Diamond Films (2018) (Argentina) (theatrical)
- Diamond Films (2018) (Bolivia) (theatrical)
- Diamond Films (2018) (Brazil) (theatrical)
- Diamond Films (2018) (Chile) (theatrical)
- Diamond Films (2018) (Colombia) (theatrical)
- Diamond Films (2018) (Spain) (theatrical)
- Diamond Films (2018) (Mexico) (theatrical)
- Diamond Films (2018) (Peru) (theatrical)
- Finnkino (2018) (Finland) (theatrical)
- Le Pacte (2017) (France) (theatrical)
- Le Pacte (2024) (France) (theatrical) (re-release)
- Prokino Filmverleih (2018) (Germany) (theatrical)
- Reality Entertainment (2018) (Philippines) (theatrical)
- September Film (2018) (Netherlands) (theatrical)
- Seven Films (2017) (Greece) (theatrical)
- Shaw Organisation (2018) (Singapore) (theatrical)
- The Klockworx (2018) (Japan) (theatrical)
- Twentieth Century Fox (2018) (Germany) (theatrical)
- Alambique Destilaria de Ideias (2018) (Portugal)
- Altitude Film Entertainment (2017) (United Kingdom)
- ETV 2 (2018) (Estonia) (tv)
- Elevation Pictures (2017) (Canada)
- EuroVideo (2018) (Germany) (Blu-ray) (ProKino)
- EuroVideo (2018) (Germany) (DVD) (ProKino)
- Film1 (2018) (Netherlands) (tv) (limited)
- Filmarti (2017) (Turkey)
- Filmcoopi Zürich (2017) (Switzerland)
- Front Row Filmed Entertainment (2018) (United Arab Emirates) (Middle East, North Africa & Iran)
- IPA Asia Pacific (2018) (Thailand)
- M2 Films (2017) (Poland)
- StudioCanal Germany (2021) (Germany) (Blu-ray)
- StudioCanal Germany (2021) (Germany) (DVD)
- Universal Sony Pictures Home Entertainment Nordic (2018) (Finland) (Blu-ray) (DVD)
- Yleisradio (YLE) (2019) (Finland) (tv)
Special Effects
- Digital District (visual effects)
Other Companies
- ACA TV & Radio Production (TV footage provided courtesy of)
- Adrenaline Films (audio services)
- Brauer & Co. (film tax credits)
- C.A. Sound (sound facility)
- Cannes Film Festival (festival)
- Cinereach (funding)
- Cookie Jar Food Services (catering)
- Cosmo Street Editorial (editing rooms)
- Fintage CAM (collection account management)
- Fox Run Brands (TV footage provided courtesy of)
- HUB International Insurance Services (insurance)
- Harvest Direct (TV footage provided courtesy of)
- IndieClear (script clearance)
- JPTV Media Productions (TV footage provided courtesy of)
- MediAdvertising (promo and marketing material production) (Hong Kong region)
- Montage Catering (catering)
- National Express (TV footage provided courtesy of)
- New York State Governor's Office for Motion Picture & Television Development (post production credit program)
- Orlando Film Commission (thanks)
- Panavision (camera equipment provided by)
- Play Safe (stunt coordination)
- Sunspots Productions (adr services)
- Sweet Tomato Films (Production Service Company)
- Technicolor Postworks New York (digital intermediate)
- Technicolor Postworks New York (sound facility)
- Telebrands (TV footage provided courtesy of)
- Toronto International Film Festival (festival)
- Trade Audio Visual (walkie talkies)
- Visual Data Media Services (digital asset servicing, quality assurance)
Storyline
Plot Summary |
Halley lives with her six year old daughter Moonee in a budget motel along one of the commercial strips catering to the Walt Disney World tourist clientele outside Orlando, Florida. Halley, who survives largely on welfare, has little respect for people, especially those who cross her, it an attitude that she has passed down to Moonee, who curses and gives the finger like her mother. Although the motel's policy is not to allow long term rentals, Bobby, the motel manager, has made arrangements for people like Halley to live there while not undermining the policy as he realizes that many such tenants have no place to go otherwise. Halley, Moonee and Moonee's friends, who live in the motel or others like it along the strip and who she often drags into her disruptive pranks, are often the bane of Bobby's existence, but while dealing with whatever problem arises, Bobby has a soft spot especially for the children and thus, by association, their parents, as he knows that Moonee and others like her are just children acting like a children under whatever guidance they have, Moonee who has less guidance than most. Although there are some lines which he will not tolerate to be crossed, Bobby lets most of the disruptive things that they do go, largely as long as it does not affect the bread and butter of the motel, namely the tourist trade. The summer in this collective is presented, when Moonee and her friends, such as Scooty, are out of school and are left largely to their own devices while self-absorbed Halley does whatever she wants, often just staying in the room watching TV. Halley is supposed to look after Scooty, the son of Halley's friend Ashley, they who live in the unit immediately underneath Halley and Moonee's, while Ashley is at work at a local diner. In turn, Ashley pilfers cooked meals from the diner to feed Halley, Moonee and Scooty. Over the course of the summer, Halley systematically begins to alienate one by one the people who are her unofficial support by responding with that disrespect to anything she feels is against her. As such, Halley begins to take more and more extreme measures to maintain the life she leads with Moonee. Written by Huggo |
Plot Keywords | |
Taglines | Find Your Kingdom. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Official Sites | |
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Sound Mix | |
Filming Locations |
Box Office
Budget | $2,000,000 (estimated) |
Opening Weekend United States | $157,553, 08 Oct 2017 |
Did You Know?
Trivia | Christopher Rivera was an 8-year-old living with his mother at the Paradise Inn in Kissimmee, Florida, when crew members spotted him. He earned enough money on the film for his family to move out of the motel and into an apartment. After the film came out, Rivera was offered a full scholarship to Rollins College, a private four-year college in Winter Park, Florida, and ongoing support for his education to prepare him for college. See more » |
Goofs | Magic Castle and Futureland Inn are not next door as movie portrayed. Futureland is 2.8 miles East from Magic Castle. See more » |
Movie Connections | Featured in The Florida Project (2017). See more » |
Soundtracks | Celebration See more » |
Crazy Credits | "This film is not authorized, sponsored, endorsed, produced, or distributed by, or in any way officially associated with the Walt Disney Company, Walt Disney World Resort in Florida, Disney Enterprises, Inc., or any of its subsidiaries or its affiliates." See more » |
Quotes |
Moonee:
You know why this is my favorite tree? Jancey: Why? Moonee: 'Cause it's tipped over, and it's still growing. See more » |