The number 10 in the title is a clue: this is just assembly line porn exploiting the curious interest in transsexuals, but redundant in the extreme. I sampled a couple of titles in this series back to back and let's call it a Sominex moment.
Only oddity is the vagaries of billing and packaging. Buxom actress Gia Darling gets credit from niche distributor Third World Media for directing this stuff, but clearly it's Italian footage (unsubtitled) imported to the U.S. for a limited audience here. In #7 she appears on screen doing some wraparound hosting duties and gets a possessive "Gia Darling's" in the title (I have always hated these phony baloney credits, dating back to Monty Python's The Meaning of Life, Sidney Sheldon's Bloodline, Jacqueline Susann's The Love Machine and Jacqueline Susann's Once Is Not Enough), but by this #10 in the series, her name is no longer in the title and her pretty face absent entirely. Go figure.
Four segments follow the usual, regimented pattern: TS females with big tits and big dicks; malleable male "talent" willing to take one for the team, and an inevitable cis-female for variety's sake. The mechanical sex is what makes it a snooze, and I can bet you anything that there is no cis-female audience for this junk, merely male voyeurs, not exactly red-blooded but given to fantasize along the lines of "what if my girlfriend had a bigger dick than I have?". To suggest such customers are closet queens might be disingenuous on my part.
Only oddity is the vagaries of billing and packaging. Buxom actress Gia Darling gets credit from niche distributor Third World Media for directing this stuff, but clearly it's Italian footage (unsubtitled) imported to the U.S. for a limited audience here. In #7 she appears on screen doing some wraparound hosting duties and gets a possessive "Gia Darling's" in the title (I have always hated these phony baloney credits, dating back to Monty Python's The Meaning of Life, Sidney Sheldon's Bloodline, Jacqueline Susann's The Love Machine and Jacqueline Susann's Once Is Not Enough), but by this #10 in the series, her name is no longer in the title and her pretty face absent entirely. Go figure.
Four segments follow the usual, regimented pattern: TS females with big tits and big dicks; malleable male "talent" willing to take one for the team, and an inevitable cis-female for variety's sake. The mechanical sex is what makes it a snooze, and I can bet you anything that there is no cis-female audience for this junk, merely male voyeurs, not exactly red-blooded but given to fantasize along the lines of "what if my girlfriend had a bigger dick than I have?". To suggest such customers are closet queens might be disingenuous on my part.