Sweet Dreams (2016)
Fai bei sogni (original title)Reference View | Change View
- 2h 11min
- Drama, Romance
- 10 Nov 2016 (Italy)
- Movie
- 5 wins & 20 nominations.
- See more »
Photos and Videos
Cast
Directed by
Marco Bellocchio |
Written by
Massimo Gramellini | ... | (novel) |
Edoardo Albinati | ... | (screenplay) & |
Marco Bellocchio | ... | (screenplay) & |
Valia Santella | ... | (screenplay) |
Produced by
Amra Baksic Camo | ... | service producer: Bosnia and Herzegovina |
Beppe Caschetto | ... | producer |
Paolo Del Brocco | ... | co-producer |
Adis Djapo | ... | line producer: Bosnia and Herzegovina |
Simone Gattoni | ... | executive producer |
Alexandra Henochsberg | ... | co-producer |
Attilio Moro | ... | line producer |
Music by
Carlo Crivelli |
Cinematography by
Daniele Ciprì |
Editing by
Francesca Calvelli |
Editorial Department
Michele De Angelis | ... | on-line editor |
Christian Gazzi | ... | digital color grading |
Claudio Misantoni | ... | assistant editor |
Casting By
Stefania De Santis |
Production Design by
Marco Dentici | ... | (production design) |
Set Decoration by
Lily Pungitore |
Costume Design by
Daria Calvelli |
Makeup Department
Roberta D'Alessio | ... | makeup artist |
Flaminia Gentili | ... | assistant hair stylist |
Katia Lentini | ... | key makeup artist |
Claudia Tozzi | ... | additional makeup artist |
Production Management
Primo De Santis | ... | post-production manager |
Massimo Di Rocco | ... | unit production manager |
Daniele Esposito | ... | unit production manager |
Amira Lekic | ... | production manager: Bosnia and Herzegovina |
Attilio Moro | ... | production manager |
Rossella Tarantino | ... | unit manager |
Second Unit Director or Assistant Director
Manuel Carlucci | ... | second assistant director |
Irene Caselli | ... | third assistant director |
Lucille Cristaldi | ... | first assistant director |
Daniele Fabrizi | ... | second second assistant director |
Art Department
Veronica Gambacurta | ... | painter |
Laura Inglese | ... | assistant production designer |
Paolo Nanni | ... | on set props |
Sound Department
Antonio Barba | ... | sound mixer |
Gianluca Basili | ... | sound effects editor |
Sergio Basili | ... | foley artist |
Roberto Cappannelli | ... | re-recording mixer |
Gaetano Carito | ... | sound mixer |
Pierpaolo Lorenzo | ... | boom operator |
Lilio Rosato | ... | dialogue editor |
Antonio Tirinelli | ... | sound effects editor |
Special Effects by
Pasquale Catalano | ... | special effects coordinator |
Franco Galiano | ... | snow effects technician |
Visual Effects by
Freweini Ghebresellasie | ... | visual effects coordinator |
Fabio Luongo | ... | lead compositor |
Stefano Marinoni | ... | visual effects supervisor |
Alessandro Salis | ... | lead compositor |
Marco Salvatori | ... | digital compositor |
Paola Trisoglio | ... | visual effects producer |
Camera and Electrical Department
Asia Abbatangelo | ... | second assistant camera |
Pier Giorgio Bellocchio | ... | camera operator: "b" camera |
Domenico Caiuli | ... | gaffer |
Mauro Calanca | ... | first assistant camera |
Matteo Carlesimo | ... | steadicam operator |
Faris Dobraca | ... | first assistant camera: "b" camera |
Roberto Fucci | ... | key grip |
Paolo Furlanelli | ... | additional digital imaging technician |
Massimo Lazzara | ... | key grip |
Simone Martinetto | ... | still photographer |
Angelo Pace | ... | grip |
Marco Pasini | ... | first assistant camera: "b" camera |
Adnan Pertef | ... | best boy |
Alessandro Raimondo | ... | electrician |
Francesco Saccani | ... | grip |
Alessandro Serranò | ... | digital imaging technician (as Alessandro Serrano) |
Admir Strbo | ... | lighting technician |
Gae Vanzo | ... | video assist (as Gaetano Vanzo) |
Casting Department
Valentina Barato | ... | casting |
Brenda Civico | ... | casting |
Timka Grin | ... | additional casting: Sarajevo |
Sara Patti | ... | casting: turin |
Dorval Pittaluga | ... | extras casting assistant |
David Sdrubolini | ... | extras casting |
Costume and Wardrobe Department
Ina Arnautalic | ... | Local Costume Supervisor |
Maya Gili | ... | additional wardrobe |
Olga Michalowska | ... | assistant costume designer |
Susanna Razzi | ... | additional set costumer |
Location Management
Alessandra Curti | ... | location manager |
Ensar Halilovic | ... | location manager: Bosnia and Herzegovina |
Music Department
Davide Canori | ... | music consultant |
Marco Testoni | ... | music consultant |
Paola Vanoni | ... | music supervisor |
Script and Continuity Department
Anja Maksimovic | ... | script supervisor |
Tania Scalercio | ... | script supervisor |
Transportation Department
Haris Kamencic | ... | transportation captain: Bosnia and Herzegovina |
Additional Crew
Olivia Alighiero | ... | press |
Walter Arrighetti | ... | post-production technical director |
Tea Cappiello | ... | production coordinator |
Primo De Santis | ... | post-production manager |
Lamija Djapo | ... | production accountant: Bosnia and Herzegovina (as Lamija Muminovic) |
Luca E. Galzignato | ... | production assistant (as Luca Galvignato) |
Alessio Lazzareschi | ... | legal services |
Ida Makarevic | ... | production coordinator: Bosnia and Herzegovina |
Kerim Masovic | ... | production assistant: Bosnia and Herzegovina |
Francesco Pabilla | ... | production assistant |
Adnan Pavlovic | ... | production coordinator: Bosnia and Herzegovina |
Flavia Schiavi | ... | press |
Thanks
Francesco Scianna | ... | special thanks |
Production Companies
- IBC Movie
- Kavac Film
- Rai Cinema
- Ad Vitam Production
- Ministero dei Beni e delle Attività Culturali e del Turismo (MiBACT) (support)
- Film Commission Torino-Piemonte (support)
- Film Investment Piedmont (FIP) (support)
- ARTE
- Banca Sella Patrimoni
- Canal+
- Ciné+
- Film Commission Torino-Piemonte
- Film Investment Piedmont (FIP)
- Regione Lazio
Distributors
- Future Film (2016) (Finland)
- Soda Pictures (2017) (United Kingdom) (theatrical)
- 01 Distribution (2016) (Italy) (theatrical)
- Ad Vitam Distribution (2016) (France) (theatrical)
- Aya Pro (2017) (Japan) (theatrical)
- Cinemien (2016) (Belgium) (theatrical)
- Cinemien (2016) (Netherlands) (theatrical)
- Filmperlen (2017) (Germany) (theatrical)
- Future Film (2017) (Denmark) (theatrical)
- Future Film (2017) (Iceland) (theatrical)
- Future Film (2017) (Norway) (theatrical)
- Future Film (2017) (Sweden) (theatrical)
- Lev Cinemas (2017) (Israel) (theatrical)
- Mares Filmes (2016) (Brazil) (theatrical)
- MegaCom Film (MCF) (2017) (Bosnia & Herzegovina) (theatrical)
- MegaCom Film (MCF) (2017) (Croatia) (theatrical)
- MegaCom Film (MCF) (2017) (Serbia) (theatrical)
- MegaCom Film (MCF) (2017) (Slovenia) (theatrical)
- Mirada Distribution (2017) (Argentina) (theatrical)
- Seven Films (2017) (Greece) (theatrical)
- VerCine (2017) (Spain) (theatrical)
- Alambique Destilaria de Ideias (2017) (Portugal)
- Encripta (2018) (Brazil) (video) (VOD)
- Filmcoopi (2016) (Switzerland)
- Future Film (2017) (Finland)
- La Aventura (2017) (Spain)
- Thunderbird Releasing (2016) (United Kingdom)
- Transeuropa Video Entertainment (TVE) (2017) (Argentina) (DVD)
Special Effects
Other Companies
- Frame by Frame (post-production)
- Movie Palace Srls (costume and wardrobe providor)
- New Digital (sound effects track)
- SCCA / pro.ba (production service) (Bosnia)
- Studio PuntoeVirgola (publicity)
Storyline
Plot Summary |
Always inseparable with his beloved and joyful young mother, 9-year-old Massimo, now has to endure the tremendous blow from her death and the insufferable burden of accepting his loss. But no, this can't be true, his mother could not have died of a sudden heart attack. She simply cannot be his guardian angel from heaven, because Massimo, strongly believes that his vital mother is very much alive, temporarily residing in the United States. As the years pass by, profoundly traumatised little Massimo still refusing to accept the tragic event, he will silently continue carrying grief's heavy load on his shoulders, growing up to become a distant and detached journalist who chose to shut down his emotions, not out of revenge, but in order to survive. However, inevitably, after the death of his father, Massimo will need to confront his past in the very source of his persisting anguish, his house, react to the pain, refuse to be a victim, and ultimately, face courageously a well-hidden truth that was kept in the family for over thirty years. Written by Nick Riganas |
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Parents Guide | Add content advisory for parents » |
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Box Office
Budget | EUR5,000,000 (estimated) |
Opening Weekend Italy | EUR455,455, 13 Nov 2016 |
Did You Know?
Trivia | The film was shot entirely in Turin and the filming began on 4 May 2015 and lasted eight weeks. See more » |
Movie Connections | Features Nosferatu (1922). See more » |
Quotes |
Massimo bambino:
Dearest Mum, I implore you, please don't leave me, have mercy, may light shine on you always, all your life close to me. Stay with me, I implore you, don't leave me, don't leave me. Stay with me, I implore you... See more » |