Frankenstein (2015)
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- R
- 1h 29min
- Horror, Sci-Fi
- 29 Oct 2015 (Turkey)
- Movie
A married couple of scientists create a modern-day monster.
Director:
Writers:
Awards:
- 3 wins.
- See more »
Photos and Videos
Cast
Xavier Samuel | ... |
Adam
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Carrie-Anne Moss | ... |
Elizabeth
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Danny Huston | ... |
Victor
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Matthew Jacobs | ... |
Dr. Marcus
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Dave Pressler | ... |
Dr. Pretorius
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Peter Adrian Sudarso | ... |
Guard 1
(as Peter Sudarso)
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Steve Hart | ... |
Guard 2
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Mckenna Grace | ... |
Molly
(as McKenna Grace)
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Rob Mars | ... |
Officer Crawford
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Ron Roggé | ... |
Officer Woodcock
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Myke Michaels | ... |
Vigilante Mob 1
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Christopher David | ... |
Vigilante Mob 2
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Mary Gallagher | ... |
Amy Johnson
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John Lacy | ... |
Mark Rubin
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Jeff Hilliard | ... |
Officer Banks
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Jorge-Luis Pallo | ... |
Officer Lincoln
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Jeordie White | ... |
Skid Row Man
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Tony Todd | ... |
Eddie
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LaDell Preston | ... |
Gangbanger 1
(as Ladell Preston)
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Jay Hawkins | ... |
Gangbanger 2
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Jerry Ying | ... |
Paramedic
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Maya Erskine | ... |
Wanda
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James Lew | ... |
Hotel Manager
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Nils Allen Stewart | ... |
Construction Worker
(as Nils Stewart)
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Ric Wetzel | ... |
Officer Dehany
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Rest of cast listed alphabetically: | |||
Quinn C. Ford | ... |
Girl On Phone Video
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Carlton Caudle | ... |
Agent Fisher (uncredited)
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Conor Charles | ... |
Skid Row Man (uncredited)
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Mark Casimir Dyniewicz Jr. | ... |
Heroin Addict (uncredited)
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Julie Marcus | ... |
GPS (uncredited) (voice)
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Adam Nagaitis | ... |
Winthrop (uncredited)
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Sandra Rosko | ... |
Pedestrian (uncredited)
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Tim Scanlon | ... |
Police Officer (uncredited)
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Carol Anne Watts | ... |
Lopez (uncredited)
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Directed by
Bernard Rose |
Written by
Bernard Rose | ... | () |
Mary Shelley | ... | (novel "Frankenstein") |
Produced by
Christian Angermayer | ... | producer |
Gabriela Bacher | ... | producer |
Conor Charles | ... | co-producer |
Mohammed Hans Dastmaltchi | ... | executive producer |
Klemens Hallmann | ... | producer |
Marc Hansell | ... | executive producer |
Avi Lerner | ... | executive producer |
Elisa Lleras | ... | line producer |
Heidi Jo Markel | ... | producer |
Jennifer Holliday Morrison | ... | producer |
Yasin Qureshi | ... | executive producer |
Natalie Wadlert | ... | associate producer |
Music by
Halli Cauthery |
Cinematography by
Candace Higgins |
Editorial Department
Chris Armstrong | ... | mastering |
James Brill | ... | digital intermediate conform artist |
Jessica Clarke | ... | digital intermediate producer |
James Cotten | ... | digital intermediate executive producer |
Robert A. Haynes | ... | mastering |
Lee Hultman | ... | digital intermediate colorist |
Jeremy R. Keller | ... | assistant editor |
Leandro Marini | ... | digital intermediate supervising colorist |
Borja Ribes Blanquer | ... | digital intermediate conform artist |
Andrew J. Wahlquist | ... | digital intermediate technologist |
Casting By
Michelle Lewitt |
Production Design by
Bradd Fillmann |
Art Direction by
Rae Deslich | ||
Rob Simons |
Costume Design by
Julia Clancey |
Makeup Department
Sarah Benjamin-Hall | ... | assistant makeup artist (as Sarah Hall) |
Jennifer Cabezas | ... | key makeup artist |
Karicean Karen Dick | ... | hair department head / head hair department |
Daran Holt | ... | prosthetics |
Taschi Lynell | ... | key hair stylist |
Kimberly O'Connor | ... | hair stylist |
Jennifer M. Quinteros | ... | makeup department head |
Chris Sanchez | ... | assistant makeup artist |
Calvin Scott | ... | special makeup effects artist |
Randy Westgate | ... | special makeup effects artist |
Production Management
Alvaro R. Valente | ... | unit production manager |
Second Unit Director or Assistant Director
Jordan Little | ... | first assistant director |
Evan L. Robichaud | ... | second assistant director |
Chris Woods | ... | second second assistant director |
Art Department
Carina Berlin | ... | set dresser |
Vicky Chan | ... | prop master |
Jenna Craig | ... | on-set dresser |
Michelle Dokos | ... | art assistant |
Yuri Elvin | ... | art swing |
Zander Fieschko | ... | on set dresser |
Molly Patterson | ... | art assistant |
Laura Rigby | ... | art coordinator |
Nick Schmalzried | ... | set dresser |
Michael 'Stouty' Stout | ... | lead carpenter |
Sound Department
Kyle Arzt | ... | additional re-recording mixer |
Ian Beeuwkes | ... | boom operator |
Benjamin James Bradshaw | ... | foley mixer |
Ryan Briley | ... | adr supervisor |
Eric I. Bucklin | ... | sound mixer |
Peter Burgis | ... | foley artist |
Robert Dehn | ... | sound studio manager |
Chris Diebold | ... | sound effects editor |
Isaiah Duncan | ... | foley editor |
Tess Fournier | ... | assistant sound editor |
Trevor Gates | ... | sound designer / supervising sound editor |
Glen Gathard | ... | foley mixer |
Angela Hemingway | ... | dialogue editor |
Joe Jackson | ... | additional adr mixer (as Jo Jackson) |
Richard Kitting | ... | re-recording mixer |
Derek McGinley | ... | adr mixer |
James Miller | ... | sound effects editor |
Scott Neff | ... | foley editor |
Chris Terhune | ... | sound effects editor |
Vicki Vandegrift | ... | foley artist |
Special Effects by
Dnelle Almanza | ... | special effects crew |
Mia Moore | ... | special effects technician |
Visual Effects by
Kristen Branan | ... | head of production: Zoic Studios |
James Cotten | ... | executive effects producer |
Matt Lathrom | ... | visual effects artist: Local Hero |
Patrick Lomantini II | ... | visual effects artist (as Patrick Lomantini) |
Worth Bjorn Walters | ... | visual effects supervisor |
Stunts
Carl Ciarfalio | ... | stunt rigger / stunts |
Christopher David | ... | stunt performer |
James Lew | ... | stunt rigger |
Myke Michaels | ... | stunt performer |
Jeff Mortensen | ... | stunt double: Monster |
Crystal Santos | ... | stunt double: "Elizabeth" / water safety |
Booboo Stewart | ... | stunt rigger / stunts / water safety |
Nils Allen Stewart | ... | stunt coordinator |
Carol Anne Watts | ... | stunt rigger |
Camera and Electrical Department
Tim Balcomb | ... | digital imaging technician |
Gavin Davenport | ... | electrician |
Candace Higgins | ... | first assistant camera |
Larry Hurt | ... | crane technician: dailies |
Bob Low | ... | best boy |
Colin MacDonnell | ... | grip |
Joseph Matarrese | ... | key grip |
Alex Miller | ... | swing grip & electric |
John Morgan | ... | grip |
Mark Parsons | ... | camera production assistant |
Britt Ringer | ... | second assistant camera |
Stefan Silvers | ... | gaffer |
Kacper Skowron | ... | electrician |
Marc Villafan | ... | electrician |
Erick Vizcaino | ... | best boy grip |
Costume and Wardrobe Department
Corina Marinescu | ... | key costumer |
Location Management
Lara Costa Calzado | ... | location assistant |
Quinn McLean | ... | location assistant |
Jillian Stricker | ... | location manager |
Jane Stupp-O'Neill | ... | location assistant (as Jane Stupp O'Neill) |
Tommy Woodard | ... | key assistant location manager |
Script and Continuity Department
Erika Sanz Corbacho | ... | script supervisor |
Transportation Department
Stuart Clayson | ... | Driver SFX |
Additional Crew
Meric Aydin | ... | development executive |
Tyler Baker | ... | stand-in: monster |
Brent Bredwell | ... | set production assistant |
MJ Caballero | ... | assistant production office coordinator |
Mitchell Clark | ... | stand-in: monster |
Kyle Dare | ... | key set production assistant |
Stephen R Foreht | ... | production counsel (as Stephen Foreht) / production counsel |
Sinan Germirli | ... | assistant: Jennifer Holliday Morrison |
Brianna Gorton | ... | researcher |
Cem Gürsel | ... | creative executive |
Robert A. Haynes | ... | quality control |
Damon Jones | ... | production assistant / set production assistant |
Matthew D. Kerr | ... | set production assistant |
Rouslan Ovtcharoff | ... | head of marketing: Millennium Films |
Edouard Sonet | ... | French subtitles |
Danielle Suarez | ... | production coordinator |
Ryan Unger | ... | set production assistant |
Shirah Wagner | ... | assistant |
Harrison Woliner | ... | set production assistant (as Harry Woliner) |
Peggy Yen | ... | production accountant |
Kyle Cooper | ... | development executive (uncredited) |
Production Companies
Distributors
- Academy of Dramatic Arts Zagreb (2015) (Croatia) (theatrical)
- Alchemy (2015) (United States) (theatrical)
- Batrax Entertainment (2016) (Non-US)
- California Filmes (2015) (Brazil)
- EuroVideo (2016) (Germany) (DVD)
- Film & TV House (2015) (Non-US)
- GEM Entertainment (2015) (Non-US)
- Signature Entertainment (2015) (United Kingdom)
Special Effects
Other Companies
- Chapman/Leonard Studio Equipment (camera dollies)
- HVT Casting (police supporting artists)
- Hollywood & Vine Talent Casting (police supporting artists)
- MovieScore Media (soundtrack)
- Real by Fake (post-production facilities)
- Visual Data Media Services (digital asset servicing, world-wide servicing)
- Visual Icon (exclusive clip and still licensing)
Storyline
Plot Summary |
Set in present day Los Angeles and told entirely from the perspective of the Monster. After he is artificially created, then left for dead by a husband-and-wife team of eccentric scientists, Adam is confronted with nothing but aggression and violence from the world around him. This perfect creation-turned disfigured monster must come to grips with the horrific nature of humanity. |
Plot Keywords | |
Taglines | Man is the true monster. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
Additional Details
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Did You Know?
Trivia | The MPAA number at the end of the film (#47714) is the same on both "Frankenstein" (2015) and "The Place Beyond The Pines" (2012). See more » |
Goofs | At the end, Elizabeth is dead. But when Adam carries her, her arm is completely wrapped around his neck as he carries her to the fire. A dead person's arm could not maintain such a position, even if placed there by the carrier; only a live person, using muscles, would be able to keep the arm up like that. Without muscles, it would just hang down behind him. Also, as he carries her, his left arm is supporting her torso and her head is upright. Again, a head maintaining such a position would be impossible for a dead person. A dead person would have no muscles to keep a head up. Instead, it would droop backwards in the direction of gravity. Finally, as he places her down on the burning logs, her head slowly descends, whereas it should fall down, since, again, there are no working muscles to control its descent. All of this is also true if she were merely unconscious. See more » |
Movie Connections | Referenced in The Candyman Legacy with Tony Todd (2015). See more » |
Soundtracks | Mannish Boy See more » |