The opening sequence takes place in a bus station.
A man already known (to the viewer) to be "the" brainwashed agent who is going to unleash the virus begins a pleasant interaction with a female passenger also waiting for her bus.
She has young son.
The man continues his pleasant and harmless conversation with the two of them. He seems innocuous.
Then the mother explains that she is travelling by bus on a long holiday because she feels she has to do her bit for the planet.
This seems to trigger something in the man and, with a pleasant and friendly smile on his face, he asks (referring to the boy) "why did you have HIM then?" There follows a two minute set-piece (the mother caught off-guard by what the man is saying about the impact of having a child on the planet) that is as memorable as anything you are ever likely to see now or in the future.
It is right up there with the scene in FIVE EASY PIECES where Jack Nicholson tries to get a simple tomato sandwich.
In the beginning of the last episode of the second season, this scene, moreso than the actual ending of the episode, is the "payoff" for the whole series to date.
That single scene is brilliant.
And the use of color and lighting (just found out the series won an award for this) continues to be remarkable.
As an extra bonus, there is another scene where the viewer gets to see one of the most ingenious "locked room murders" ever.
As for the arc of this finale, much of it is spent (as might be expected) setting up the third season, so, to be fair, that takes away some of the punch.
But, with this show, it is not the destination. It is clearly the journey.
A man already known (to the viewer) to be "the" brainwashed agent who is going to unleash the virus begins a pleasant interaction with a female passenger also waiting for her bus.
She has young son.
The man continues his pleasant and harmless conversation with the two of them. He seems innocuous.
Then the mother explains that she is travelling by bus on a long holiday because she feels she has to do her bit for the planet.
This seems to trigger something in the man and, with a pleasant and friendly smile on his face, he asks (referring to the boy) "why did you have HIM then?" There follows a two minute set-piece (the mother caught off-guard by what the man is saying about the impact of having a child on the planet) that is as memorable as anything you are ever likely to see now or in the future.
It is right up there with the scene in FIVE EASY PIECES where Jack Nicholson tries to get a simple tomato sandwich.
In the beginning of the last episode of the second season, this scene, moreso than the actual ending of the episode, is the "payoff" for the whole series to date.
That single scene is brilliant.
And the use of color and lighting (just found out the series won an award for this) continues to be remarkable.
As an extra bonus, there is another scene where the viewer gets to see one of the most ingenious "locked room murders" ever.
As for the arc of this finale, much of it is spent (as might be expected) setting up the third season, so, to be fair, that takes away some of the punch.
But, with this show, it is not the destination. It is clearly the journey.