Tim's Vermeer (2013)
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- PG-13
- 1h 20min
- Documentary, History
- 17 Jan 2014 (UK)
- Movie
Inventor Tim Jenison seeks to understand the painting techniques used by Dutch Master Johannes Vermeer.
Director:
Writers:
Stars:
Awards:
- Nominated for 1 BAFTA Film Award. Another 1 win & 5 nominations.
- See more »
Photos and Videos
Cast
| Tim Jenison | ... |
Self
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| Penn Jillette | ... |
Self
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| Martin Mull | ... |
Self
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Philip Steadman | ... |
Self
(as Prof. Philip Steadman)
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| David Hockney | ... |
Self
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Colin Blakemore | ... |
Self
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Leslie Jenison | ... |
Self
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Eric Armitage | ... |
Self
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Daniëlle Lokin | ... |
Self
(as Daniélle Lokin)
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Bob Groothuis | ... |
Self
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Ankie Bonnet | ... |
Self
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Ruth Steadman | ... |
Self
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Mike Hayes | ... |
Self
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Nicola Vigini | ... |
Self
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Graham Toms | ... |
Self
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Claire Jenison | ... |
Self
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Luren Jenison | ... |
Self
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Natalie Jenison | ... |
Self
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| Rest of cast listed alphabetically: | |||
| Teller | ... |
Self (uncredited)
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Directed by
| Teller | ||
Written by
| Penn Jillette | ... | (written by) |
| Teller | ... | (written by) |
Produced by
| Glenn S. Alai | ... | executive producer |
| Peter Adam Golden | ... | executive producer |
| Natalie Jenison | ... | associate producer |
| Tim Jenison | ... | executive producer |
| Penn Jillette | ... | producer |
| Teller | ... | executive producer |
| Farley Ziegler | ... | producer |
Music by
| Conrad Pope | ||
Cinematography by
| Shane F. Kelly | ... | director of photography |
Editing by
| Patrick Sheffield | ||
Editorial Department
| Nick Smith | ... | colorist / on-line editor |
| Daniel Stuyck | ... | color assist |
Makeup Department
| Phylis Bond | ... | makeup artist: Las Vegas, Nevada |
| Jessie Deol | ... | makeup artist: London, England |
Production Management
| James Harris | ... | production manager: London, England |
Sound Department
| Larry Blake | ... | re-recording mixer |
| Marcus Clotfelter | ... | sound: Las Vegas, Nevada |
| Matt Coby | ... | dialogue editor |
| Yohan Forbes | ... | sound: London, England |
| Allen Green | ... | sound: San Antonio, Texas |
| Reddi Rich | ... | recording engineer: narration (as Reddi-Rich Herren) |
| Billy Theriot | ... | sound editor |
| Steven van Dijk | ... | sound: The Netherlands (as Steven Van Sijk) |
| Scott Wildfong | ... | sound: Las Vegas, Nevada |
Visual Effects by
| Clint Beckwith | ... | compositor |
| Jarrod Davis | ... | digital effects artist |
| Dave Jerrard | ... | computer-generated imagery / digital effects artist |
| Rob Powers | ... | digital effects artist |
| Graham Toms | ... | digital effects artist |
Camera and Electrical Department
| Darren Abate | ... | additional camera |
| Robert M. Berger | ... | cameraman: The Netherlands |
| Carlos Boillat | ... | camera department intern: San Antonio, Texas |
| Gary Day | ... | additional camera |
| Leslie Jenison | ... | additional camera |
| Natalie Jenison | ... | additional camera |
| Tim Jenison | ... | additional camera |
| James Lewis | ... | camera assistant: London, England |
| Stuart McSpadden | ... | camera operator: San Antonio, Texas / digital imaging technician: San Antonio, Texas |
| Kevin Nations | ... | additional camera |
| Ben Newberry | ... | digital imaging technician: Las Vegas, Nevada |
| Rex Olson | ... | additional camera |
| Mark Rabdall | ... | additional camera |
| Kurt Rauf | ... | camera operator: Las Vegas, Nevada / gaffer: Las Vegas, Nevada |
| Kevin Rouviere | ... | additional camera |
| Karl Schmidt | ... | additional camera |
| E.M. Seinert | ... | additional camera |
| Charles Seligman | ... | gaffer: San Antonio, Texas (as Charlie Seligman) |
| Patrick Sheffield | ... | additional camera |
| Roel Sixma van Ypma | ... | gaffer: The Netherlands (as Roel Ypma) |
| Richard Spierings | ... | camera/light trainee: The Netherlands |
| Tony Stutterheim | ... | additional camera |
| Teller | ... | additional camera |
| Carlo Villarreal | ... | additional camera |
| Felix Wiedemann | ... | cameraman: London, England |
| Jonathan Wilkinson | ... | additional camera |
| Jay Wroblewski | ... | lighting: Pen & Teller Theater, Las Vegas, Nevada |
| Farley Ziegler | ... | additional camera |
Music Department
| David Arch | ... | musician: piano (as Dave Arch) |
| Chris Baron | ... | musician: marimba |
| Thomas Bowes | ... | musician: principal violin |
| Fiona Cruickshank | ... | assistant music recording engineer |
| Caroline Dale | ... | musician: principal cello |
| Jay Duerr | ... | music editor |
| Roger Garland | ... | musician: principal 2nd violin |
| Dave Hage | ... | music preparation: Dakota Music Sevice (as David Hage) |
| Jake Jackson | ... | music recordist |
| Karen Jones | ... | musician: flute |
| Skaila Kanga | ... | musician: harp |
| Chris Laurence | ... | musician: principal bass/upright bass |
| Adam Miller | ... | assistant music recording engineer |
| Bill Newlin | ... | orchestrator |
| Conrad Pope | ... | conductor |
| Frank Ricotti | ... | musician: vibes |
| Richard Skinner | ... | musician: bassoon |
| Damon Tedesco | ... | music mixer |
| David Theodore | ... | musician: oboe |
| Lucy Whalley | ... | assistant musicians contractor |
| Bruce White | ... | musician: viola |
Additional Crew
| Julie Angell | ... | production counsel: Franklin, Weinrib, Rudell & Vassallo |
| Cameron Arguelles | ... | conversion |
| Rip Beyman | ... | production counsel: Franklin, Weinrib, Rudell & Vassallo |
| Kathleen Boyette Bramlett | ... | stage manager: Penn & Teller Theater, Las Vegas, Nevada (as Kathleen Burt Boyette) |
| Bryant Espimosa | ... | production assistant: Las Vegas, Nevada |
| Taj Fennell | ... | production assistant: San Antonio, Texas |
| Laura Foley | ... | assistant: Penn & Teller |
| Bobby Keber | ... | staging: Penn & Teller Theater, Las Vegas, Nevada |
| Michael Kossew | ... | production assistant: London, England |
| Matthew Porter | ... | production assistant: London, England |
| Robert Shulevitz | ... | production consultant |
| Daniel Stuyck | ... | end titles designer |
| Daniel Verrier | ... | production services: London, England |
| Julie Wamsley | ... | production accountant |
| Susan Bliss | ... | post-production scripts (uncredited) |
Thanks
| Colin Blakemore | ... | love and gratitude to |
| Dominique Cardona | ... | the producers wish to thank |
| Laurie Colbert | ... | the producers wish to thank |
| Joanie Diener | ... | the producers wish to thank |
| Bob Dylan | ... | love and gratitude to |
| David Fincher | ... | love and gratitude to |
| David Hockney | ... | and especially |
| Claire Jenison | ... | love and gratitude to |
| Leslie Jenison | ... | love and gratitude to |
| Luren Jenison | ... | love and gratitude to |
| Natalie Jenison | ... | love and gratitude to |
| Tero Kaukomaa | ... | the filmmakers wish to thank |
| Martin Mull | ... | love and gratitude to |
| Stephen Nemeth | ... | the producers wish to thank |
| Arthur Penn | ... | love and gratitude to |
| Austin Richards | ... | the producers wish to thank (as Dr. Austin Richards) |
| Gary Rosen | ... | the producers wish to thank |
| Holly Goldberg Sloan | ... | love and gratitude to |
| Philip Steadman | ... | love and gratitude to |
| Ruth Steadman | ... | love and gratitude to |
| Essi Suomela | ... | the filmmakers wish to thank |
| Graham Toms | ... | the producers wish to thank |
Production Companies
Distributors
- Sony Pictures Classics (2013) (United States) (theatrical)
- Sony Pictures Home Entertainment (2014) (Germany) (DVD)
Special Effects
Other Companies
- AIR Studios (music recording facility)
- AON/Albert G. Ruben Company (production insurance provided by)
- Dakota Music Services (music preparation)
- Finland Finish Austin (correction and finishing services)
- Franklin, Weinrib, Rudell & Vassallo (production counsel)
- Isobel Griffiths Limited (orchestra contractor)
- Milan Records (soundtrack)
- Swelltone Labs New Orleans (post-production sound services)
Storyline
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| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Opening Weekend United States | $49,777, 02 Feb 2014 |
Did You Know?
| Trivia | About 2400 hours of footage was collected. Director Teller had trouble editing the footage down to feature-film length and considered stopping the editing process all together. He consulted his friend Penn on where to go next, and Penn gave him a one sentence plot summary: "A man discovers how to create art without knowing how." This was all Teller needed to get the film down to feature-film length. See more » |
| Movie Connections | Referenced in Don Rickles/Kate Mara/Penn & Teller (2015). See more » |
| Soundtracks | Smoke On The Water See more » |
| Quotes |
Tim Jenison:
There's also this modern idea that art and technology must never meet - you know, you go to school for technology or you go to school for art, but never for both... And in the Golden Age, they were one and the same person. See more » |