Ivan Locke, a dedicated family man and successful construction manager, receives a phone call on the eve of the biggest challenge of his career that sets in motion a series of events that threaten his carefully cultivated existence.
Director:
Writer:
Stars:
Awards:
- 7 wins & 33 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| Tom Hardy | ... |
Ivan Locke
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| Olivia Colman | ... |
Bethan (voice)
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| Ruth Wilson | ... |
Katrina (voice)
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| Andrew Scott | ... |
Donal (voice)
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| Ben Daniels | ... |
Gareth (voice)
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| Tom Holland | ... |
Eddie (voice)
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| Bill Milner | ... |
Sean (voice)
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| Danny Webb | ... |
Cassidy (voice)
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| Alice Lowe | ... |
Sister Margaret (voice)
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| Silas Carson | ... |
Doctor Gullu (voice)
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| Lee Ross | ... |
PC Davids (voice)
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| Kirsty Dillon | ... |
Gareth's Wife (voice)
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| Rest of cast listed alphabetically: | |||
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Alice Cady | ... |
Car Phone (uncredited) (voice)
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Directed by
| Steven Knight | ||
Written by
| Steven Knight | ... | (written by) |
Produced by
| Charles Auty | ... | producer: Hutson Productions |
| Ed Clarke | ... | development producer: Shoebox Films |
| Stuart Ford | ... | executive producer |
| Stephen Fuss | ... | producer: Hutson Productions |
| Guy Heeley | ... | producer |
| David Jourdan | ... | executive producer |
| Sarah Micciche | ... | producer: Hutson Productions |
| Steven Squillante | ... | executive producer |
| Andrew Warren | ... | co-producer |
| Paul Webster | ... | producer |
| Lesley Wise | ... | producer: Hutson Productions |
| Joe Wright | ... | executive producer |
Music by
| Dickon Hinchliffe | ||
Cinematography by
| Haris Zambarloukos | ... | director of photography |
Editing by
| Justine Wright | ||
Editorial Department
| Fiorenza Bagnariol | ... | digital film bureau: Company 3 |
| Trevor Brown | ... | digital intermediate colorist: Company 3 |
| Katie Bullock-Webster | ... | post-production coordinator |
| Peter Collins | ... | digital intermediate assistant: Company 3 |
| Paul Elman | ... | first assistant editor |
| Rob Farris | ... | digital intermediate producer: Company 3 |
| Marie Fernandes | ... | digital intermediate producer: Company 3 |
| Cheryl Goodbody | ... | digital intermediate assistant producer: Company 3 |
| Emily Greenwood | ... | digital on-line editor: Company 3 |
| Neil Harrison | ... | digital intermediate systems administrator: Company 3 |
| Dan Helme | ... | digital intermediate data wrangler: Company 3 |
| Andrew Jadavji | ... | first assistant editor |
| Timothy P. Jones | ... | digital film bureau: Company 3 |
| Patrick Malone | ... | digital intermediate head of department: Company 3 |
| Laura Pavone | ... | digital intermediate assistant: Company 3 |
| Rob Pizzey | ... | supervising digital colourist: Company 3 (as Robin Pizzey) |
| Gordon Pratt | ... | digital film bureau: Company 3 |
| Aurora Shannon | ... | digital intermediate assistant: Company 3 |
| Stefan Sonnenfeld | ... | digital intermediate executive producer: Company 3 |
| Justin Tillett | ... | digital on-line editor: Company 3 |
| Laurent Treherne | ... | digital film technical supervisor: Company 3 |
| Russell White | ... | digital on-line junior editor: Company 3 |
| Jonathan Collard | ... | digital intermediate assistant producer: Company 3 (uncredited) |
| Andrew Hegele | ... | marketing editor (uncredited) |
Casting By
| Shaheen Baig | ||
Costume Design by
| Nigel Egerton | ||
Makeup Department
| Audrey Doyle | ... | hair designer / makeup designer |
| Sarah Hamilton | ... | hair stylist assistant / makeup artist assistant |
Production Management
| Gisela Evert | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Martin Harrison | ... | first assistant director |
| Brady Hood | ... | third assistant director |
| Charlie Waller | ... | second assistant director |
Art Department
| Christopher Chandler | ... | property master (as Chris Chandler) |
Sound Department
| Dafydd Archard | ... | sound mix technician |
| John Casali | ... | production sound mixer |
| Alice Crosby | ... | sound post producer: WB De Lane Lea |
| Michael Hamilton | ... | sound post producer: WB De Lane Lea |
| Paul Hanks | ... | footsteps artist |
| Rob Huckle | ... | dolby consultant |
| James Hyde | ... | adr recordist |
| Alan MacFeely | ... | additional sound mixer |
| Chris Murphy | ... | boom operator |
| Steve Single | ... | adr editor / dialogue editor / re-recording mixer |
| Andy Stallabrass | ... | adr mixer |
| Simon Trundle | ... | foley mixer |
| Darren Vega | ... | sound mix engineer |
| Ian Wilson | ... | supervising sound designer / supervising sound effects editor |
| Robert Edwards | ... | adr mixer (uncredited) |
| Max Hilliard | ... | sound mix assistant (uncredited) |
| Perry Levy | ... | dvd commentary recordist (uncredited) |
| Eric Milano | ... | commentary mixer (uncredited) |
Visual Effects by
| James Devlin | ... | visual effects supervisor |
| H.M. Mirza | ... | visual effects compositor (as Humayun Mirza) |
Camera and Electrical Department
| Sophie Baggaley | ... | digital imaging technician |
| Simon Baker | ... | camera operator |
| Ashley Bond | ... | first assistant camera |
| Kerry Brown | ... | still photographer |
| Robbie Bryant | ... | second assistant camera |
| Steven Casali | ... | video playback operator |
| Shaun Cobley | ... | first assistant camera |
| Malcolm Huse | ... | key grip |
| Dan Lowe | ... | electrician |
| Don Lowe | ... | electrician |
| Sam Phillips | ... | rigging grip |
| Elliott Polley | ... | trainee grip |
| Núria Pérez | ... | assistant digital imaging technician (as Nuria Perez) |
| Tom Wade | ... | second assistant camera |
| Julian White | ... | gaffer |
Casting Department
| Aisha Bywaters | ... | casting associate (as Aisha Walters) |
Costume and Wardrobe Department
| Ellen Crawshaw | ... | costume stand-by |
Location Management
| Ben Firminger | ... | location assistant |
| Ben Piltz | ... | location manager |
Music Department
| Nick Angel | ... | music supervisor |
| Philip Bagenal | ... | music mixer / music recordist |
| Simon Changer | ... | music editor |
| Dickon Hinchliffe | ... | music producer |
| George Murphy | ... | music assistant: Philip Bagenal |
| Ralph Salmins | ... | musician: drums |
Script and Continuity Department
| Julia Chiavetta | ... | script supervisor |
Transportation Department
| Phil Allison | ... | driver: minibus, Howard Ray Executive Services |
| Paul Braybrook | ... | driver: minibus, Howard Ray Executive Services |
| Billy Butler | ... | driver: tracking vehicle |
| Dean Clack | ... | driver: camera truck |
| Ben Dillon | ... | action vehicle coordinator: MGM Cars |
| Chris Dudley | ... | unit driver |
| Adam Eastall | ... | tracking vehicles: Bickers Action |
| Christopher Free | ... | facilities hod (as Chris Free) |
| David Lewis | ... | transport supplier |
| Enyo Mortty | ... | unit driver |
| Paul Smith | ... | action vehicle technician: MGM Cars |
Additional Crew
| Reno Antoniades | ... | legal services: Lee & Thompson |
| Manon Ardisson | ... | assistant to producers |
| Trevor Bagge | ... | assistant accountant |
| Stephanie Bamberg | ... | production coordinator |
| Andy Bardell | ... | technical advisor: senior project manager, Mace Group |
| Guy Barker | ... | financial controller |
| Rosie Bedford-Stradling | ... | unit nurse |
| Phoebe Billington | ... | assistant to executive producer: Shoebox Films (as Phoebe Pettinari) |
| Julie Brinkman | ... | assistant: Steven Knight |
| Nick Bull | ... | stills approval services: Film Solutions |
| David Campbell | ... | production banking: Coutts & Cp |
| Virginia Chappelle | ... | unit nurse |
| Tonia Cohen | ... | clearance coordinator: Copello (as Tania Cohen) |
| Angie Conners | ... | international marketing: B. Voland Interational / international publicity: B. Voland International |
| Rebecca Coppin | ... | legal services: Lee & Thompson (as Rebecca Pick) |
| Jonathan Deckter | ... | international sales: IM Global |
| Lloyd Eaton | ... | facilities manager |
| Karen Fayerty | ... | unit nurse |
| Kerry Gissing | ... | production secretary |
| Collum Grant | ... | assistant: David Jourdan, IM Global |
| John Graydon | ... | tax credit advisor: Saffrey Champness |
| Louise Green | ... | assistant post-production accountant |
| William Hilton | ... | autocue operator: Portoprompt |
| Mick Hurrell | ... | health and safety officer |
| Tatyana Joffe | ... | international sales: IM Global |
| Helen Kingsbury | ... | teleprompter: Portoprompt |
| Miles Kingsbury | ... | autocue mechanic: Portoprompt |
| Clyde Lane | ... | head chef: J&J International |
| Georgie Mannakee | ... | catering assistant: J&J International |
| Kevin Matossian | ... | stills approval services: Film Solutions |
| Charles McDonald | ... | publicist |
| Natalie Moore | ... | first assistant accountant |
| Richard Moore | ... | insurance: Media Insurance Brokers |
| Brian Nitzkin | ... | business affairs: IM Global |
| Clive Noakes | ... | laboratory contact: Deluxe |
| Rita O'Dea | ... | assistant: Stuart Ford, IM Global |
| Eric S. Podell | ... | assistant: Stuart Ford, IM Gloal (as Eric Podell) |
| Elizabeth Polk | ... | business affairs: IM Global (as Elizabeth Powell) |
| Miguel Polos | ... | chief financial officer: IM Global |
| Alexandros Potter | ... | finance executive: IM Global |
| Ellen Richardson | ... | business affairs: IM Global |
| Michael Roban | ... | business affairs: IM Global |
| Kirsty Robinson-Ward | ... | assistant to producers (as Kirsty Robinson) / creative executive: Shoebox Films (as Kirsty Robinson) |
| Alistair Sanderson | ... | stand-in |
| Lara Sargent | ... | post-production accountant |
| Albert Sharpe | ... | epk: Premier |
| Natalie Shoshan | ... | tax credit advisor: Saffrey Champness |
| Martin Simms | ... | Film Liaison |
| Ben Smithers | ... | cashier |
| Louise Tutt | ... | publicity writer |
| Graham Watts | ... | production banking: Coutts & Co |
| Sarah Webb | ... | assistant post-production accountant |
| Kirstie White | ... | assistant post-production accountant |
| Andrew Whiting | ... | lead security: Location Assist (as Andy Whiting) |
| Michael Williams | ... | key floor runner (as Mike Williams) |
| Louren Wilson | ... | business affairs: IM Global |
| Lesley Wise | ... | for: Hutson Productions |
| Greg Zolefwski | ... | catering assistant: J&J International |
Thanks
| James Alexander Waller | ... | the producers wish to thank (as James Waller) |
Production Companies
Distributors
- Batrax Entertainment (2013) (Non-US) (multi-territory)
- Solopan (2013) (Poland)
- A24 (2014) (United States) (theatrical)
- Albatros Film (2015) (Japan) (theatrical)
- Bravos Pictures (2014) (Hong Kong) (theatrical)
- Elevation Pictures (2014) (Canada) (theatrical)
- Good Films (2014) (Italy) (theatrical)
- Lionsgate UK (2014) (United Kingdom) (theatrical)
- Metropolitan Filmexport (2014) (France) (theatrical)
- SF Film Finland (2014) (Finland) (Blu-ray) (DVD) (theatrical)
- September Film (2014) (Netherlands) (theatrical)
- Spentzos Films (2014) (Greece) (theatrical)
- StudioCanal (2014) (Germany) (theatrical)
- West Video (2014) (Russia) (theatrical)
- Arthaus (2014) (Germany) (DVD)
- Arthaus (2014) (Germany) (Blu-ray) (DVD)
- Calinos Films (2013) (Turkey)
- Canvas (2016) (Belgium) (tv)
- Film & TV House (2014) (Non-US)
- Film1 (2016) (Netherlands) (tv) (limited)
- GEM Entertainment (2014) (Non-US)
- Home Box Office Latin America (HBO) (2016) (Brazil) (tv)
- KVH Media Group (2014) (Non-US) (ships)
- Leeding Media (2015) (China) (video)
- Lionsgate Home Entertainment (2014) (United Kingdom) (DVD)
- Lionsgate Home Entertainment (2014) (United Kingdom) (Blu-ray) (DVD)
- Lionsgate Home Entertainment (2014) (United States) (DVD)
- Lionsgate Home Entertainment (2014) (United States) (Blu-ray) (DVD)
- Madman Entertainment (2014) (Australia) (DVD)
- Madman Entertainment (2014) (Australia)
- NOS Audiovisuais (2014) (Portugal)
- Netflix (2017) (Brazil) (video) (VOD)
- Selim Ramia & Sons (2014) (Lebanon) (Middle East)
- September Film (2015) (Netherlands) (DVD)
- Vértigo Films (2014) (Spain)
- Yleisradio (YLE) (2018) (Finland) (tv)
Special Effects
Other Companies
- Audiolink Radio Communications (walkie talkies and production mobile phones)
- B. Voland International (international publicity)
- Bickers Action Vehicles (tracking vehicles)
- Copello (clearances coordinator)
- Coutts & CO (production banking)
- Digital Orchard (digital imaging services)
- Eastcote Studios (music recorded at)
- Fatts (post-production script services)
- Film Solutions (stills approval services)
- Fintage CAM (collection account management)
- Howard Ray Executive Services (mini bus drivers)
- Howard Ray Film Transport Services (transport provider)
- J&J International (catering)
- Lee & Thompson (legal services)
- Location Assist Limited (location security)
- MGM Cars (action vehicles)
- Mace Group (technical advisor)
- Media Insurance Brokers (MIB) (insurance)
- On Set Location Services (facility vehicles supplied by)
- Panavision (camera and grip equipment)
- Panolux (lighting equipment)
- Pivotal Post (avid and deck rentals)
- Portoprompt (autocue by)
- Practical Car & Van Rental (vehicle rental)
- Propaganda GEM (special thanks)
- Saffery Champness (tax credit advisors)
- Sargent-Disc (payroll services)
- St. Albans Van & Car Rental (vehicle rental)
- Sundance Film Festival (festival)
- Universal Sound (foley recorded at)
- Warner Bros. De Lane Lea (adr facility)
- Warner Bros. De Lane Lea (cutting rooms)
- Warner Bros. De Lane Lea (mixing studio)
Storyline
| Plot Summary |
Leaving the construction site on the eve of a major project, construction manager Ivan Locke receives news that sends him driving the two hours from Birmingham to London, but even further from the life he once knew. Making the decision that he has to make, he then calls his wife, his sons, his co-workers and boss telling them the secret that he is bearing and trying to keep his job and family intact. But even more importantly, he will have to face himself and the choices he has made. Written by Anne Campbell |
| Plot Keywords | |
| Taglines | No turning back See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $2,000,000 (estimated) |
Did You Know?
| Trivia | The movie had an unconventional shooting schedule. Tom Hardy filmed his part in 6 days, shooting the movie twice per night as it was filmed in a single take. The other actors were in a hotel room, speaking on the phone with Hardy, who was on location. See more » |
| Goofs | They mention the "large" delivery of 355 metric tonnes of concrete with 218 trucks. Apart from the fact that wet concrete is usually referred to in volume, not weight, the calculation of trucks needed for this weight is wrong. The mixing trucks on average hold 18 tons of concrete each, meaning that they only need 20 trucks. See more » |
| Movie Connections | Featured in Venice Film Festival 2013 (2013). See more » |
| Soundtracks | Ivan Locke See more » |
| Quotes |
Ivan Locke:
Well hear this, Gareth. When I left the site just over two hours ago, I had a job, a wife, a home. And now I have none of those things. I have none of those things left. I just have myself and the car that I'm in. And I'm just driving and that's it. See more » |