
The Fundamentals of Caring (2016)
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- TV-MA
- 1h 37min
- Comedy, Drama
- 24 Jun 2016 (USA)
- Movie
A man suffering a family loss enrolls in a class about care-giving that changes his perspective on life.
Director:
Writers:
Stars:
Awards:
- 4 nominations.
- See more »
Photos and Videos
Cast
Alex Huff | ... |
Jodi
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Donna Biscoe | ... |
Caregiving Instructor
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Paul Rudd | ... |
Ben Benjamin
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Julia Denton | ... |
Janet
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Jennifer Ehle | ... |
Elsa
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Craig Roberts | ... |
Trevor
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Ashley White | ... |
Cute Travel Channel Girl
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Matthew Pruitt | ... |
TV Reporter
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Alan Boell | ... |
Courier
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Selena Gomez | ... |
Dot
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Bill Murphey | ... |
Mike
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Robert Walker Branchaud | ... |
Burly Helper
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Eric Singer | ... |
Burly Helper #2
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James Donadio | ... |
Waiter
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Megan Ferguson | ... |
Peaches
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Samantha Huskey | ... |
Kaitlin
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Frederick Weller | ... |
Bob
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Matt Mercurio | ... |
EMT
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Rest of cast listed alphabetically: | |||
Victor Garibay | ... |
Producer
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Sam Lazarus | ... |
Donut Creep
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Bobby Cannavale | ... |
Cash (uncredited)
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Cassie | ... |
Tourist (uncredited)
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Tarik Chernet | ... |
Holly - EMT (uncredited)
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Lori Hammel | ... |
Voice (uncredited)
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Walter Hendrix III | ... |
Quarry Patron (uncredited)
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Polly Mitchell Giles | ... |
Lady in Park (uncredited)
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Patti Schellhaas | ... |
Car Dealership Customer (uncredited)
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Blake Sewell | ... |
Diner Patron (uncredited)
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Directed by
Rob Burnett |
Written by
Rob Burnett | ... | (screenplay) |
Jonathan Evison | ... | (novel) |
Produced by
Rob Burnett | ... | producer |
Jamal Daniel | ... | executive producer |
Donna Gigliotti | ... | producer |
James Spies | ... | producer |
Renee Witt | ... | executive producer |
Music by
Ryan Miller |
Cinematography by
Giles Nuttgens |
Editing by
Christopher Passig |
Editorial Department
Rachael Black | ... | digital intermediate administration |
Luca Byrne | ... | assistant editor |
Carolyn Cury | ... | digital intermediate producer |
Arthur Ditner | ... | dailies producer |
Sean Dunckley | ... | digital intermediate colorist |
Ruben Gloria | ... | digital intermediate administration |
Katie Hinsen | ... | finishing artist |
Kevin Kaim | ... | digital intermediate assist |
Danny Keefe | ... | digital intermediate assist |
James Koon | ... | colorist: dailies |
Megan Marquis | ... | digital intermediate producer |
Dean Mozian | ... | digital intermediate assist |
Kylee Peña | ... | post-production assistant (as Kylee Wall) |
James Reyes | ... | post production engineer |
Megan Rumph | ... | digital intermediate producer |
Casting By
Andrea Craven |
Production Design by
Meghan C. Rogers |
Art Direction by
Gershon Ginsburg |
Set Decoration by
Maria Nay |
Costume Design by
Peggy Stamper |
Makeup Department
Essie Cha | ... | makeup department head |
Char Coats-Crump | ... | key makeup artist |
Chauntelle Langston | ... | co-key makeup artist / key makeup artist |
Heather Morris | ... | key hair stylist |
Tracie Morrison | ... | assistant hair stylist |
Darrell Redleaf-Fielder | ... | hair department head |
Production Management
Andrew Hauser | ... | post-production supervisor |
Paul Hellerman | ... | unit production manager |
James Spies | ... | production manager |
Second Unit Director or Assistant Director
John Bonaccorse | ... | second assistant director |
Eason Duncan | ... | videoassist equipment supplier |
Matti Kluttz | ... | second second assistant director |
Dan Leatham | ... | first assistant director |
Benjamin Rowland | ... | aerial director |
Art Department
Steve A. Anderson | ... | construction foreman |
Brandon Arrington | ... | graphic designer |
Joe Barden | ... | construction coordinator |
David A. Cap | ... | set dresser |
Hank Curtis | ... | gangboss |
Omar Foster | ... | set designer |
Nelson Hagood | ... | on set dresser |
Gabe Harrington | ... | set dresser |
Kip Jamison | ... | set dresser |
Thomas V. Johnson | ... | lead scenic |
Ariel R. Kaplan | ... | set dresser (as Ariel Kaplan) |
Jane Madden | ... | set decoration buyer |
Brett McGinnis | ... | scenic painter |
Steve Mckean | ... | charge scenic |
Elizabeth Ralston | ... | assistant property master |
Yolanda Ray | ... | art dept coordinator |
Blanche Sindelar | ... | property master |
John Sommerville | ... | leadman |
Jeff Williamson | ... | scenic charge |
Shawn Windisch | ... | construction foreman |
Sound Department
Ian Bender | ... | additional boom operator |
Rachel Chancey | ... | foley artist |
Martin Czembor | ... | re-recording mixer |
Thomas J. Doolittle | ... | sound utility |
Mary H. Ellis | ... | sound mixer |
Chris Giles | ... | sound utility |
Mariusz Glabinski | ... | sound designer / supervising sound editor |
Craig Kyllonen | ... | sound editor |
Reed Lovell | ... | adr mixer: Atlanta |
Mark McBryde | ... | adr mixer |
Brett Meyer | ... | dubbing mixer |
Bryn Neuenschwander | ... | sound project manager |
James Peterson | ... | boom operator |
Mykl Rogers | ... | dubbing coordinator: mixing |
Jerrell Suelto | ... | adr mixer |
Visual Effects by
Carlos Arrivas | ... | digital compositor |
Tyler Barnas | ... | digital compositor |
Mark Foscolo | ... | digital compositor |
Blake Goedde | ... | compositing supervisor / digital compositor |
Bryan Haines | ... | digital compositor |
Chris LeDoux | ... | visual effects supervisor: Crafty Apes |
Mark LeDoux | ... | compositor |
Patrick Madden | ... | digital compositor |
Dan Pochtrager | ... | digital compositor |
Stuart Racey | ... | visual effects producer |
Andrew Sanchez | ... | digital compositor |
Jason Sanford | ... | visual effects producer: Crafty Apes |
Jim Schuster | ... | digital compositor |
Joshua D. Stevens | ... | plate supervisor |
Donald Strubler Jr. | ... | digital compositor |
Pete Sussi | ... | visual effects supervisor |
Bob Tingle | ... | video assist/vtr playback |
Stunts
Marcelle Coletti | ... | utility stunts |
Philip Dido | ... | stunts |
Cal Johnson | ... | stunt coordinator / stunt double: Paul Rudd |
Bret McKee | ... | stunts |
Camera and Electrical Department
Rob Acox | ... | dolly grip: "a" camera |
Luke Bareis | ... | rigging electrician |
Warren Brace | ... | a camera second assistant camera / first assistant camera: "b" camera, dayplayer |
Annette Brown | ... | still photographer |
Thomas Browne | ... | grip |
Brandon Cundiff | ... | key rigging grip |
Danny Daniels | ... | electrician |
Michael Duarte | ... | key grip |
Ramon Engle | ... | b camera/steadicam |
Andrew Fernandez | ... | rigging electrician |
Tyler Harrison | ... | first assistant camera: second unit |
Nick Hiltgen | ... | digital imaging technician |
Joshua Jones | ... | electrician |
Richard Dennis Kinnard | ... | lighting technician |
Jeff Kirshner | ... | best boy electric |
Shawn Knight | ... | grip |
Steve Kupfer | ... | grip |
Bret Lanius | ... | first assistant camera: b camera |
David McLean | ... | gaffer |
Bill Merrill | ... | key grip: key rigging grip |
Christopher L. Miller | ... | best boy grip |
Eric Nelson | ... | electrician |
Craig Nix | ... | technocrane operator |
Erik James Olson | ... | second assistant camera: b camera - day player |
James H. Pair III | ... | dolly grip: 'b' camera (as James 'Tripp' Pair) |
Jason Prince | ... | electrician |
Agnes Rodriguez | ... | B second assistant camera |
Benjamin Rowland | ... | aerial cinematographer |
R. Michael Sasser | ... | rigging grip |
Christian Satrazemis | ... | a camera |
David Shakibanasab | ... | rigging gaffer |
Tony Summerlin | ... | first assistant camera |
Casting Department
Tara Feldstein | ... | casting director: Atlanta |
Costume and Wardrobe Department
Kinsey Boydstone | ... | costume production assistant |
Michael F. Brooks | ... | set costumer: additional |
Meredith Coats | ... | set costumer |
Karen Freed | ... | key costumer |
Mauricia Grant | ... | costume supervisor |
Michael Ann Swan | ... | seamstress |
Korii Young | ... | set costumer |
Location Management
Gemma Colford | ... | locations scout |
Michael Colford | ... | locations scout |
Mark Cottrell | ... | location manager |
Jennifer Griffin | ... | key assistant location manager |
Tiffany Lewis | ... | location coordinator |
Hilton Clay Peres | ... | location scout |
Dan Reilly | ... | assistant location manager |
Cryselle Stewart | ... | location scout |
Music Department
John M. Davis | ... | music editor |
Marcus Miller | ... | composer: production company cues / musician: production company cues |
Joe Rudge | ... | music supervisor |
Jared Slomoff | ... | score mixer |
Script and Continuity Department
Katherine Steets | ... | script supervisor |
Transportation Department
Arthur C. Chesser | ... | driver |
Bobbie Collis | ... | transportation co-captain |
Terry Collis | ... | transportation coordinator |
Jason Geigerman | ... | picture car coordinator: dot compliance and picture cars |
Danny Mabry | ... | driver: cast |
Carl Scott | ... | transportation |
Jake Smith | ... | transportation captain |
Additional Crew
Aeric Adams | ... | assistant props |
Ian Bricke | ... | Studio Executive |
David Michael Brown | ... | craft service |
Scott Burns | ... | Chef Assistant |
Courtney Chen | ... | Photodouble: Selena Gomez |
Akilah Chopfield | ... | production assistant |
Cynthia Cottrill | ... | first accountant |
Thomas Deming-Henes | ... | assistant: Mr. Rudd |
Ryan Gentilucci | ... | production assistant |
Namratha Prasad George | ... | second assistant accountant |
Larry Gilbert | ... | police security |
Lori Hammel | ... | actor: voice |
Secret Harris | ... | additional pa |
Chris Hoehner | ... | assistant production coordinator |
Michael Levinge | ... | payroll accountant |
Alex Lukens | ... | assistant to the producers |
Laurent Marchand | ... | caterer |
Andrea McDougal | ... | medic |
Garrett Milich | ... | production assistant |
Joe Murphy | ... | production accountant |
Nate Patterson | ... | additional set production assistant (as Nathaniel 'Nate' Patterson IV) |
Samantha Sarakanti | ... | product placement coordinator |
Michael C. Smith | ... | police coordinator |
Tyler Smith | ... | basecamp production assistant |
Thanks
Joel Alstein | ... | special thanks |
Avram Dodson | ... | special thanks |
Cameron Edmonds | ... | special thanks |
Daniel Friedberg | ... | special thanks |
Lester Garson | ... | special thanks |
Andy Kris | ... | special thanks |
David Letterman | ... | very special thanks |
Fred Nigro | ... | very special thanks |
Phoebe Nir | ... | special thanks |
Emily Suber | ... | special thanks |
Justin Tasolides | ... | special thanks |
Mark Vanacore | ... | very special thanks |
Sam Waddington | ... | special thanks |
David Wasserman | ... | special thanks |
Jim Zelter | ... | very special thanks |
Production Companies
Distributors
- Netflix (2016) (Argentina) (video)
- Netflix (2016) (Japan) (video) (internet)
- Netflix (2016) (Singapore) (video)
- Netflix (2016) (Turkey) (video)
- Netflix (2016) (United States) (video) (VOD)
Special Effects
- Crafty Apes (visual effects)
- Platinum Platypus (visual effects)
Other Companies
- Endcrawl.com (end credits created with)
- Harris Diversified (a/c and power rental)
- Production Services of GA aka: Event Services of GA (restroom trailers)
- Stone Management (product placement)
- The Domain Group (clearances) (The Domain Group)
- Yonder Blue Films (aerial footage)
Storyline
Plot Summary |
A writer (Paul Rudd) retires after a personal tragedy and becomes a disabled teen's caregiver. When the two embark on an impromptu road trip, their ability to cope is tested as they start to understand the importance of hope and friendship. |
Plot Keywords | |
Taglines | Caring is a funny thing. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Did You Know?
Trivia | It was filmed in 26 days. See more » |
Goofs | After Dot and her father talk at the Deepest Pit, Ben calls Dot's father "Cash", a name he shouldn't know because he hadn't asked Dot's father's his name and he couldn't have heard Dot and her father's conversation. See more » |
Movie Connections | Featured in Top 10 Best Selena Gomez TV & Movie Performances (2017). See more » |
Soundtracks | Bright Whites See more » |
Quotes |
Dot:
I told you I only date assholes. Trevor: Yes, and I'm not an asshole. And since you want an asshole, my not being an asshole makes me more of an asshole than the assholes that you normally date, because they're giving you exactly what you want, whereas I, by not being an asshole, am not. Which makes me an asshole. Dot: I can't believe I actually understood that. See more » |