|Page 1 of 26:||          |
|Index||257 reviews in total|
I just want to start off by saying this is an amazing film about young
love that is actually honest with its audience. There are countless of
films about people falling in love, but when you see "Blue is the
Warmest Colour". You realize just how rare films are that make a
sincere attempt to catch what it really is like to fall for someone,
without sentimentality, forced cuteness or cheap emotional
manipulation. This is the rare love story that has real emotional truth
about it. The fact that it is about two women who fall for each other
is almost secondary to the way the film catches the universality of
what it is like to fall in love and maintain the relationship. "Blue is
the Warmest Colour is a naturalistic and touching film, whether you're
gay, straight, bisexual, or whatever orientation. This is a film that
can give you relationship advice and life guidance no matter what your
orientation may be. It isn't an indulgent film bringing only a unique
gay relationship to light and nothing more, and it isn't an ode to
"coming out" and stockpiled clichés of "being different." It shows how
an interaction with a person can have a truly provocative impact on you
as a person.
The struggles between the two lovers is depicted in breathtaking detail. The director masterfully captures all of the turmoil and hardship going on between Adele's and Emma's relationship. The movie's long running time does not effect the film at all because you are so immersed into their characters. The sexual realization of Adele is perfectly shown in the movie. She is confused and doesn't know what she wants, it is a typical teenage problem. This movie is ultimately about Adele and her struggles to find her true self. The transformation that she experiences is utterly engrossing to watch. The film's nearly three hour running time is devoted to showing the growth of her character and it is absolutely amazing to watch it unfold right in front of your eyes.The intimate scene's between Adele and Emma are nothing short of miraculous in their depth and their honesty. The conversations are heartfelt, and the pain is evident and shared. It's realism of the world we live in is honest and raw.
The movie owes so much of it's emotional power to its two fantastic actresses. They really bring it their all in this. I've never had doubts of these two performances, the characters felt like real people and you felt so much for their relationship. Their emotional hardships feel completely real. The character's flaws and insecurities feel so authentic because you actually believe them as real human beings. We never lose sight of their chemistry and devotion to one another, even in the most difficult of times. The two of them are like fireworks, waiting to explode out. I cannot recommend this film enough to those of you out there who are interested in seeing this. This is one of the wisest and least condescending films I've seen this year. I congratulate the director, Abdellatif Kechiche and the two actresses, Adele Exarchopoulos and Lea Seydoux for an emotional and spiritual journey that had me compelled to the screen for 179 glorious minutes.
I saw this film as a preview, at 11am on a Sunday morning, whilst
nursing a horrible cold and it was the best decision I have made in a
The film offers several basic and well used premises: the Eliza Doolittle/Henry Higgins: why won't you let me educate you thing, a dichotomy between big city and small city ideas and ideals and the well trotted out first love idea. However, the way this film is presented is entirely original. Kechiche sets it in Lille, a town in Northern France, full of provincial living and entirely captures how it is in general in this town - when the characters walk around you feel that he understands what he is talking about.
The film is about desire, desire to eat, desire to sleep with someone, desire to dance and it is portrayed within a first relationship between two women. The two women are fantastic and the plot has amusing little french jokes interspersed between the very emotionally demanding relationship that has you gasping at points. However the story is largely about one of them, Adele - and you feel over the three hours, that you get to know her, what she is about, what she finds attractive, what she wants (or what she thinks she wants). The actress playing her has a wonderfully expressive face and she needs it for the amount that happens. When she cries, when she eats, when she sleeps you believe her.
Much has been said about the sex scenes, which are very graphic, however these are entirely relevant to the plot and the furore seems to be about the actors criticising the director for pushing them too far, however, without this pushing this film wouldn't be nearly as good.
When it finished, and I realised that it had been three hours I couldn't believe it.
It was a revelation.
I was fortunate enough to see this movie at a screening last night in
Los Angeles. It was amazing, everything about it amazing! Kechiche is
something special. He works on something until he gets it right, and
the only time he gets it right is when he feels comfortable with what
he has shot. At the Q&A afterward with Kechiche, Seydoux and
Exarchopoulos, I learned that they shot some of the takes 100 times!
His methods are unconventional. Because of this you are able to experience cinema in a whole new light. The acting was so real, so moving; these actresses gave everything they had, I'm just blown away with what I viewed. My hat is off to Exarchopoulos and Seydoux as actresses. No matter how painful and difficult the process must of been to make this movie in the end I think that they would have to agree it was worth it. To know that you gave everything is something special, and something that I hope I can look back to on my career and say I felt as well. Kechiche, call me, I want to be in your next film!!
Cinematic orgasm. Cinematic. Orgasm. Put the words together and separately, it does not matter actually. I was watching the film with a sense of bitten apricot in my mouth, so from time to time I kept checking if indeed something was dripping from my lips . In any case, you can feel all kinds of dripping in this garden of delight and from many different angles. A deep diving into puberty, into the raw desires of youth, above the thunderous victory of human need. Adele is the personification of youth, just in time when it begins to grown. That exact moment when the juices of love are instantly aggressive and the human body seems like a fruit with the heart as a kernel. When you are in the midst of immortality, gaining the illusion of eternity, just before the fruit is eaten, shortly before the kernel sits at your neck with the bitter taste of rejection, while you greedily swallow life, which seems so inexhaustible. I left my local cinema with the feeling of a hot lump in my throat and stomach. As a teenager in love and disappointed at the same time. And from that moment I keep seeing little hearts and stars everywhere. I keep seeing Adele everywhere.
I waited some days to review this title after seeing this film. This
movie triggered me thinking about love and life and I waited to give it
my neutral review. I am watching movies since the latest 30 years and I
have to say ; This movie is special !! After 30 years of seeing all
kind of movies I have narrowed my scope of movies to see. They have to
be special, show me something different, give me ideas to think about
or to evaluate in my own life. So, movies like World war Z is not
directly my style. This movie although is one of the best love stories
I have seen. No unnecessary emotional or cuteness parts, each part of
the story is real and genius. It is the soft moments of a love story,
the hard moments bringing to the screen. The movie is made in away you
are in the skin of Adele and Emma ( can't remember the actress names ).
They take you with them in their love story, their feelings. That is
also the reason that the 3 hours of the movie is not too long at all. I
was surprised it took 3 hours when the film ended. The movie handles
the passion between them, a passion that many of us forget over the
years in a relation. That passion is also expressed in about 3 sex
scenes, 3 scenes which are quiet honest and direct. Some people will
find these scenes too long ( one of them could take 10 minutes ), but I
find it necessary to establish your follow up of the passion they have
between each other, so that when things goes worse you also are one
with the situation.
This movie, natural, honest about love, life and sexuality could be attended by children of 12 and more, if they are explained things of life ( they also can see all kind of war movies ). Many will say "Oh, lesbian movie, what the hell you are". This is a movie for all of us, independent of your orientation being gay, hetero, bisexual, It is a Love story.
Each feeling, being angry / disappointment / sad / etc , can be seen on the faces of Adele and Emma and by this I have to say that these actresses are just superb, in fact I don't know another word to say extraordinary acting. It has certainly been very difficult for them to make this film. The director : Bravo to him.
There are some scenes which are just fantastic : The first meeting between them, the encounter between them in the lesbian bar in which Adele is in a strange world as adolescent. The tree scene, where they actually get in love both of them. The level of a good love story with all it's feelings and situations has been raised to a higher one. Who can ever do this better.
And the last remark. The film treats the love story, it's personal problems, the passion, but does not handle the problems which can have their family or friends, not in detail.
And now, go and watch it !
*** This review may contain spoilers ***
I have never seen a film about a face until Blue. Almost every emotion
the face can show is expressed by the leading actress: longing,
satisfaction, shame, allure, hunger, anger, grief, boredom, suspicion.
I was worried after the opening scenes that the film was one of stark
realism despite its whimsical title. However, after a short time, it
took on its poetical style, and in the street, just before Adele sees
Emma, we hear the first sound of music. From then on the film is an
exercise in cinematic eloquence.
In one particular scene, Adele wanders into a lesbian club still under the impression of the blue-haired woman she had seen days or weeks before. The club is small and packed and she can't seem to find her bearings. Adele makes it to the back of the club which resembles a dark abyss. She has the look of someone at once desperately searching and giving up the search. Then, behind her, the top of Emma's head appears from somewhere out of the shadows as a looming orb of dark blue. You don't see where Emma comes from; you don't see her face or body, just a color. When Emma sits down at the bar with Adele their first exchange is instantly dynamic and absorbing. If you compare this conversation with the talk Adele engages in with her classmates at the beginning , it's easy to admit that Adele is far more mature, thoughtful, and intellectually eager than her peers.
To appreciate the subtleties of this scene we have to recall one of the first moments in the film when Adele's teacher asked her class if love at first sight feels like the gaining of something or the losing of something. Is it possible that the director is also trying to answer this question?
The sex scenes will doubtlessly make some uncomfortable; such authenticity is something rarely seen on screen, but they are neither gratuitous nor pornographic. There's nothing more gratuitous than the old lie that's been told throughout cinematic history of woman as a passive sexual being, and the women in this film are anything but passive.
Contrary to other reviews, no single sex scene in Blue is 10 minutes long. There are three sex scenes and together they add up to 10 minutes, but the scene everyone is talking about is at most five minutes, unless the film they showed at Cannes if different from the one making the film festival circuit.
I saw this film on the last night it was playing at my local theater
and I jumped on the opportunity. Once it was over I realized how smart
of a decision it was. I read a review of the film that said something
along the lines of, "the trouble with this film being 3 hours is that
you want to watch it for several more." I couldn't agree more with that
statement. The story, along with its characters, moves the film along
to the point where it didn't feel like 3 hours.
This film was probably the most emotionally intense and powerful movie I've seen in a very long time. You believed everything you were seeing and it forced you to feel it along with the characters. As much that has been written about this film, the acting can not be overstated. These two actresses are a revelation in this movie.
It seems that whenever the topic of homosexuality is covered by a film it usually contains some sort of hate crime or bias against homosexuality somewhere in the story that the film's characters have to face and overcome. What's refreshing about this film is that there is a dash of that but its in the beginning of the film and never becomes the focus of the conflict with the characters. The film acknowledges that bias is there but brushes it aside to say that there is something bigger and more important at play with the characters. Really nice to see that in a film.
This movie ranks as one of the best films I've seen this year and am so happy I had a chance to see it.
I certainly blinked when I found out this movie was 3 hours long, especially considering that it won the Palm d'Or where many winners have a slow and painful plot. This movie on the other hand does a great job keeping every scene riveting through great dialog and riveting emotions. I would compare many of the scenes in this movie to Tarantino scenes where scenes take on a life of their own. Cleverness and awkwardness were dispersed in a way to make it seem real and ultimately human. I felt wonderfully disappointed when certain scenes ended. The actresses held nothing back in their body language and added much to the moment-to-moment importance of their character development.
This year's Palm d'Or winner is a coming of age story about a teenage girl, Adele (the literal title in French is The Life of Adele), who discovers her homosexuality and begins a relationship with Emma, a college student. For a while, I was thinking this was a good but fairly unremarkable entry into the queer cinema canon, but, over the film's three hours, well, you see why the long running time was necessary. It is just a very detailed picture of a life. It feels more real than most films - it feels like more time has past and that we've just felt Adele's growth. Frankly, I didn't feel the length of it at all - I wanted it to be longer. It really helps that the actresses are so perfect. Adele Exarchopoulos is simply fantastic - this is the performance of the year, really. Her face is so expressive. The film takes place over several years, and you really do see her grow from a child to an adult. Lea Seydoux plays Emma. Her role is less demanding, but she's still great in it. Now, the biggest story of this film has probably been the graphic sex scenes. My opinion on them: I actually do think they're a bit too graphic, gratuitous and almost pornographic. I try to justify them artistically in my mind, and I'm afraid I can't. There's a plot point near the end where you kind of have to know that the girls' sex life was fantastic, but I'm not sure we had to see it in anywhere near as much detail as we did. They're without a doubt awkward to sit through, but they don't ruin the film either.
This is a very tender , passionate tale of young love that I found fascinating . The three hours will simply fly by as you follow the life of Adele who falls in love with an arty student . The lead actress is stunning in both looks and believability , and you are swept along with her on her journey . This is acting on the edge...powerful and dramatic...worthy of many awards . The story rattles along at pace , and hardly has time to fully explore all the issues that are on show . Adeles family and friends for example simply disappear after a while , which was odd , as they were an important part of the anti-lesbian feeling present early on in the film . Nonetheless , its almost impossible to find fault . I didn't shed a tear at any stage (but came close a few times ) . The now infamous sex scenes were in my opinion incredibly moving and central to the plot (however they were rather long...men will be used more to a "Wham Bam 30 seconds approach " ! ) You should all go to see this ...male and female alike...though perhaps don't take your Mother !
|Page 1 of 26:||          |
|Plot summary||Plot synopsis||Ratings|
|Awards||External reviews||Parents Guide|
|Official site||Plot keywords||Main details|
|Your user reviews||Your vote history|