Lynn Nelson is among the least known of porn stars, probably because she never seemed to get a screen credit, not even a stupid stage name, so there was no way to remember her except by her exceptional beauty.
I reviewed a film of her's BUTLER'S NIGHT OUT and included a TIMID DEBUTANTE review with it since IMDb failed to include latter film its database. Now that has been rectified, so here's what I wrote:
In the co-feature to BUTLER'S, our never-credited heroine Lynn Nelson is THE TIMID DEBUTANTE, imprisoned in a cheap-cheap-cheap dungeon at the film's outset, which has wooden walls and shag carpeting (!). This crummy set doubles as the villain's office too, just remove his desk and it becomes the dungeon.
His profession is not specified but after the lovely lass's imprisonment, women pop into his office episodically to kill the running time. His first customer is Judy Lindquist, on the lam from the cops, who gives him $1000 to arrange for her to leave the country. She hides out in the dungeon, for lesbo action with the débutante.
Second customer is played by the lady of the house from BUTLER'S NIGHT OUT, cast as Daisy May Lejoy, who is seeking work in show biz. (As you can see, this film has our villain working in human trafficking, smuggling and as talent agent, too. Its plotting makes an early Shaun Costello opus look like a well-crafted Joe Mankiewicz script by comparison.)
Suffice it to say that everybody ends up making love, orgy style, in the dungeon, including the villain's well-built, but unattractive Black secretary, whose very dark skin tones serve the mixed-combo format well. Slapdash ending consists of heroine suddenly escaping while everybody else lies around nearly unconscious, plum tuckered out from all the banging.
I reviewed a film of her's BUTLER'S NIGHT OUT and included a TIMID DEBUTANTE review with it since IMDb failed to include latter film its database. Now that has been rectified, so here's what I wrote:
In the co-feature to BUTLER'S, our never-credited heroine Lynn Nelson is THE TIMID DEBUTANTE, imprisoned in a cheap-cheap-cheap dungeon at the film's outset, which has wooden walls and shag carpeting (!). This crummy set doubles as the villain's office too, just remove his desk and it becomes the dungeon.
His profession is not specified but after the lovely lass's imprisonment, women pop into his office episodically to kill the running time. His first customer is Judy Lindquist, on the lam from the cops, who gives him $1000 to arrange for her to leave the country. She hides out in the dungeon, for lesbo action with the débutante.
Second customer is played by the lady of the house from BUTLER'S NIGHT OUT, cast as Daisy May Lejoy, who is seeking work in show biz. (As you can see, this film has our villain working in human trafficking, smuggling and as talent agent, too. Its plotting makes an early Shaun Costello opus look like a well-crafted Joe Mankiewicz script by comparison.)
Suffice it to say that everybody ends up making love, orgy style, in the dungeon, including the villain's well-built, but unattractive Black secretary, whose very dark skin tones serve the mixed-combo format well. Slapdash ending consists of heroine suddenly escaping while everybody else lies around nearly unconscious, plum tuckered out from all the banging.