Two brothers in their 40s are found dead in the forest. By their side lies a woman, very weak, but still alive. "All that matters is past" is the story of how Janne meets William after many... See full summary »
Trouble starts when Lars, a 25-year-old with few prospects for the future, discovers that an older man is fooling around with the teenage boys in his suburb. A terrible rage is triggered in... See full summary »
Erik Richter Strand
Nils Jørgen Kaalstad,
Mikkel Bratt Silset,
Stavanger is no longer a small fishing town on the West Coast, priding itself on titles like "oil capital" and "culture capital." People are wealthier, the cars more expensive and the ... See full summary »
Arild Østin Ommundsen
At the psychiatric clinic Varden the attendants are mad and the inmates are sane. Here you find life in all it's different faces. Through 24 year old Aina we get to know the insane gang, bringing back her lust for life.
Ingrid Bolsø Berdal,
Jarle Klepp from "The Man Who Loved Yngve" is now a student on 25, loving women, indie rock and deconstruction. Then he gets a letter telling him he's a father, after a drunken one night stand with a 15 year old, 7 years ago, back in 1989.
Rolf Kristian Larsen,
Amina Eleonora Bergrem,
Pål Sverre Hagen
Two girls meet on the Internet. Veronica and Cecilie are carrying different stories, but they have a common goal: To disappear. They meet up and go on a weekend trip to Veronica's hyper ... See full summary »
Kim S. Falck-Jørgensen,
1979 is ending, the 80s are approaching rapidly. Carl and Robert, two slacker best friends who smoke hashish as a way of cheerful living - have been peddling hashish for a decade, hitting ... See full summary »
Ulrik Imtiaz Rolfsen
Nicolai Cleve Broch,
Thomas Bo Larsen
That Kristoffer Joner, who plays Jarge Klepp's father Terje Orheim, originally played Frisør Tom in The Man Who Loved Yngve. The role was played by Jørgen Langhelle in The Man Who Loved Yngve. See more »
Obligatory stickers on number plates used on all cars in Norway from 1993 to 2012 are not present in the late 90's / early 2000's time lime during the funeral of the main character father. See more »
Bullseye story about love/hate and abuse in family relations
Kompani Orheim is the third film adaption made of Tore Renbergs partly biographic Stavanger novels about Jarle Klepp. Here we get to know why he takes mothers last name, Klepp, as his own, ditching father's Orheim. We've seen the great teenager story "Mannen som elsket Yngve" with Jarle playing in a band, and finding himself on the verge of being an adult. And the second "Jeg reiser alene", where Jarle is a student, getting to know he has become a father several years after a one night stand.
This film starts off with Jarle getting to know that his father has died, making him travel back to the funeral, as well as in thoughts to him being a youth, back in the ridiculous 80'ies. Back to the time when he discovered that his parents had secrets they no longer managed to hide the truth.
All the three films are good. Maybe "Jeg reiser alene" is not as good as the first, but probably more charming, but this third is going to be the one that lingers in the mind: Great play, and mixed feelings of a little family of three going to pieces. Kristoffer Joner is portraying the father flawless, and the young Jale, played by freshman Vebjørn Enger, does a fantastic job as the naively young, but still eager to take a stand and responsibility.
The father is an alcoholic, though nice enough when he is not drunk, and when he wants to. He also is more and more abusive. The crises linger until a holiday trip to the mountains around Rjukan to where the fathers war heroes, the "Heroes of Telemark" sabotaged against Hitler trying to get the heavy water he needed to make the atomic bomb back in 1944. Camping with Terje Orheim is not a picnic...
Again there's a great adaption on the mid eighties. Music, colorful clothing and just how it was, being 15 back then, when Jarle was almost becoming an anti-racist activist and socialist.
The film gets stronger and stronger out towards the end. Just when you think the film has stalled, and where there's a still, the film is beautifully giving the touch of feel that makes it difficult to keep your tears.
Not exaggerated, not overplayed, just simple and plain good story telling with heart and hate. I've seen a lot of love/hate relations on films, but I really don't think I've seen it so delicately and trustworthy treated as here. Arild Andresen is hitting again, just like he did with the fabulous "Keeper'n til Liverpool" ("The Liverpool goalie").
Well done! The film just took away the Nordic Filmprice Dragonaward, with a prize of SEK 1.000.000 at the Gothenburg International Film Festival, with the jury from the International Federation of Film Critics (FIPRESCI). This is showing that the film having international potential. Tore Renberg has approved the adaption of his novel as perfect, though saying it was difficult to watch.
A fun fact is that Kristoffer Joner as the father Terje Orheim actually was one of Tore Renbergs classmates, and turns up talking to himself as a youngster in a scene in the film. How's that for a time loop!?
Turn your feelings on and get to know how it is to hate the ones you love the most.
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