Faced with both her hot-tempered father's fading health and melting ice-caps that flood her ramshackle bayou community and unleash ancient aurochs, six-year-old Hushpuppy must learn the ways of courage and love.
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Hushpuppy, an intrepid six-year-old girl, lives with her father, Wink, in the Bathtub, a southern Delta community at the edge of the world. Wink's tough love prepares her for the unraveling of the universe; for a time when he's no longer there to protect her. When Wink contracts a mysterious illness, nature flies out of whack, temperatures rise, and the ice caps melt, unleashing an army of prehistoric creatures called aurochs. With the waters rising, the aurochs coming, and Wink's health fading, Hushpuppy goes in search of her lost mother. Written by
Sundance Film Festival
The mystical or mythical beasts which Hushpuppy "sees" throughout the film are called AUROCHS, and occasionally URUS. Aurochs are an extinct ancestor of the bovine (cows, oxen) family of mammals, with the last Auroch dying in 1627, and which inhabited forests of North Africa, Europe, and parts of Southwest Asia. It was oxen like in appearance, with longer forward facing curved horns, and is thought to be one of the ancestors of modern cattle. See more »
During the height of the hurricane scene, Wink challenges the storm, with his rifle, as a means of comforting Hushpuppy and alleviating her fears. While he is outside in the hurricane winds and rain, only the trees in his immediate vicinity are violently moving. Trees in the background (perhaps beyond the reach of a wind fan) are perfectly still. See more »
All the time, everywhere, everything's hearts are beating and squirting, and talking to each other the ways I can't understand. Most of the time they probably be saying: I'm hungry, or I gotta poop.
[listening to bird's heartbeat]
But sometimes they be talkin' in codes.
See more »
I can understand how most people view this film within the context of Hurricane Katrina. But even as a former denizen of the Gulf coast who sat out Alicia, Claudette, Allen, Rita, and Ike, I view this film in a much, much larger context. It goes beyond stereotype and into archetype -- the denizens of the Bathtub aren't poor drunks at the mercy of the environment, they are The People of the world they inhabit. Hushpuppy doesn't have a drunk father, she has a Father, with many of the faults and strengths of the immortal epic heroes -- anger, pride, genuine love and concern. Hushpuppy herself isn't just a little girl, she is The Child -- the purveyor of a magic which is real, intimately connected with her world, imaginatively linked with All Things. The outside world is a place of Things and Machines, of paperwork and rules -- and is never actually named, you see, because that would diminish it. Everything in this film exists within the realm of archetype, and if you watch it with that in mind, its multiple messages take on cosmic significance. Beautifully shot, beautifully acted -- it's going to take a few more days for the entire thing to completely sink in. Outstanding!
199 of 245 people found this review helpful.
Was this review helpful to you?