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Beasts of the Southern Wild (2012)

PG-13 | | Drama, Fantasy | 5 July 2012 (Russia)
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Faced with both her hot-tempered father's fading health and melting ice-caps that flood her ramshackle bayou community and unleash ancient aurochs, six-year-old Hushpuppy must learn the ways of courage and love.

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(screenplay), (screenplay) | 1 more credit »
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2,986 ( 5)
Nominated for 4 Oscars. Another 90 wins & 120 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Lowell Landes ...
Pamela Harper ...
...
Amber Henry ...
LZA
Jonshel Alexander ...
Nicholas Clark ...
Joseph Brown ...
Henry D. Coleman ...
Peter T
Kaliana Brower ...
T-Lou
...
Dr. Maloney
Hannah Holby ...
Open Arms Babysitter
Jimmy Lee Moore ...
Sgt. Major
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Storyline

Hushpuppy, an intrepid six-year-old girl, lives with her father, Wink, in the Bathtub, a southern Delta community at the edge of the world. Wink's tough love prepares her for the unraveling of the universe; for a time when he's no longer there to protect her. When Wink contracts a mysterious illness, nature flies out of whack, temperatures rise, and the ice caps melt, unleashing an army of prehistoric creatures called aurochs. With the waters rising, the aurochs coming, and Wink's health fading, Hushpuppy goes in search of her lost mother. Written by Sundance Film Festival

Plot Summary | Plot Synopsis

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Discover the most MAGICAL film of the year See more »

Genres:

Drama | Fantasy

Motion Picture Rating (MPAA)

Rated PG-13 for thematic material including child imperilment, some disturbing images, language and brief sensuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

Release Date:

5 July 2012 (Russia)  »

Also Known As:

Bestias del sur salvaje  »

Filming Locations:

 »

Box Office

Budget:

$1,800,000 (estimated)

Opening Weekend:

$169,702 (USA) (29 June 2012)

Gross:

$12,784,397 (USA) (15 March 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The production did not hire a cinematographer until less than a month before production. Director Benh Zeitlin had originally intended to act as cinematographer himself but later decided to employ one. Ben Richardson was hired as as the cinematographer for the miniature portions and had lobbied to shoot the entire film, but despite his friendship with Zeitlin the producers were hesitant to hire Richardson because he had never shot a feature. After veteran cinematographers were screened and an appropriate one could not be found Richardson shot a test reel on his own and presented it to the producers, and was subsequently hired. See more »

Goofs

Hushpuppy is sharing food with her dad, but she has crumbs on the corners of her lips already. See more »

Quotes

[first lines]
Hushpuppy: All the time, everywhere, everything's hearts are beating and squirting, and talking to each other the ways I can't understand. Most of the time they probably be saying: I'm hungry, or I gotta poop.
[listening to bird's heartbeat]
Hushpuppy: But sometimes they be talkin' in codes.
See more »


Soundtracks

La Danse de Mardi Gras
Performed by The Balfa Brothers
Written by Dewey Balfa, Flat Town Music (BMI)
Courtesy of Swallow Records
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User Reviews

 
Post-Colonial Post-Modern Racist Twaddle
15 September 2012 | by (United States) – See all my reviews

I was hoping to see something really worth seeing. Instead, what I saw amounted to Liberal pornography, as deeply racist in its supposed humanism as anything from the deep dark racist past. All 'dem Cajuns may be poor, but they are so natural and happy, you should jus' see them drink, and party, and dance. It is like a Gabriel Marquez fantasy on a bad acid trip, taking us from auruchs, ice ages, and global warming to hurricanes, fire, and endless human disaster. The "noble savage"embodied the essential racist colonial myth; this stereotyping of the Cajun culture speaks to its post-colonial continuance,which is just as racist, only worse in its totally exploitive, pornographic pretense at presenting this characterization as believable and humane. The fact that the director, a twenty-something kid from Queens, shamelessly exploited his Cajun cast is even more disgusting. Perhaps the only thing worse is the mindless groveling over the film by what passes for the American liberal intelligensia. This film is a hate crime committed against all of us.


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