| Wes Brown | ... | Clark | |
| Cheryl Ladd | ... | Irene | |
| Bruce Boxleitner | ... | Lloyd | |
| Julie Mond | ... | Ellen | |
| Morgan Lily | ... | Missy | |
| Willow Geer | ... | Sarah | |
| Tyler Jacob Moore | ... | Ben | |
| Kirk B.R. Woller | ... | Bruce | |
| James Eckhouse | ... | Mr. Harris | |
| Courtney Marmo | ... | Laura | |
| rest of cast listed alphabetically: | |||
| Drea Pressley | ... | Townswoman (uncredited) | |
Directed by | |||
| Bradford May | |||
Writing credits(WGA) | ||
| Kevin Bocarde | (written by) | |
Produced by | |||
| Mary Callery | .... | co-executive producer | |
| H. Daniel Gross | .... | co-executive producer | |
| Robert Halmi Jr. | .... | executive producer | |
| Erik Heiberg | .... | producer | |
| Lincoln Lageson | .... | producer | |
| Larry Levinson | .... | executive producer | |
| Alan Moloney | .... | co-producer | |
| Randy Pope | .... | co-executive producer | |
Original Music by | |||
| Brian Byrne | |||
Cinematography by | |||
| Maximo Munzi | (director of photography) | ||
Film Editing by | |||
| Jennifer Jean Cacavas | |||
Casting by | |||
| Penny Perry | |||
| Amy Beth Reece | (as Amy Reece) | ||
Production Design by | |||
| Scott H. Campbell | |||
Art Direction by | |||
| Vahn Armstrong | |||
Set Decoration by | |||
| Linda Louise Sheets | |||
Costume Design by | |||
| Evan Waters | |||
Makeup Department | |||
| Erin Good | .... | makeup artist | |
| Fabian Guttierez | .... | department head hair stylist (as Fabian Guitierrez) | |
| Marq Marquez | .... | makeup artist | |
| Julie Murray | .... | makeup artist | |
| Michael Spezzano | .... | department head make-up (as Myke Spezzano) | |
Production Management | |||
| Erik Heiberg | .... | unit production manager | |
| Rick Marciano | .... | post producer | |
| Richard Morain | .... | post-production supervisor (as Richard W. Morain Jr.) | |
Second Unit Director or Assistant Director | |||
| Tom Dean | .... | second second assistant director | |
| Jennifer Herman | .... | additional second second assistant director | |
| Heidi Hinzman | .... | key second assistant director | |
| Lincoln Lageson | .... | second unit director | |
| Jill Maxcy | .... | first assistant director | |
Art Department | |||
| Wendell Armstrong | .... | carpenter | |
| John Austin | .... | carpenter | |
| Aaron Bautista | .... | swing | |
| Christian D'Amico | .... | swing | |
| Christopher De Wolf | .... | carpenter | |
| Brian 'B.J.' James | .... | scenic artist (as Brian 'BJ' James) | |
| Tera Johnson | .... | scenic artist | |
| Gary Jones | .... | scenic artist | |
| Jeff Kraft | .... | scenic artist | |
| Brett Lloyd | .... | carpenter | |
| Danielle Mana | .... | prop master | |
| Cameron Metz | .... | prop assistant | |
| Nathalie Neurath | .... | lead scenic artist | |
| Shane 'Cabo' O'Muircheartaigh | .... | swing (as Shane 'Cabo' O'Muircheartaigh) | |
| Darren Page | .... | carpenter | |
| Henrik Pellicer | .... | scenic artist | |
| Roberto Ramirez | .... | scenic artist | |
| Khamisi Thurman | .... | additional on-set dresser | |
| Brendan Turrill | .... | props | |
| Martin Woods | .... | carpenter | |
| Martin Woods | .... | construction coordinator | |
| Christina Wynveldt | .... | art department coordinator | |
Sound Department | |||
| Lee Boxleitner | .... | boom operator | |
| Jason Brennan | .... | re-recording mixer | |
| Roberto Domínguez | .... | foley mixer (as Roberto D. Alegria) | |
| Eric Enroth | .... | sound mixer | |
| Russell Farmarco | .... | dialogue editor | |
| Eric Hoeschen | .... | foley artist (as Eric Holeschen) | |
| Greg Jefferson | .... | adr mixer (as Gregory Jefferson) | |
| Anthony Krajchir | .... | adr mixer | |
| Anthony Krajchir | .... | sound engineer | |
| Marcel Lehrer | .... | studio manager | |
| Patrick O'Sullivan | .... | supervising sound editor | |
| Paul Ratajczak | .... | re-recording mixer | |
| Lance Wiseman | .... | adr supervisor | |
| Mark Ettel | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Nick Daneschewsky | .... | special effects assistant (as Nick Danischewsky) | |
| Brando Farr | .... | special effects assistant | |
| Albert Lannutti | .... | special effects coordinator | |
Stunts | |||
| Perry Barndt | .... | utility stunts (uncredited) | |
| Monty Cox | .... | utility stunts (uncredited) | |
| Lincoln Lageson | .... | utility stunts (uncredited) | |
| Clint Lilley | .... | stunt coordinator (uncredited) | |
| Gábor Piroch | .... | stunt double (uncredited) | |
Casting Department | |||
| Christine Babayans | .... | casting associate | |
| Vanessa Portillo | .... | extras casting | |
Costume and Wardrobe Department | |||
| Veronica Lawson | .... | costume supervisor | |
| Dorothy Waters | .... | set costumer | |
| Meghan Wincor | .... | seamstress | |
Editorial Department | |||
| Addison Donnell | .... | assistant editor | |
| Marcus Niehaus | .... | second assistant editor | |
| Tony Roman | .... | vice president: post production | |
| Kris Santa Cruz | .... | colorist | |
| Frank Sharp | .... | post-production coordinator | |
| Michael Votel Jr. | .... | post-production assistant (as Mike Votel) | |
| Mike Witting | .... | on-line editor | |
Music Department | |||
| Matt Shelton | .... | music editor (as Matthew Shelton) | |
Transportation Department | |||
| Angelo Arellano | .... | driver | |
| Davin Attia | .... | driver | |
| Kirk D. Barton | .... | driver | |
| Mike Barton | .... | driver | |
| Bruce Blackstone | .... | driver | |
| George M. Geminiano | .... | driver (as George Geminiano) | |
| Sergio Muñoz | .... | driver (as Sergio Munoz Salinas) | |
| Hector Perez | .... | driver | |
| Michael David Reynolds | .... | transportation coordinator | |
| Thomas Rohrback | .... | driver (as Tom Rohrback) | |
| Ricker Slaven | .... | driver | |
| Al Valentine | .... | driver (as Albert Valentine) | |
| Michael Whitney | .... | transportation captain | |
| Robert Leos | .... | additional driver (uncredited) | |
Other crew | |||
| David Acosta | .... | stage security | |
| Paul Balelo | .... | executive vice president: business & legal affairs | |
| Evan Ball | .... | office production assistant | |
| Brandon Beeler | .... | medic | |
| Richard Broussard | .... | business affairs associate | |
| Jaime Casas | .... | craft service | |
| Juana Casas | .... | craft service | |
| Kevin Collins | .... | set production assistant | |
| Ronald De Lucia | .... | intern | |
| Mike Dempsey | .... | intern | |
| L. Jean Erikson | .... | studio teacher | |
| Christina Ferreira | .... | vp of sales | |
| Matt Fitzsimons | .... | executive vice president | |
| Todd Forsberg | .... | wrangler | |
| Marie Frick | .... | vice president: production & finance | |
| Damiano Fusca | .... | set production assistant | |
| Verne Graham | .... | basecamp manager | |
| Tamie Groves | .... | medic coordinator | |
| Lisamarie Henry | .... | set production assistant | |
| Dora Hopkins | .... | script supervisor | |
| Steven Hopper | .... | location manager | |
| Adrian Janeway | .... | location security | |
| Jason Johnson | .... | medic | |
| Trevor M. Jones | .... | accounting assistant | |
| Allan Jordan | .... | wrangler | |
| Sandra M. Kraft | .... | production accountant (as Sandra Kraft) | |
| Marisa La Tour | .... | production associate | |
| Jack Lilley | .... | boss wrangler | |
| Howard Long | .... | wrangler (as Howard G. Long) | |
| Johnny Lowe | .... | medic | |
| Jud Melville | .... | wrangler | |
| Ricky Dean Monsey | .... | set production assistant (as Richard Dean Monsey III) | |
| Sam Neely | .... | wrangler | |
| Janette Oke | .... | based on the "Love Comes Softly" book series by: writing credits locked by WGA | |
| Amanda Phillips Atkins | .... | director of development (as Amanda Phillips) | |
| Michael Picarella | .... | assistant production coordinator | |
| Randy Pope | .... | executive vice president: production | |
| Mary Przybylski | .... | production coordinator | |
| Ireri Ray | .... | chef | |
| Arturo Nelson Rodriguez | .... | location security (as Arturo Rodriguez) | |
| Karen Rohrbach | .... | location security | |
| Robert Ruiz | .... | stage security | |
| Bryan Rusling | .... | medic | |
| Ramon Sanchez | .... | assistant chef | |
| Robert Smith | .... | assistant chef | |
| Marco Solis | .... | snake wrangler | |
| Sara Stelwagen | .... | set production assistant (as Sara Stelwagon) | |
| Julie Stevens | .... | studio teacher | |
| Jules Sylvester | .... | snake wrangler (as Julian 'Jules' Sylvester) | |
| Matt Thompson | .... | wrangler | |
| Gail Whitney | .... | location security | |
| Winnie Wong | .... | insurance | |
| Matt Fitzsimons | .... | production executive (uncredited) | |
| Marie Frick | .... | business affairs (uncredited) | |
| Trevor M. Jones | .... | assistant accountant (uncredited) | |
| Michael Picarella | .... | script coordinator (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
This isn't an action movie, a blood and guts gore film or a sex filled mystery. It is a movie about good things in life: Love, Passion, Courage, Honesty, Forgiveness, Integrity and Honor. We need more movies like this, movies that teach good not movies that corrupt our children.
It is so hard today to find films like this one. My daughters get mad at me when I want us to watch an "OLD" movie in black and white. It is very hard today to get children to watch something worthwhile. I remember when TV only had "GOOD" stuff to watch. This brings me to something I am confused about... a low rating on IMDb. I guess society has been so corrupted that it can't see good anymore. This movie should have a rating of 9 or 10. Special effects, blood and gore, sex and constant action shouldn't be what is expected in our movies. We cannot just blame the movie industry....we have to blame ourselves as well. On the other end of the spectrum, we fully blame the movie industry for tricking us into thinking that movies like the Hunger Games were great. I was so sickened when I watched it, I couldn't even finish it. The Hunger Games should have been rated R and we should have been told the truth in the previews and advertising of it. Shame on you Hollywood for exposing my daughter to such horror as children killing children. I will not let my children see another movie until I have seen it first. My trust in Hollywood is less than zero and if the country continues on its present path, I am sad to say movies will become more immoral and less about teaching good. Again, I say we need more movies like Loves Everlasting Courage, if we are to ever be good again...