Directed by
| Josie Maynard | ||
Writing Credits (in alphabetical order)
| Josie Maynard | ||
| Anne Amanda Opotowsky | ||
Cast
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Jason Amerine | ... | Self |
| George W. Bush | ... | Self | |
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James Dobbins | ... | Self |
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Abdul Rashid Dostum | ... | Self |
| Karl Eikenberry | ... | Self | |
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Mullah Jaffar | ... | Self |
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Ali Ahmed Jalali | ... | Self |
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Peter Jouvenal | ... | Self |
| Hamid Karzai | ... | Self | |
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Jamil Karzai | ... | Self |
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Ismail Khan | ... | Self |
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Haji Mohammad Mohaqiq | ... | Self |
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Ismail Munshi | ... | Self |
| Barack Obama | ... | Self | |
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Mitch Perryman | ||
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Yunus Qanoni | ... | Self |
| Dana Rohrabacher | ... | Self | |
| Barnett Rubin | ... | Self | |
| Donald Rumsfeld | ... | Self | |
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Charles Santos | ... | Self |
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Faizullah Zaki | ... | Self |
Produced by
| Aleem Agha | ... | field producer: Kabul |
| Manny Howard | ... | associate producer |
| Mark Huntley | ... | associate producer |
| Resa Matthews | ... | co-supervising producer |
| Josie Maynard | ... | executive producer |
| Emily R. Speer | ... | co-producer (as Emily Speer) |
| George Suarez | ... | producer |
Cinematography by
| Rodney Lamborne | ||
| Rob VanAlkemade | ||
| Peter Zivkovic | ||
Editing by
| Richard Kronenberg | ||
| Peter Tooke | ||
Production Management
| Samara Levenstein | ... | post-production supervisor |
Sound Department
| Carlos Bible | ... | sound |
| Brian Bracken | ... | re-recording engineer: Postworks New York |
| Mark Doyle | ... | sound |
| Steve Micallef | ... | sound |
| Josh Pitt | ... | sound |
| Peter Tooke | ... | sound |
| Nelson Villareal | ... | sound |
Camera and Electrical Department
| Michael Dean | ... | camera operator |
| Dan Fridman | ... | camera operator |
| Christian Galdabini | ... | camera operator |
| Wolfgang Lehner | ... | camera operator |
Editorial Department
| Jamie Kirkpatrick | ... | additional editor |
| William Lehman | ... | assistant editor |
| Scot Olive | ... | digital intermediate colorist |
Music Department
| Leonard Hospidor | ... | music mixer |
| James Oakar | ... | composer: theme music |
Additional Crew
| Aleem Agha | ... | translator |
| Shawn Aller | ... | web site designer: Allergale Design |
| Akbar Andhoi | ... | translator |
| Maria Arias | ... | intern |
| Lynn Badia | ... | archival researcher |
| Jon Baskin | ... | additional editing (as Jonathan Baskin) |
| Corey Bayes | ... | edit intern |
| Elizabeth Bove | ... | narrated by |
| Paul Brennan | ... | legal |
| Ethan Cahn | ... | intern |
| Jane Casserly | ... | voice-over coach |
| Jen Choi | ... | edit intern |
| Andrea Cirie | ... | voice-over coach |
| Lisa E. Davis | ... | legal (as Lisa Davis) |
| Shane Dolly | ... | additional motion graphics |
| Melissa Floreth | ... | post production coordinator: Postworks New York (as Melissa Kelly) |
| Sandy Gale | ... | web site designer: Allergale Design |
| Ryan Garrett | ... | edit intern |
| Kenzo Hakuto | ... | additional motion graphics |
| Elizabeth Hamilton | ... | post coordinator assistant |
| Kimberly Jaime | ... | legal |
| Carol Jazwinski | ... | online post production supervisor: Postworks New York |
| Nick Kay | ... | post technician |
| Abe Kemmis | ... | production assistant (as Abraham Kemmis) |
| Jamie Kirkpatrick | ... | additional editing |
| Sue Manian | ... | title designer: Imagine That |
| J.D. Marlow | ... | online post producer: Postworks New York |
| Scot Olive | ... | colors / hd on-line: Postworks New York |
| Maggie Pisacane | ... | legal |
| Amy Raugust | ... | production assistant |
| Deborah Roth | ... | archival research |
| Naim Saidi | ... | translator: Language Lab |
| John Sloss | ... | legal |
| Jessica Tabibnia | ... | intern |
| Mark Linwood Tracy | ... | edit intern (as Mark Tracy) |
| Jawed Waqid | ... | translator |
| Jess Weixler | ... | intern |
| James White | ... | archival researcher / production assistant |
| Kazuhiro Yamamoto | ... | additional motion graphics |
Thanks
| Melissa Floreth | ... | thanks (as Melissa A. Kelly) |
| James P. Kelly | ... | special thanks |
| Victor Marty | ... | special thanks |
| Richard Todd | ... | special thanks |
