The summer of 1914 is such a pivotal point in European history. From this moment on, the life as the Crawley's have known it at Downton Abbey will never be the same. The plot made big leaps in time too. When the Crawley family returned to Downton from London in the summer of 1914, we are only told in passing that Lady Sybil had a coming out party! What? We missed a ball. No way. Big oversight. Everyone knows that all the best stuff happens at balls! Jane Austen knew that and used it to her advantage. Julian Fellowes must have forgotten, or the budget did not allow. Anyway, even if I felt slighted for not being invited to her big party, we did get all sorts of other eye popping personal events. Sisterly feuds, bickering, scheming, murder, fights and more fights. I had a friend tell me he felt that Downton was really the new Dynasty of prime time TV. Remember the wildly popular 1980's American drama with glitzy clothes, big stars and melodramatic plots? It was an American drama mind you, but I can see the similarities. Big house, family money, family squabbles over power and money. If anyone recalls Dynasty's most famous scene, will we have a cat fight in the Downton pond with Violet, the Dowager Countes and Mrs. Crawley to look forward too? There were many great performances, but I will focus on my two favorites: Lady Sybil and the kitchen maid Daisy. Two young ladies on opposite floors of Downton Abbey who could easily be in each others shoes, but for their side of the blanket. Lady Sybil is developing into a little firebrand! Her political activism is a total puzzlement to her family who think her charitable causes are extreme and her politics even more so. She is a Liberal. Her father is a Tory. He believes that the radical Irish chauffeur Branson (Allen Leech), who claims to be a socialist, has fueled her notions. After she attends a political rally against her father's wishes, the family dinner conversation becomes very heated in front of the servants no less. Oh, of course the Dowager Countess must have her share of the conversation and rhetorically questions her granddaughter's being there at all.
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