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A chronicle of the lives of the British aristocratic Crawley family and their servants in the early 20th Century.

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Top Rated TV #99 | Won 3 Golden Globes. Another 49 wins & 190 nominations. See more awards »
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Cast

Series cast summary:
...
 Robert Crawley, Earl of Grantham (52 episodes, 2010-2015)
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 Lady Edith Crawley (52 episodes, 2010-2015)
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 Charles Carson (52 episodes, 2010-2015)
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 John Bates (52 episodes, 2010-2015)
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 Lady Mary Crawley (52 episodes, 2010-2015)
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 Anna Bates / ... (52 episodes, 2010-2015)
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 Thomas Barrow (52 episodes, 2010-2015)
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 Mrs. Hughes (52 episodes, 2010-2015)
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 Cora Crawley, Countess of Grantham (52 episodes, 2010-2015)
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 Daisy Mason / ... (52 episodes, 2010-2015)
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 Mrs. Patmore (52 episodes, 2010-2015)
...
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 Isobel Crawley (52 episodes, 2010-2015)
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 Joseph Molesley (46 episodes, 2010-2015)
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 Tom Branson (45 episodes, 2010-2015)
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 Dr. Clarkson (34 episodes, 2010-2015)
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 Sarah O'Brien (25 episodes, 2010-2012)
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 Matthew Crawley (25 episodes, 2010-2012)
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 Baxter (23 episodes, 2013-2015)
...
 Lady Rose MacClare (21 episodes, 2012-2015)
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Storyline

Lord Grantham sees his family heritage, especially the grand country home Downton Abbey, as his mission in life. The death of his heir aboard the Titanic means distant cousin Matthew Crawley, a Manchester lawyer, suddenly is next in line and accepts moving onto the vast estate with his even more modernist, socially engaged mother, who clashes with his lordship's domineering, conservative mother, the dowager countess. Marrying off the daughters is another concern. Meanwhile, the butler presides over a staff which serves the family, but also lead most of their entire lives in the servants' quarters, intriguing amongst themselves. Written by KGF Vissers

Plot Summary | Plot Synopsis

Taglines:

War changes everything

Genres:

Drama | Romance

Certificate:

TV-PG | See all certifications »

Parents Guide:

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Details

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Release Date:

9 January 2011 (USA)  »

Also Known As:

Masterpiece Classic  »

Company Credits

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Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

The character of Tom Branson (Allen Leech) was originally only meant to be on the show for three episodes. However Juillian Fellowes was so interested in the character he kept him on. See more »

Goofs

Although Robert and Cora Crawley both have blue eyes, their daughters Mary and Edith have brown eyes. This was thought biologically impossible in the Davenport Model (1907), although not very common, two blue-eyed parents can produce children with brown eyes. Eye color is a complex trait that depends on the state of several interacting genes. The gene that usually decides the issue (blue eyes or brown eyes) is the OCA2 gene on chromosome 15. But it comes in different strengths. A person with a weak form of the OCA2 gene will have blue eyes. Likewise a person with a strong form will have brown eyes, but individuals also have other eye-color genes that each has a say in the final eye-color outcome. For example, if one of these lesser genes is strong, it can make the weak form (blue) of OCA2 work much more effectively - almost like the strong form (brown). Then the eye color may be brown. In fact, the resulting color can be any shade of brown, hazel, green or blue depending on the interactions. See more »

Connections

Featured in Breakfast: Episode dated 19 September 2011 (2011) See more »

Soundtracks

O Mio Babbino Caro
(uncredited)
Written by Giacomo Puccini
Performed by Kiri Te Kanawa
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Frequently Asked Questions

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User Reviews

 
A satisfying social drama presaging the changes upcoming in pre-WWI Britain.
10 January 2011 | by (United States) – See all my reviews

Julian Fellowes' intelligent (and sophisticated) take on pre-World War I society of aristocrats and worker-bees is smart-writing on the changes we will see over the next 25 years, encompassing two major wars and a great depression. The writing and the casting make this many steps above "soap opera" as the themes of social mobility and aristocratic incompetence are sharply etched.

All of it pleased me, from the smallest character to the dozen or so leads, lead off by the always-brilliant Maggie Smith. This is to be enjoyed for both its eye-candy (Downton Abbey) and its themes of rich- and-poor dilemmas. Gorgeously shot with accurate art-direction. Wonderful all the way around.


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