| Photos (See all 67 | slideshow) | Videos (see all 13) |
| Keira Knightley | ... | Sabina Spielrein | |
| Viggo Mortensen | ... | Sigmund Freud | |
| Michael Fassbender | ... | Carl Jung | |
| Vincent Cassel | ... | Otto Gross | |
| Sarah Gadon | ... | Emma Jung | |
| André Hennicke | ... | Professor Eugen Bleuler (as André M. Hennicke) | |
| Arndt Schwering-Sohnrey | ... | Sándor Ferenczi | |
| Mignon Remé | ... | Jung's Secretary | |
| Mareike Carrière | ... | Food Nurse | |
| Franziska Arndt | ... | Bath Nurse | |
| Wladimir Matuchin | ... | Nikolai Spielrein | |
| André Dietz | ... | Medical Policeman | |
| Anna Thalbach | ... | Bathtub Patient | |
| Sarah Marecek | ... | Orchard Nurse | |
| Bjorn Geske | ... | Orderly (as Björn Geske) | |
| Markus Haase | ... | Orderly | |
| Christian Serritiello | ... | Ship's Officer | |
| Clemens Giebel | ... | Ship's Steward | |
| Theo Meller | ... | Karl Abraham | |
| Jost Grix | ... | Leonhard Seif | |
| Severin von Hoensbroech | ... | Johan van Ophuijsen | |
| Torsten Knippertz | ... | Ernest Jones | |
| Dirk S. Greis | ... | Franz Riklin | |
| Katharina Palm | ... | Martha Freud | |
| Nina Azizi | ... | Minna Bernays | |
| Julie Chevallier | ... | Anna Freud | |
| Cynthia Cosima | ... | Sophie Freud | |
| Mirko Naeger-Guckeisen | ... | Ernst Freud | |
| Andrea Magro | ... | Jean Freud | |
| Aaron Keller | ... | Oliver Freud | |
| Nadine Salomon | ... | Maid at Freud's House | |
| Naike Jaszczyk | ... | Agathe Jung | |
| Sarah Adams | ... | Gret Jung | |
| rest of cast listed alphabetically: | |||
| Christian Natter | ... | Ship's Passenger (uncredited) | |
Directed by | |||
| David Cronenberg | |||
Writing credits | ||
| Christopher Hampton | (screenplay) | |
| Christopher Hampton | (play "The Talking Cure") | |
| John Kerr | (book "A Most Dangerous Method") | |
Produced by | |||
| Tiana Alexandra | .... | associate producer (as Tianna Alexandra-Silliphant) | |
| Martin Katz | .... | co-producer | |
| Stephan Mallmann | .... | executive producer | |
| Richard Mansell | .... | associate producer | |
| Marco Mehlitz | .... | line producer | |
| Karl Spoerri | .... | executive producer | |
| Thomas Sterchi | .... | executive producer | |
| Jeremy Thomas | .... | producer | |
| Peter Watson | .... | executive producer | |
| Matthias Zimmermann | .... | executive producer | |
Original Music by | |||
| Howard Shore | |||
Cinematography by | |||
| Peter Suschitzky | (director of photography) | ||
Film Editing by | |||
| Ronald Sanders | |||
Casting by | |||
| Deirdre Bowen | |||
Production Design by | |||
| James McAteer | |||
Art Direction by | |||
| Anja Fromm | |||
| Nina Hirschberg | |||
| Frances Soeder | (as Francis 'Kiko' Soeder) | ||
| Sebastian Soukup | (supervising art director) | ||
Set Decoration by | |||
| Gernot Thöndel | |||
Costume Design by | |||
| Denise Cronenberg | |||
Makeup Department | |||
| Manuela Antritter | .... | additional hair artist | |
| Manuela Antritter | .... | additional makeup artist | |
| Andrea Braun | .... | additional hair artist | |
| Andrea Braun | .... | additional makeup artist | |
| Stephan Dupuis | .... | hair designer | |
| Stephan Dupuis | .... | makeup designer | |
| Ulrike Gass-Flakowski | .... | additional hair artist | |
| Ulrike Gass-Flakowski | .... | additional makeup artist | |
| Gesa Gerersdorfer | .... | additional makeup artist: Vienna | |
| Adriane Graeff | .... | additional makeup artist: Vienna | |
| Andrea Hecking | .... | additional hair artist | |
| Andrea Hecking | .... | additional makeup artist | |
| Nadia Homri | .... | hair artist | |
| Nadia Homri | .... | makeup artist | |
| Carla Hovenbitzer | .... | additional hair artist | |
| Carla Hovenbitzer | .... | additional makeup artist | |
| Elisabeth Kaukal | .... | additional makeup artist: Vienna | |
| Barbara Kichi | .... | key hair artist | |
| Barbara Kichi | .... | key makeup artist | |
| Isabella Koppensteiner | .... | additional makeup artist: Vienna | |
| Michaela Korger-Kilian | .... | additional makeup artist: Vienna | |
| Erwin H. Kupitz | .... | wig designer (as Erwin Kupitz) | |
| Mary Liebsch | .... | additional hair artist | |
| Mary Liebsch | .... | additional makeup artist | |
| Silka Lisku | .... | wig stylist | |
| Martina Mariacher | .... | additional makeup artist: Vienna | |
| Magret Payer | .... | additional makeup artist: Vienna | |
| Ulrich Ritter | .... | key hair artist | |
| Ulrich Ritter | .... | key makeup artist | |
| Katrin Silbernagel | .... | additional hair artist | |
| Katrin Silbernagel | .... | additional makeup artist | |
| Conny Ulatowski | .... | additional hair artist | |
| Conny Ulatowski | .... | additional makeup artist | |
| Romy Voigtsberger | .... | additional hair artist | |
| Romy Voigtsberger | .... | additional makeup artist | |
| Sonja Wimmer | .... | additional makeup artist: Vienna | |
| Gerd Zeiss | .... | wig stylist (as Gerhard A. Zeiss) | |
Production Management | |||
| John Lüftner | .... | general manager: Vienna, SUPERFILM (as John Lueftner) | |
| Robert Opratko | .... | unit production manager: Vienna | |
| Imke Sommerkamp | .... | unit production manager | |
| Lori A. Waters | .... | post-production supervisor (as Lori Waters) | |
Second Unit Director or Assistant Director | |||
| Patrick Arias | .... | second assistant director | |
| Manuel Faber | .... | trainee assistant director | |
| Walter Gasparovic | .... | first assistant director | |
| Michaela Kluge | .... | third assistant director (as Michaela 'Ela' Kluge) | |
| Christoph Stec | .... | trainee assistant director | |
Special Effects by | |||
| Norman Ernst | .... | special effects senior technician | |
| Rolf Hanke | .... | special effects project manager | |
| Andreas Herberg | .... | special effects technician | |
| Jens Schmiedel | .... | special effects foreman | |
| Roland Weder | .... | special effects technician | |
Visual Effects by | |||
| Sarah Barber | .... | visual effects coordinator: Mr. X Inc. | |
| Dennis Berardi | .... | supervising visual effects producer: Mr. X Inc. | |
| Mathew Borrett | .... | digital matte painter: Mr. X Inc. | |
| Mike Borrett | .... | visual effects production manager: Mr. X Inc. | |
| Wayne Briton | .... | digital compositor: Mr. X Inc. | |
| Wilson Cameron | .... | visual effects producer: Mr. X Inc. | |
| Robert Caputi | .... | modeling & texturing: Mr. X Inc. (as Rob Caputi) | |
| Dan Carnegie | .... | animator: Mr. X Inc. | |
| Ovidiu Cinazan | .... | digital compositor: Mr. X Inc. | |
| Nick Colangelo | .... | visual effects production assistant: Mr. X Inc. | |
| Chris De Souza | .... | animator: Mr. X Inc. | |
| Julio Del Hierro | .... | modeling & texturing: Mr. X Inc. (as Julio DelHierro) | |
| Michael DiCarlo | .... | visual effects production assistant: Mr. X Inc. | |
| Jeremy Dineen | .... | effects animator: Mr. X Inc. | |
| Vladimir Durdevic | .... | systems team: Mr. X Inc. | |
| Peter Dydo | .... | animator: Mr. X Inc. | |
| Jason Edwardh | .... | animator: Mr. X Inc. | |
| Rory Falloon | .... | systems team: Mr. X Inc. | |
| David Fix | .... | systems team: Mr. X Inc. | |
| Vinay Goenka | .... | digital compositor | |
| Oliver Hearsey | .... | tracking/layout: Mr. X Inc. | |
| Jean-Francois Houde | .... | digital compositor: Mr.X Inc. (as Jean-Francoise Houde) | |
| Farrukh Khan | .... | rigging: Mr. X Inc. | |
| Mike Kwan | .... | digital compositor: Mr. X Inc. | |
| Isabelle Langlois | .... | operations: Mr. X Inc. | |
| Ethan Lee | .... | animator: Mr. X Inc. | |
| Derick Loo | .... | tracking/layout: Mr. X Inc. | |
| Mickaël Léger | .... | digital compositor: Mr. X Inc. (as Mike Léger) | |
| Tom Mayclim | .... | scanning/recording: Deluxe EFilm Toronto | |
| Jon McCallum | .... | rigging: Mr. X Inc. | |
| Ken McCuen | .... | digital matte painter: Mr. X Inc. | |
| Tracey McLean | .... | digital matte painter: Mr. X Inc. | |
| Sarah McMurdo | .... | operations: Mr. X Inc. | |
| Tom Nagy | .... | animator: Mr. X Inc. | |
| Chris Nguyen | .... | systems team: Mr. X Inc. | |
| Kelly Noordermeer | .... | visual effects editorial assistant: Mr. X Inc. | |
| Nick Paulozza | .... | scan/record supervisor: Deluxe EFilm Toronto | |
| Diana Pazzano | .... | operations: Mr. X Inc. | |
| Matthew Pellar | .... | visual effects production assistant: Mr. X Inc. (as Matt Pellar) | |
| Trevor Pickard | .... | scanning/recording: Deluxe EFilm Toronto | |
| Jim Price | .... | crown simulations: Mr. X Inc. | |
| Sebastien Proulx | .... | digital compositor: Mr. X Inc. | |
| Matt Ralph | .... | tracking/layout: Mr. X Inc. | |
| Tyagi Reetuj | .... | digital compositor | |
| Dominic Remane | .... | lighting: Mr. X Inc. | |
| Pierre-Luc Rioux | .... | visual effects production assistant: Mr. X Inc. | |
| Linda Rose | .... | visual effects accountant: Mr. X Inc. | |
| Chris Ross | .... | visual effects coordinator: Mr. X Inc. | |
| Milan Schere | .... | digital matte painter: Mr. X Inc. | |
| Matt Schofield | .... | digital matte painter: Mr. X Inc. | |
| Alison Schouten | .... | dust buster: Deluxe EFilm Toronto | |
| Jerry Seguin | .... | digital compositor: Mr. X Inc. | |
| Laetitia Seguin | .... | visual effects coordinator: Mr. X Inc. (as Laetitia Séguin) | |
| Gavin Soares | .... | tracking/layout: Mr. X Inc. | |
| Frankie Stellato | .... | animator: Mr. X Inc. | |
| Jim Su | .... | rigging: Mr. XInc. | |
| Aaron Weintraub | .... | operations: Mr. X Inc. | |
| Meghan Werner | .... | dust buster: Deluxe EFilm Toronto | |
| Matt 'Readyman' Whelan | .... | lighting: Mr. X Inc. (as Matt Whelan) | |
| Wojciech Zielinski | .... | visual effects supervisor: Mr. X Inc. | |
| Mathieu Archambault | .... | digital compositor (uncredited) | |
| Yashwant Bombe | .... | digital compositor: Anibrain (uncredited) | |
| Joerg Bruemmer | .... | additional on-set visual effects supervisor (uncredited) | |
| Andy Chan | .... | visual effects compositor: Mr. X Inc. (uncredited) | |
| Joseph Cheng Chen | .... | tracking artist: Mr. X Inc. (uncredited) | |
| Ujwal W. Dhankute | .... | digital compositor (uncredited) | |
| Anand Dorairaj | .... | digital compositor (uncredited) | |
| Maxime Ducharme | .... | senior matchmover (uncredited) | |
| Can Etiskol | .... | modeler and texture artist: Mr. X Inc. (uncredited) | |
| Michael Krämer | .... | visual effects set supervisor assistant (uncredited) | |
| Hanung Lee | .... | animator (uncredited) | |
| Winston Lee | .... | digital compositor (uncredited) | |
| Govind Mohan | .... | digital compositor (uncredited) | |
| Jaideep Mohan | .... | digital compositor (uncredited) | |
| Christian Morin | .... | digital compositor (uncredited) | |
| Rolf Muetze | .... | additional on-set visual effects supervisor (uncredited) | |
| Prasenjit Mukherjee | .... | visual effects artist (uncredited) | |
| Jesh Murthy | .... | visual effects (uncredited) | |
| Vincent Papaix | .... | digital compositor: Mr.X (uncredited) | |
| Saurabh Raut | .... | digital compositor (uncredited) | |
| Kamal Kumar Tiwari | .... | compositor (uncredited) | |
Casting Department | |||
| Iris Baumüller | .... | supporting casting director: Germany, Die Besetzer (as Iris Baumüller-Michel) | |
| Jay Benedict | .... | adr voice casting | |
| Delia Eick | .... | extras casting: NRW, Agentur Eick | |
| Edith Fux | .... | extras casting: Vienna, Austrocast | |
| Harry Reich | .... | extras casting: Vienna, Austrocast | |
| Christopher Richards | .... | assistant casting director | |
| Phoebe Scholfield | .... | adr voice casting | |
| Marc Schötteldreier | .... | supporting casting director: Germany, Die Besetzer | |
| Beate Seidel | .... | extras casting: BW, Atticastbodensee | |
| Gregor J. Weber | .... | extras casting: NRW, Agentur Eick (as Gregor Weber) | |
| Florian Wotruba | .... | extras casting: Vienna, Austrocast | |
Costume and Wardrobe Department | |||
| Hanya Barakat | .... | additional wardrobe: Vienna | |
| Kathryn Blight | .... | wardrobe mistress | |
| Charlotte Child | .... | wardrobe mistress | |
| Nigel Egerton | .... | assistant costume designer | |
| Petra Fassbender | .... | wardrobe assistant | |
| Rosie Grant | .... | additional costume | |
| Rosie Grant | .... | additional wardrobe (as Rosemarie Grant) | |
| Harriet Kendall | .... | assistant wardrobe | |
| Jean-Ding Lee | .... | assistant wardrobe | |
| Tung-Ying Liu | .... | additional wardrobe: Vienna | |
| Eva Maas | .... | assistant wardrobe | |
| Elisabeth Nagel | .... | additional wardrobe: Vienna (as Elisabeth Nagl) | |
| Paulina Polom | .... | principal stand-by wardrobe | |
| Evelyn Thell | .... | additional wardrobe: Vienna | |
| Thomas Zaepf | .... | set tailor | |
| Heike Ziegler | .... | additional wardrobe | |
Editorial Department | |||
| Peter Armstrong | .... | digital intermediate producer: Deluxe EFilm Toronto | |
| Kevin Downer | .... | digital intermediate assistant: Deluxe EFilm Toronto | |
| Pietro Gallo | .... | digital intermediate assistant: Deluxe EFilm Toronto | |
| Lee Hughes | .... | digital intermediate project manager: Deluxe EFilm Toronto | |
| Dave Muscat | .... | digital intermediate editor: Deluxe EFilm Toronto | |
| Traudl Nicholson | .... | grader: high definition dailies, Arri Film and TV Services | |
| Sandy Pereira | .... | assistant editor (as Sandy M. Pereira) | |
| Emma Sanders | .... | post-production coordinator (as Emma Sanders Finlayson) | |
| Andreas Thomas | .... | producer: high definition dailies, Arri Film and TV Services | |
| Chris Wallace | .... | digital intermediate colorist: Deluxe EFilm Toronto | |
Music Department | |||
| Joris Bartsch Buhle | .... | orchestra contractor | |
| Jennifer L. Dunnington | .... | music editor (as Jennifer Dunnington) | |
| Vic Fraser | .... | music preparation | |
| Nikolaus Resa | .... | musician: featured soloist | |
| Simon Rhodes | .... | music scoring mixer | |
| Simon Rhodes | .... | music scoring recordist | |
| Howard Shore | .... | conductor | |
| Howard Shore | .... | music adaptation | |
| Howard Shore | .... | orchestrator | |
| Amy Baer | .... | music copyist (uncredited) | |
| Alan Frey | .... | music production coordinator (uncredited) | |
| Joshua Green | .... | music preparation (uncredited) | |
| Tom Russbueldt | .... | pro tools operator (uncredited) | |
| Jonathan Schultz | .... | supervising score music editor (uncredited) | |
| James Sizemore | .... | music programmer (uncredited) | |
| James Sizemore | .... | music technical director (uncredited) | |
| Tim Starnes | .... | additional music editor (uncredited) | |
Transportation Department | |||
| Acki Allizar | .... | prop driver | |
| Heiko Daugau | .... | facilities driver | |
| Ingo Fenner | .... | set decoration driver | |
| Laurentius Girardoni | .... | production driver: Vienna | |
| Hanna Herzig | .... | production driver | |
| André Hindel | .... | additional set decoration driver | |
| Paul Hodges | .... | facilities driver | |
| René Keil | .... | additional driver (as Rene Keil) | |
| Marcus Koszczol | .... | production driver | |
| Joerg Kraft | .... | transportation coordinator (as Jörg Kraft) | |
| Lars Kraus | .... | facilities driver | |
| Daniel M.J. Krause | .... | production driver: Vienna (as Daniel MJ Krause) | |
| Ilja Kruk | .... | facilities driver | |
| Cain Lee | .... | facilities captain | |
| Peter Martin | .... | facilities driver | |
| Daniel Schmidt | .... | additional driver | |
| Steffen Schmidt | .... | production driver | |
| Paul Schober | .... | production driver: Vienna | |
| Tim Schoenefeld | .... | transportation coordinator (as Tim Schönefeld) | |
| Philipp Völker | .... | production driver | |
| Philip Wachmann | .... | prop driver: Vienna | |
| Marcel Winterscheid | .... | driver: David Cronenberg | |
| Alexander Wunderling | .... | facilities driver | |
| Piotr Walczak | .... | transport facilities department (uncredited) | |
Other crew | |||
| Pip Ayers | .... | behind-the-scenes producer | |
| Eric Benz | .... | studio facilities: MMC Studios | |
| Anna Laura Boermck | .... | assistant production coordinator (as Anna Laura Börmck) | |
| Tim Bradel | .... | stand-in: Sigmund Freud | |
| Laurence Brown | .... | legal advisor: Goldcrest Special Opportunities | |
| Nan Brown | .... | production accountant | |
| Norman Bruderhofer | .... | digital phonograph cylinder transfer | |
| Gero Brugmann | .... | legal advisor: Unverzagt von Have | |
| Paul Chodirker | .... | legal advisor: Aver Media, Heenan Blaikie | |
| Eva Cifrain | .... | production coordinator: Vienna | |
| Nadia Day | .... | assistant post-production accountant | |
| Bastian Denker | .... | set security | |
| Sebastian Dentler | .... | water coordinator (as Sebastian 'Seban' Dentler) | |
| Ken Dhaliwal | .... | legal advisor: Canada, Heenan Blaikie | |
| Sabrina Dridje | .... | world sales: HanWay Films | |
| Sonja Fischer | .... | location manager | |
| Luane Sandrin Gauer | .... | assistant to producer | |
| Christoph Gehrig | .... | water crew (as Christoph 'Boffi' Gehrig) | |
| Chiara Gelardin | .... | legal and business affairs executive: Recorded Picture Company | |
| Hilary Goldstein | .... | legal advisor: Aver Media, Heenan Blaikie | |
| Miguel Alberto Gonzalez | .... | world sales: HanWay Films | |
| Bastian Griese | .... | studio facilities: MMC Studios | |
| Roland Hagen | .... | water crew (as Richard 'Hoss' Hagen) | |
| Isis Hager | .... | location scout: BW | |
| Isis Hager | .... | production services: BW | |
| Tim Haslam | .... | world sales: HanWay Films | |
| Rouzie Hassanova | .... | world sales: HanWay Films | |
| Eugene Henry | .... | assistant: Mr. Katz | |
| Moira Holmes | .... | completion guaranty: Film Finances Canada | |
| Sara Holmes | .... | post-production accountant | |
| Ingo Hopfgartner | .... | sailboat provider | |
| Joe Iacono | .... | financial consultant | |
| Alexandra Iser | .... | cook (as Alexandra 'Sunny' Iser) | |
| Rachel James | .... | production assistant | |
| Axel Jaud | .... | set security | |
| Dominic Kallenberg | .... | set security | |
| Ralf Kemmer | .... | water crew | |
| Rachel Kennedy | .... | unit publicist | |
| Alainée Kent | .... | development executive | |
| Heike Kerschgens | .... | production coordinator | |
| Asim Khan | .... | assistant: Katz | |
| Jan Klammer | .... | water crew (as Jan 'zur See' Klammer) | |
| Alexander Koschier | .... | location manager: Vienna (as Alex Koschier) | |
| Sharmila Kumar | .... | assistant: Peter Watson & Stephan Mallmann | |
| Carola Kündgen | .... | studio facilities: MMC Studios | |
| Thomas Lechner | .... | caterer: Vienna, LeMarko Catering & Events Wien | |
| Tristan Lentzen | .... | office runner | |
| Tristan Lentzen | .... | set production assistant | |
| Jonathan Lynch-Staunton | .... | world sales: HanWay Films | |
| Peter-Uwe Maack | .... | production financing: Commerzbank | |
| Kai May | .... | legal advisor: Unverzagt von Have | |
| Jill McCullough | .... | dialect coach: Keira Knightley | |
| Luigi Medico | .... | cook | |
| Frank Meter | .... | location scout: NRW | |
| Sheila Fraser Milne | .... | production consultant | |
| Ilona Nardo | .... | set security | |
| Christian Natter | .... | stand-in: Carl Jung | |
| Sofia Neves | .... | world sales: HanWay Films | |
| Jens Nolte | .... | behind-the-scenes cameraman | |
| Karin Padgham | .... | assistant: Jerry Thomas | |
| Nadine Padzdziora | .... | cook | |
| Thomas Pascher | .... | location manager: Vienna | |
| Andreas Pense | .... | legal advisor: Unverzagt von Have | |
| Antonietta Presta | .... | completion guaranty: Film Finances Canada | |
| Bertram Reiter | .... | location scout: Vienna | |
| Archie Rodrigues | .... | travel coordinator | |
| Jill Rosen | .... | world sales: HanWay Films | |
| Emma Sanders | .... | assistant: David Cronenberg (as Emma Sanders Finlayson) | |
| Lilian Scharnhorst | .... | assistant location manager | |
| Jens-Christian Schneider | .... | set security | |
| Rebecca Lea Katharina Schröder | .... | studio facilities: MMC Studios (as Rebecca Schröder) | |
| Thorsten Schumacher | .... | world sales: HanWay Films | |
| Manuel Schöpf | .... | water crew | |
| Adam Shaheen | .... | titles producer | |
| Maria Sobecki-Grimm | .... | cook | |
| Bernhard Speck | .... | production controller | |
| Jan Spielhoff | .... | world sales: HanWay Films | |
| Nina Steinert | .... | cook | |
| Justin Stephenson | .... | titles design director | |
| Jim Sternberg | .... | completion guaranty: Film Finances Canada | |
| Carolin Stolz | .... | production secretary | |
| Katja Strys | .... | production secretary | |
| Bob Tarantino | .... | legal advisor: Canada, Heenan Blaikie | |
| Achim Thielmann | .... | production financing: Commerzbank | |
| Uta Tscherne | .... | assistant production accountant | |
| Andreas Turnwald | .... | behind-the-scenes soundman | |
| Sarah Ulrich | .... | stand-in: Sabina Spielrein | |
| Caroline Veyssière | .... | script supervisor | |
| Marcus Ward | .... | assistant: Keira Knightley | |
| Christine Wehrmann | .... | production financing: Commerzbank | |
| Peter Weihs | .... | photographic work | |
| Kay Wiedemann | .... | production accountant (as Kay W. Wiedemann) | |
| Julia Wilson Dickson | .... | dialect coach (as Julia Wilson-Dickson) | |
| Marcel Winterscheid | .... | assistant: David Cronenberg | |
| Heiko Wsolak | .... | production financing: Commerzbank | |
| Carolyn Zeifman | .... | additional behind-the-scenes footage | |
| Paul Zischler | .... | assistant to producer | |
| Laurent Boye-Guérin | .... | international festival publicity team: Telefilm Canada (uncredited) | |
Thanks | |||
| Julia Arika | .... | special thanks | |
| Andrea Baaken | .... | special thanks | |
| Christina Bentlage | .... | special thanks | |
| Christian Berg | .... | special thanks | |
| Christine Berg | .... | special thanks | |
| Lea Dahinden | .... | special thanks: Millbrook Pictures | |
| Teresa Hoefert de Turégano | .... | special thanks | |
| Claudia Deselaers | .... | special thanks (as Claudia Droste-Deselaers) | |
| Peter Dinges | .... | special thanks | |
| Selina Gartler | .... | special thanks: Millbrook Pictures | |
| Sara Giles | .... | special thanks | |
| Constanze Hellmich | .... | special thanks | |
| Nadine Herga | .... | special thanks | |
| Martina Horbach | .... | special thanks | |
| Kirsten Niehuus | .... | special thanks | |
| Peter Reuß | .... | special thanks | |
| Tom Roberts | .... | special thanks: Sigmund Freud Copyrights | |
| Gabriele Röthemeyer | .... | special thanks | |
| Claudia Sauer | .... | special thanks | |
| Jenna Seguin | .... | special thanks: Aver Media | |
| Brad Sherman | .... | special thanks: Aver Media | |
| Christiane Sommer | .... | special thanks | |
| Katrin Stolpe | .... | special thanks | |
| Peter Sussman | .... | special thanks: Aver Media | |
| Brigitte Veronese | .... | special thanks | |
| Viviana Vezzani | .... | special thanks: Millbrook Pictures | |
| Lars Wiebe | .... | special thanks: Millbrook Pictures | |
| Oliver Zeller | .... | special thanks | |
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As a long admirer of David Cronenberg, I eagerly await each of his new films as if I am a young child on Christmas Eve. When announced that his new film, A Dangerous Method, had him working with Michael Fassbender and (for a third time) Viggo Mortensen, two of my favorite actors, as well as Keira Knightley and Vincent Cassel, I thought I must have been dreaming. Adding on that the film was going to be an exploration into the relationship between Carl Jung (portrayed by Fassbender) and Sigmund Freud (Mortensen), the gods of psychoanalysis, and this had the makings for Cronenberg's masterpiece. So one can only begin to imagine my dismay when, after a promising first act, A Dangerous Method turned out to be the most inordinately tame and pedestrian Cronenberg film in over thirty years.
David Cronenberg made a name for himself in the film community thanks to his studies into dark, controversial topics of sexual obsessions and fetishes, so a story depicting the works of Jung and Freud seemed like a perfect fit for him, and I was hardly able to process how lazily he approached the minds of these men. The first act felt like punch after punch (in a good way), with very stern, rapid dialogues detailing the sexual desires of Sabina Spielrein (Knightley), a new patient of Jung's. Despite Knightley's hilariously hammy performance, which had me close to fits of laughter every time she unhinged her jaw or thrashed about the room hysterically, each scene sizzled with sexual tension and was nailed with precision by Fassbender's stoic portrayal.
Anyone who knows the history of the story (or has seen the trailer) knows that Jung and Spielrein eventually engage in a sexual relationship of their own and I believe the release of this tension between the two of them is where the film starts to fall of it's axis. After the incredibly intense and erotic first act, featuring a scene where Jung runs a test on his wife (Sarah Gadon) that is as gripping as anything in cinema this past year, the whole thing begins to fizzle out when that tension is released and it only becomes more and more flat as it goes on.
Whenever Jung and Freud are in the same room together the film begins to light back up, as Fassbender and Mortensen engage in a tete-a-tete for the ages, both men succumbed by their intelligence and arrogance to the point where they refuse to see the other as their equal despite their claims to be doing just that. Watching these two marvelously talented actors bounce of each other, it's devastating that the rest of the film couldn't measure up to their skill, and that half of their scenes interacting together are done through them opening notes from one another. The story spreads it's time (quite distractingly) between the Jung/Freud dynamic and the Jung/Spielrein one, and it's in the latter that it completely misses the mark.
Once that sexual tension is released, the chemistry between these two practically ceases to exist and each scene feels like a dull exercise in the standard infidelity plot line. When the film reaches it's final act and there are scenes of forced attempts at emotional payoffs, it's impossible to feel anything because I wasn't able to feel anything from the relationship the entire time leading up to it. There's no real progression in their relationship on anything but a surface level and as a result the payoff falls completely flat.
It certainly doesn't help that, for all of the controversial eroticism in his career past, Cronenberg takes on the carnal moments of this story with the lazy banality of someone much inferior to himself. Several of the dialogue-driven scenes sizzle with a sexual intensity, but when matters are actually taken to the bedroom they are hit with a dullness that would be impossible to believe came from Cronenberg if he didn't have his name stamped on it. In a year that gave us Pedro Almodovar's The Skin I Live In, the most Cronenbergian film I've seen that didn't come from the man himself, it's unbelievably disappointing that this one is so removed from the standard this genius deserves. It's unlike anything he's done before, and I mean that in the worst way possible.