| Photos (See all 67 | slideshow) | Videos (see all 13) |
| Keira Knightley | ... | Sabina Spielrein | |
| Viggo Mortensen | ... | Sigmund Freud | |
| Michael Fassbender | ... | Carl Jung | |
| Vincent Cassel | ... | Otto Gross | |
| Sarah Gadon | ... | Emma Jung | |
| André Hennicke | ... | Professor Eugen Bleuler (as André M. Hennicke) | |
| Arndt Schwering-Sohnrey | ... | Sándor Ferenczi | |
| Mignon Remé | ... | Jung's Secretary | |
| Mareike Carrière | ... | Food Nurse | |
| Franziska Arndt | ... | Bath Nurse | |
| Wladimir Matuchin | ... | Nikolai Spielrein | |
| André Dietz | ... | Medical Policeman | |
| Anna Thalbach | ... | Bathtub Patient | |
| Sarah Marecek | ... | Orchard Nurse | |
| Bjorn Geske | ... | Orderly (as Björn Geske) | |
| Markus Haase | ... | Orderly | |
| Christian Serritiello | ... | Ship's Officer | |
| Clemens Giebel | ... | Ship's Steward | |
| Theo Meller | ... | Karl Abraham | |
| Jost Grix | ... | Leonhard Seif | |
| Severin von Hoensbroech | ... | Johan van Ophuijsen | |
| Torsten Knippertz | ... | Ernest Jones | |
| Dirk S. Greis | ... | Franz Riklin | |
| Katharina Palm | ... | Martha Freud | |
| Nina Azizi | ... | Minna Bernays | |
| Julie Chevallier | ... | Anna Freud | |
| Cynthia Cosima | ... | Sophie Freud | |
| Mirko Naeger-Guckeisen | ... | Ernst Freud | |
| Andrea Magro | ... | Jean Freud | |
| Aaron Keller | ... | Oliver Freud | |
| Nadine Salomon | ... | Maid at Freud's House | |
| Naike Jaszczyk | ... | Agathe Jung | |
| Sarah Adams | ... | Gret Jung | |
| rest of cast listed alphabetically: | |||
| Christian Natter | ... | Ship's Passenger (uncredited) | |
Directed by | |||
| David Cronenberg | |||
Writing credits | ||
| Christopher Hampton | (screenplay) | |
| Christopher Hampton | (play "The Talking Cure") | |
| John Kerr | (book "A Most Dangerous Method") | |
Produced by | |||
| Tiana Alexandra | .... | associate producer (as Tianna Alexandra-Silliphant) | |
| Martin Katz | .... | co-producer | |
| Stephan Mallmann | .... | executive producer | |
| Richard Mansell | .... | associate producer | |
| Marco Mehlitz | .... | line producer | |
| Karl Spoerri | .... | executive producer | |
| Thomas Sterchi | .... | executive producer | |
| Jeremy Thomas | .... | producer | |
| Peter Watson | .... | executive producer | |
| Matthias Zimmermann | .... | executive producer | |
Original Music by | |||
| Howard Shore | |||
Cinematography by | |||
| Peter Suschitzky | (director of photography) | ||
Film Editing by | |||
| Ronald Sanders | |||
Casting by | |||
| Deirdre Bowen | |||
Production Design by | |||
| James McAteer | |||
Art Direction by | |||
| Anja Fromm | |||
| Nina Hirschberg | |||
| Frances Soeder | (as Francis 'Kiko' Soeder) | ||
| Sebastian Soukup | (supervising art director) | ||
Set Decoration by | |||
| Gernot Thöndel | |||
Costume Design by | |||
| Denise Cronenberg | |||
Makeup Department | |||
| Manuela Antritter | .... | additional hair artist | |
| Manuela Antritter | .... | additional makeup artist | |
| Andrea Braun | .... | additional hair artist | |
| Andrea Braun | .... | additional makeup artist | |
| Stephan Dupuis | .... | hair designer | |
| Stephan Dupuis | .... | makeup designer | |
| Ulrike Gass-Flakowski | .... | additional hair artist | |
| Ulrike Gass-Flakowski | .... | additional makeup artist | |
| Gesa Gerersdorfer | .... | additional makeup artist: Vienna | |
| Adriane Graeff | .... | additional makeup artist: Vienna | |
| Andrea Hecking | .... | additional hair artist | |
| Andrea Hecking | .... | additional makeup artist | |
| Nadia Homri | .... | hair artist | |
| Nadia Homri | .... | makeup artist | |
| Carla Hovenbitzer | .... | additional hair artist | |
| Carla Hovenbitzer | .... | additional makeup artist | |
| Elisabeth Kaukal | .... | additional makeup artist: Vienna | |
| Barbara Kichi | .... | key hair artist | |
| Barbara Kichi | .... | key makeup artist | |
| Isabella Koppensteiner | .... | additional makeup artist: Vienna | |
| Michaela Korger-Kilian | .... | additional makeup artist: Vienna | |
| Erwin H. Kupitz | .... | wig designer (as Erwin Kupitz) | |
| Mary Liebsch | .... | additional hair artist | |
| Mary Liebsch | .... | additional makeup artist | |
| Silka Lisku | .... | wig stylist | |
| Martina Mariacher | .... | additional makeup artist: Vienna | |
| Magret Payer | .... | additional makeup artist: Vienna | |
| Ulrich Ritter | .... | key hair artist | |
| Ulrich Ritter | .... | key makeup artist | |
| Katrin Silbernagel | .... | additional hair artist | |
| Katrin Silbernagel | .... | additional makeup artist | |
| Conny Ulatowski | .... | additional hair artist | |
| Conny Ulatowski | .... | additional makeup artist | |
| Romy Voigtsberger | .... | additional hair artist | |
| Romy Voigtsberger | .... | additional makeup artist | |
| Sonja Wimmer | .... | additional makeup artist: Vienna | |
| Gerd Zeiss | .... | wig stylist (as Gerhard A. Zeiss) | |
Production Management | |||
| John Lüftner | .... | general manager: Vienna, SUPERFILM (as John Lueftner) | |
| Robert Opratko | .... | unit production manager: Vienna | |
| Imke Sommerkamp | .... | unit production manager | |
| Lori A. Waters | .... | post-production supervisor (as Lori Waters) | |
Second Unit Director or Assistant Director | |||
| Patrick Arias | .... | second assistant director | |
| Manuel Faber | .... | trainee assistant director | |
| Walter Gasparovic | .... | first assistant director | |
| Michaela Kluge | .... | third assistant director (as Michaela 'Ela' Kluge) | |
| Christoph Stec | .... | trainee assistant director | |
Special Effects by | |||
| Norman Ernst | .... | special effects senior technician | |
| Rolf Hanke | .... | special effects project manager | |
| Andreas Herberg | .... | special effects technician | |
| Jens Schmiedel | .... | special effects foreman | |
| Roland Weder | .... | special effects technician | |
Visual Effects by | |||
| Sarah Barber | .... | visual effects coordinator: Mr. X Inc. | |
| Dennis Berardi | .... | supervising visual effects producer: Mr. X Inc. | |
| Mathew Borrett | .... | digital matte painter: Mr. X Inc. | |
| Mike Borrett | .... | visual effects production manager: Mr. X Inc. | |
| Wayne Briton | .... | digital compositor: Mr. X Inc. | |
| Wilson Cameron | .... | visual effects producer: Mr. X Inc. | |
| Robert Caputi | .... | modeling & texturing: Mr. X Inc. (as Rob Caputi) | |
| Dan Carnegie | .... | animator: Mr. X Inc. | |
| Ovidiu Cinazan | .... | digital compositor: Mr. X Inc. | |
| Nick Colangelo | .... | visual effects production assistant: Mr. X Inc. | |
| Chris De Souza | .... | animator: Mr. X Inc. | |
| Julio Del Hierro | .... | modeling & texturing: Mr. X Inc. (as Julio DelHierro) | |
| Michael DiCarlo | .... | visual effects production assistant: Mr. X Inc. | |
| Jeremy Dineen | .... | effects animator: Mr. X Inc. | |
| Vladimir Durdevic | .... | systems team: Mr. X Inc. | |
| Peter Dydo | .... | animator: Mr. X Inc. | |
| Jason Edwardh | .... | animator: Mr. X Inc. | |
| Rory Falloon | .... | systems team: Mr. X Inc. | |
| David Fix | .... | systems team: Mr. X Inc. | |
| Vinay Goenka | .... | digital compositor | |
| Oliver Hearsey | .... | tracking/layout: Mr. X Inc. | |
| Jean-Francois Houde | .... | digital compositor: Mr.X Inc. (as Jean-Francoise Houde) | |
| Farrukh Khan | .... | rigging: Mr. X Inc. | |
| Mike Kwan | .... | digital compositor: Mr. X Inc. | |
| Isabelle Langlois | .... | operations: Mr. X Inc. | |
| Ethan Lee | .... | animator: Mr. X Inc. | |
| Derick Loo | .... | tracking/layout: Mr. X Inc. | |
| Mickaël Léger | .... | digital compositor: Mr. X Inc. (as Mike Léger) | |
| Tom Mayclim | .... | scanning/recording: Deluxe EFilm Toronto | |
| Jon McCallum | .... | rigging: Mr. X Inc. | |
| Ken McCuen | .... | digital matte painter: Mr. X Inc. | |
| Tracey McLean | .... | digital matte painter: Mr. X Inc. | |
| Sarah McMurdo | .... | operations: Mr. X Inc. | |
| Tom Nagy | .... | animator: Mr. X Inc. | |
| Chris Nguyen | .... | systems team: Mr. X Inc. | |
| Kelly Noordermeer | .... | visual effects editorial assistant: Mr. X Inc. | |
| Nick Paulozza | .... | scan/record supervisor: Deluxe EFilm Toronto | |
| Diana Pazzano | .... | operations: Mr. X Inc. | |
| Matthew Pellar | .... | visual effects production assistant: Mr. X Inc. (as Matt Pellar) | |
| Trevor Pickard | .... | scanning/recording: Deluxe EFilm Toronto | |
| Jim Price | .... | crown simulations: Mr. X Inc. | |
| Sebastien Proulx | .... | digital compositor: Mr. X Inc. | |
| Matt Ralph | .... | tracking/layout: Mr. X Inc. | |
| Tyagi Reetuj | .... | digital compositor | |
| Dominic Remane | .... | lighting: Mr. X Inc. | |
| Pierre-Luc Rioux | .... | visual effects production assistant: Mr. X Inc. | |
| Linda Rose | .... | visual effects accountant: Mr. X Inc. | |
| Chris Ross | .... | visual effects coordinator: Mr. X Inc. | |
| Milan Schere | .... | digital matte painter: Mr. X Inc. | |
| Matt Schofield | .... | digital matte painter: Mr. X Inc. | |
| Alison Schouten | .... | dust buster: Deluxe EFilm Toronto | |
| Jerry Seguin | .... | digital compositor: Mr. X Inc. | |
| Laetitia Seguin | .... | visual effects coordinator: Mr. X Inc. (as Laetitia Séguin) | |
| Gavin Soares | .... | tracking/layout: Mr. X Inc. | |
| Frankie Stellato | .... | animator: Mr. X Inc. | |
| Jim Su | .... | rigging: Mr. XInc. | |
| Aaron Weintraub | .... | operations: Mr. X Inc. | |
| Meghan Werner | .... | dust buster: Deluxe EFilm Toronto | |
| Matt 'Readyman' Whelan | .... | lighting: Mr. X Inc. (as Matt Whelan) | |
| Wojciech Zielinski | .... | visual effects supervisor: Mr. X Inc. | |
| Mathieu Archambault | .... | digital compositor (uncredited) | |
| Yashwant Bombe | .... | digital compositor: Anibrain (uncredited) | |
| Joerg Bruemmer | .... | additional on-set visual effects supervisor (uncredited) | |
| Andy Chan | .... | visual effects compositor: Mr. X Inc. (uncredited) | |
| Joseph Cheng Chen | .... | tracking artist: Mr. X Inc. (uncredited) | |
| Ujwal W. Dhankute | .... | digital compositor (uncredited) | |
| Anand Dorairaj | .... | digital compositor (uncredited) | |
| Maxime Ducharme | .... | senior matchmover (uncredited) | |
| Can Etiskol | .... | modeler and texture artist: Mr. X Inc. (uncredited) | |
| Michael Krämer | .... | visual effects set supervisor assistant (uncredited) | |
| Hanung Lee | .... | animator (uncredited) | |
| Winston Lee | .... | digital compositor (uncredited) | |
| Govind Mohan | .... | digital compositor (uncredited) | |
| Jaideep Mohan | .... | digital compositor (uncredited) | |
| Christian Morin | .... | digital compositor (uncredited) | |
| Rolf Muetze | .... | additional on-set visual effects supervisor (uncredited) | |
| Prasenjit Mukherjee | .... | visual effects artist (uncredited) | |
| Jesh Murthy | .... | visual effects (uncredited) | |
| Vincent Papaix | .... | digital compositor: Mr.X (uncredited) | |
| Saurabh Raut | .... | digital compositor (uncredited) | |
| Kamal Kumar Tiwari | .... | compositor (uncredited) | |
Casting Department | |||
| Iris Baumüller | .... | supporting casting director: Germany, Die Besetzer (as Iris Baumüller-Michel) | |
| Jay Benedict | .... | adr voice casting | |
| Delia Eick | .... | extras casting: NRW, Agentur Eick | |
| Edith Fux | .... | extras casting: Vienna, Austrocast | |
| Harry Reich | .... | extras casting: Vienna, Austrocast | |
| Christopher Richards | .... | assistant casting director | |
| Phoebe Scholfield | .... | adr voice casting | |
| Marc Schötteldreier | .... | supporting casting director: Germany, Die Besetzer | |
| Beate Seidel | .... | extras casting: BW, Atticastbodensee | |
| Gregor J. Weber | .... | extras casting: NRW, Agentur Eick (as Gregor Weber) | |
| Florian Wotruba | .... | extras casting: Vienna, Austrocast | |
Costume and Wardrobe Department | |||
| Hanya Barakat | .... | additional wardrobe: Vienna | |
| Kathryn Blight | .... | wardrobe mistress | |
| Charlotte Child | .... | wardrobe mistress | |
| Nigel Egerton | .... | assistant costume designer | |
| Petra Fassbender | .... | wardrobe assistant | |
| Rosie Grant | .... | additional costume | |
| Rosie Grant | .... | additional wardrobe (as Rosemarie Grant) | |
| Harriet Kendall | .... | assistant wardrobe | |
| Jean-Ding Lee | .... | assistant wardrobe | |
| Tung-Ying Liu | .... | additional wardrobe: Vienna | |
| Eva Maas | .... | assistant wardrobe | |
| Elisabeth Nagel | .... | additional wardrobe: Vienna (as Elisabeth Nagl) | |
| Paulina Polom | .... | principal stand-by wardrobe | |
| Evelyn Thell | .... | additional wardrobe: Vienna | |
| Thomas Zaepf | .... | set tailor | |
| Heike Ziegler | .... | additional wardrobe | |
Editorial Department | |||
| Peter Armstrong | .... | digital intermediate producer: Deluxe EFilm Toronto | |
| Kevin Downer | .... | digital intermediate assistant: Deluxe EFilm Toronto | |
| Pietro Gallo | .... | digital intermediate assistant: Deluxe EFilm Toronto | |
| Lee Hughes | .... | digital intermediate project manager: Deluxe EFilm Toronto | |
| Dave Muscat | .... | digital intermediate editor: Deluxe EFilm Toronto | |
| Traudl Nicholson | .... | grader: high definition dailies, Arri Film and TV Services | |
| Sandy Pereira | .... | assistant editor (as Sandy M. Pereira) | |
| Emma Sanders | .... | post-production coordinator (as Emma Sanders Finlayson) | |
| Andreas Thomas | .... | producer: high definition dailies, Arri Film and TV Services | |
| Chris Wallace | .... | digital intermediate colorist: Deluxe EFilm Toronto | |
Music Department | |||
| Joris Bartsch Buhle | .... | orchestra contractor | |
| Jennifer L. Dunnington | .... | music editor (as Jennifer Dunnington) | |
| Vic Fraser | .... | music preparation | |
| Nikolaus Resa | .... | musician: featured soloist | |
| Simon Rhodes | .... | music scoring mixer | |
| Simon Rhodes | .... | music scoring recordist | |
| Howard Shore | .... | conductor | |
| Howard Shore | .... | music adaptation | |
| Howard Shore | .... | orchestrator | |
| Amy Baer | .... | music copyist (uncredited) | |
| Alan Frey | .... | music production coordinator (uncredited) | |
| Joshua Green | .... | music preparation (uncredited) | |
| Tom Russbueldt | .... | pro tools operator (uncredited) | |
| Jonathan Schultz | .... | supervising score music editor (uncredited) | |
| James Sizemore | .... | music programmer (uncredited) | |
| James Sizemore | .... | music technical director (uncredited) | |
| Tim Starnes | .... | additional music editor (uncredited) | |
Transportation Department | |||
| Acki Allizar | .... | prop driver | |
| Heiko Daugau | .... | facilities driver | |
| Ingo Fenner | .... | set decoration driver | |
| Laurentius Girardoni | .... | production driver: Vienna | |
| Hanna Herzig | .... | production driver | |
| André Hindel | .... | additional set decoration driver | |
| Paul Hodges | .... | facilities driver | |
| René Keil | .... | additional driver (as Rene Keil) | |
| Marcus Koszczol | .... | production driver | |
| Joerg Kraft | .... | transportation coordinator (as Jörg Kraft) | |
| Lars Kraus | .... | facilities driver | |
| Daniel M.J. Krause | .... | production driver: Vienna (as Daniel MJ Krause) | |
| Ilja Kruk | .... | facilities driver | |
| Cain Lee | .... | facilities captain | |
| Peter Martin | .... | facilities driver | |
| Daniel Schmidt | .... | additional driver | |
| Steffen Schmidt | .... | production driver | |
| Paul Schober | .... | production driver: Vienna | |
| Tim Schoenefeld | .... | transportation coordinator (as Tim Schönefeld) | |
| Philipp Völker | .... | production driver | |
| Philip Wachmann | .... | prop driver: Vienna | |
| Marcel Winterscheid | .... | driver: David Cronenberg | |
| Alexander Wunderling | .... | facilities driver | |
| Piotr Walczak | .... | transport facilities department (uncredited) | |
Other crew | |||
| Pip Ayers | .... | behind-the-scenes producer | |
| Eric Benz | .... | studio facilities: MMC Studios | |
| Anna Laura Boermck | .... | assistant production coordinator (as Anna Laura Börmck) | |
| Tim Bradel | .... | stand-in: Sigmund Freud | |
| Laurence Brown | .... | legal advisor: Goldcrest Special Opportunities | |
| Nan Brown | .... | production accountant | |
| Norman Bruderhofer | .... | digital phonograph cylinder transfer | |
| Gero Brugmann | .... | legal advisor: Unverzagt von Have | |
| Paul Chodirker | .... | legal advisor: Aver Media, Heenan Blaikie | |
| Eva Cifrain | .... | production coordinator: Vienna | |
| Nadia Day | .... | assistant post-production accountant | |
| Bastian Denker | .... | set security | |
| Sebastian Dentler | .... | water coordinator (as Sebastian 'Seban' Dentler) | |
| Ken Dhaliwal | .... | legal advisor: Canada, Heenan Blaikie | |
| Sabrina Dridje | .... | world sales: HanWay Films | |
| Sonja Fischer | .... | location manager | |
| Luane Sandrin Gauer | .... | assistant to producer | |
| Christoph Gehrig | .... | water crew (as Christoph 'Boffi' Gehrig) | |
| Chiara Gelardin | .... | legal and business affairs executive: Recorded Picture Company | |
| Hilary Goldstein | .... | legal advisor: Aver Media, Heenan Blaikie | |
| Miguel Alberto Gonzalez | .... | world sales: HanWay Films | |
| Bastian Griese | .... | studio facilities: MMC Studios | |
| Roland Hagen | .... | water crew (as Richard 'Hoss' Hagen) | |
| Isis Hager | .... | location scout: BW | |
| Isis Hager | .... | production services: BW | |
| Tim Haslam | .... | world sales: HanWay Films | |
| Rouzie Hassanova | .... | world sales: HanWay Films | |
| Eugene Henry | .... | assistant: Mr. Katz | |
| Moira Holmes | .... | completion guaranty: Film Finances Canada | |
| Sara Holmes | .... | post-production accountant | |
| Ingo Hopfgartner | .... | sailboat provider | |
| Joe Iacono | .... | financial consultant | |
| Alexandra Iser | .... | cook (as Alexandra 'Sunny' Iser) | |
| Rachel James | .... | production assistant | |
| Axel Jaud | .... | set security | |
| Dominic Kallenberg | .... | set security | |
| Ralf Kemmer | .... | water crew | |
| Rachel Kennedy | .... | unit publicist | |
| Alainée Kent | .... | development executive | |
| Heike Kerschgens | .... | production coordinator | |
| Asim Khan | .... | assistant: Katz | |
| Jan Klammer | .... | water crew (as Jan 'zur See' Klammer) | |
| Alexander Koschier | .... | location manager: Vienna (as Alex Koschier) | |
| Sharmila Kumar | .... | assistant: Peter Watson & Stephan Mallmann | |
| Carola Kündgen | .... | studio facilities: MMC Studios | |
| Thomas Lechner | .... | caterer: Vienna, LeMarko Catering & Events Wien | |
| Tristan Lentzen | .... | office runner | |
| Tristan Lentzen | .... | set production assistant | |
| Jonathan Lynch-Staunton | .... | world sales: HanWay Films | |
| Peter-Uwe Maack | .... | production financing: Commerzbank | |
| Kai May | .... | legal advisor: Unverzagt von Have | |
| Jill McCullough | .... | dialect coach: Keira Knightley | |
| Luigi Medico | .... | cook | |
| Frank Meter | .... | location scout: NRW | |
| Sheila Fraser Milne | .... | production consultant | |
| Ilona Nardo | .... | set security | |
| Christian Natter | .... | stand-in: Carl Jung | |
| Sofia Neves | .... | world sales: HanWay Films | |
| Jens Nolte | .... | behind-the-scenes cameraman | |
| Karin Padgham | .... | assistant: Jerry Thomas | |
| Nadine Padzdziora | .... | cook | |
| Thomas Pascher | .... | location manager: Vienna | |
| Andreas Pense | .... | legal advisor: Unverzagt von Have | |
| Antonietta Presta | .... | completion guaranty: Film Finances Canada | |
| Bertram Reiter | .... | location scout: Vienna | |
| Archie Rodrigues | .... | travel coordinator | |
| Jill Rosen | .... | world sales: HanWay Films | |
| Emma Sanders | .... | assistant: David Cronenberg (as Emma Sanders Finlayson) | |
| Lilian Scharnhorst | .... | assistant location manager | |
| Jens-Christian Schneider | .... | set security | |
| Rebecca Lea Katharina Schröder | .... | studio facilities: MMC Studios (as Rebecca Schröder) | |
| Thorsten Schumacher | .... | world sales: HanWay Films | |
| Manuel Schöpf | .... | water crew | |
| Adam Shaheen | .... | titles producer | |
| Maria Sobecki-Grimm | .... | cook | |
| Bernhard Speck | .... | production controller | |
| Jan Spielhoff | .... | world sales: HanWay Films | |
| Nina Steinert | .... | cook | |
| Justin Stephenson | .... | titles design director | |
| Jim Sternberg | .... | completion guaranty: Film Finances Canada | |
| Carolin Stolz | .... | production secretary | |
| Katja Strys | .... | production secretary | |
| Bob Tarantino | .... | legal advisor: Canada, Heenan Blaikie | |
| Achim Thielmann | .... | production financing: Commerzbank | |
| Uta Tscherne | .... | assistant production accountant | |
| Andreas Turnwald | .... | behind-the-scenes soundman | |
| Sarah Ulrich | .... | stand-in: Sabina Spielrein | |
| Caroline Veyssière | .... | script supervisor | |
| Marcus Ward | .... | assistant: Keira Knightley | |
| Christine Wehrmann | .... | production financing: Commerzbank | |
| Peter Weihs | .... | photographic work | |
| Kay Wiedemann | .... | production accountant (as Kay W. Wiedemann) | |
| Julia Wilson Dickson | .... | dialect coach (as Julia Wilson-Dickson) | |
| Marcel Winterscheid | .... | assistant: David Cronenberg | |
| Heiko Wsolak | .... | production financing: Commerzbank | |
| Carolyn Zeifman | .... | additional behind-the-scenes footage | |
| Paul Zischler | .... | assistant to producer | |
| Laurent Boye-Guérin | .... | international festival publicity team: Telefilm Canada (uncredited) | |
Thanks | |||
| Julia Arika | .... | special thanks | |
| Andrea Baaken | .... | special thanks | |
| Christina Bentlage | .... | special thanks | |
| Christian Berg | .... | special thanks | |
| Christine Berg | .... | special thanks | |
| Lea Dahinden | .... | special thanks: Millbrook Pictures | |
| Teresa Hoefert de Turégano | .... | special thanks | |
| Claudia Deselaers | .... | special thanks (as Claudia Droste-Deselaers) | |
| Peter Dinges | .... | special thanks | |
| Selina Gartler | .... | special thanks: Millbrook Pictures | |
| Sara Giles | .... | special thanks | |
| Constanze Hellmich | .... | special thanks | |
| Nadine Herga | .... | special thanks | |
| Martina Horbach | .... | special thanks | |
| Kirsten Niehuus | .... | special thanks | |
| Peter Reuß | .... | special thanks | |
| Tom Roberts | .... | special thanks: Sigmund Freud Copyrights | |
| Gabriele Röthemeyer | .... | special thanks | |
| Claudia Sauer | .... | special thanks | |
| Jenna Seguin | .... | special thanks: Aver Media | |
| Brad Sherman | .... | special thanks: Aver Media | |
| Christiane Sommer | .... | special thanks | |
| Katrin Stolpe | .... | special thanks | |
| Peter Sussman | .... | special thanks: Aver Media | |
| Brigitte Veronese | .... | special thanks | |
| Viviana Vezzani | .... | special thanks: Millbrook Pictures | |
| Lars Wiebe | .... | special thanks: Millbrook Pictures | |
| Oliver Zeller | .... | special thanks | |
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I can't remember the last time when I have been so much in disagreement with the general critical response for a movie Everywhere I look I seem to hear and read high praises for Cronenberg's latest work, and yet I am willing to bet that few of those who claimed to like it so much would be ready to watch it again. As far as I am concerned I am struggling to find something positive to say (well, yes, nice costumes ) and the only reason why my vote isn't any lower is because I am willing to admit that I might have not been in the right mood for it. Even in his most flawed films, Cronenberg has always been an interesting director, or at least able to create not only an almost palpable atmosphere, but also a particularly defined style and vision which set him apart from the usual Hollywood crowd. And yet this one seems a film with no direction whatsoever. Not only each sequence felt random and inconsequential as if not necessarily edited in the right order, without any real feeling of natural progression from the previous one into the next, but also it was all so static and lifeless that sometimes I even wondered whether anyone was actually directing at all. At no point I felt any sympathy for any of the character: in fact, not only I did not like any of them, but I didn't even hate them either. I just didn't care. And this is is a rather strange thing to say, because on paper, a film about the relationship between Carl Jung and Sigmund Freud (and consequently the birth of psychoanalysis) sounded to me very intriguing indeed. Sadly, pretty earlier on into "A dangerous Method" I realised that this wasn't really the type of film I was hoping to see. I found myself uneasy right from the word "go", that is from the moment I saw Keira Knightley overacting like never before and stretching her chin to new unbelievable levels, as if screaming to the audience "I want that Oscar!!". Well, darling, not this time. Then, after the early screams, it all calmed down a bit and the dialogue started and that's when it got worse! For a film which should rely on words more than action itself (especially given the static nature of it all), I found the script absolutely puerile. It all felt like it was written by a high school kid, who's just heard a few things about Freud and wants to impress his friend with his newly acquired knowledge. I mean, there are actually lines like "You Freud, have always sex in your mind. Why does everything always has to do with sex?"! Really? Mr Hampton, who are you writing this script for? Surely your target audience doesn't need things spell out so boldly and blatantly. It was like reading a checklist of all the possible clichés one could think about psychoanalysis (and Freud in particular). Who is this film for anyway? At times it felt like it was so ridiculously basic, as if it was written for people who have never even heard of Freud and Jung. Other times it was all so riddled with heavy handed quotes and so "up its own self" that it felt like watching some boring lecture given by an even more bored teacher, sitting on your old desk back in school. From such a renowned scriptwriter (he wrote Dangerous Liaisons and Atonement among the other things) I was expecting a lot more: maybe Mr Hampton should watch a few episodes of HBO's classy "In Treatment" to learn a thing of two about the subtlety of bringing psychoanalysis to the screen. As far as the two leading male actors (Fassbender and Mortensen, who by the way was so good in both Cronenberg "A History of Violence" and "Eastern Promises"), they were as good as they could possibly be, but in the end they both failed to impress, move, or even raise any sort of emotion beyond boredom. But then again, that's hardly surprising given both the script they were actually given and a clear lack of any direction, which forced them to talk at each other in the most contrived scenes and badly staged, where even the extras in the background seemed fake and moved slowly and gently like erm well, extras (particularly noticeable in the scene by the river). Sorry David, not this time for me