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A malfunctioning time machine at a ski resort takes a man back to 1986 with his two friends and nephew, where they must relive a fateful night and not change anything to make sure the nephew is born.
A firefighting cadet, two college professors, and a geeky-but-sexy government scientist work against an alien organism that has been rapidly evolving ever since its arrival on Earth inside a meteor.
Director:
Ivan Reitman
Stars:
David Duchovny,
Julianne Moore,
Orlando Jones
Mere seconds before the Earth is to be demolished by an alien construction crew, journeyman Arthur Dent is swept off the planet by his friend Ford Prefect, a researcher penning a new edition of "The Hitchhiker's Guide to the Galaxy."
Smith's everyday life in the dorm - hanging out with his arty, sarcastic best friend Stella, hooking up with a beautiful free spirit named London, lusting for his gorgeous but dim surfer roommate Thor - all gets turned upside-down after one fateful, terrifying night. Written by
Toronto International Film Festival
Gregg Araki's breakthrough film, 1992's THE LIVING END, was a gay THELMA & LOUISE in the age of AIDS, very cutting edge, and I thought he'd go much further than he did but, then again, big things were also predicted for John Dahl (RED ROCK WEST, THE LAST SEDUCTION) at the time. Oh, well. Anyway, Araki's been on the indie scene ever since and KABOOM takes his "apocalyptic teen angst" series (TOTALLY F***ED UP, THE DOOM GENERATION, NOWHERE, MYSTERIOUS SKIN) on a psychedelic roller coaster ride to a trippy -and inevitable- eve of destruction. It's a stylish (with vivid colors you can eat with a spoon), funny, sexy, college-set CLUELESS-on-acid that morphs into a cross between Sergio Martino's ALL THE COLORS OF THE DARK and THE WIZARD OF OZ after a horny, existentialistic film student begins to realize he may be at the center of a global conspiracy with cataclysmic consequences. Fairly indescribable, free-wheeling sci-fi fun that'll leave you with a WTF? feeling. I liked it.
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Gregg Araki's breakthrough film, 1992's THE LIVING END, was a gay THELMA & LOUISE in the age of AIDS, very cutting edge, and I thought he'd go much further than he did but, then again, big things were also predicted for John Dahl (RED ROCK WEST, THE LAST SEDUCTION) at the time. Oh, well. Anyway, Araki's been on the indie scene ever since and KABOOM takes his "apocalyptic teen angst" series (TOTALLY F***ED UP, THE DOOM GENERATION, NOWHERE, MYSTERIOUS SKIN) on a psychedelic roller coaster ride to a trippy -and inevitable- eve of destruction. It's a stylish (with vivid colors you can eat with a spoon), funny, sexy, college-set CLUELESS-on-acid that morphs into a cross between Sergio Martino's ALL THE COLORS OF THE DARK and THE WIZARD OF OZ after a horny, existentialistic film student begins to realize he may be at the center of a global conspiracy with cataclysmic consequences. Fairly indescribable, free-wheeling sci-fi fun that'll leave you with a WTF? feeling. I liked it.