| Photos (See all 31 | slideshow) | Videos (see all 30) |
| Gemma Arterton | ... | Tamara Drewe | |
| Roger Allam | ... | Nicholas Hardiment | |
| Bill Camp | ... | Glen McCreavy | |
| Dominic Cooper | ... | Ben Sergeant | |
| Luke Evans | ... | Andy Cobb | |
| Tamsin Greig | ... | Beth Hardiment | |
| Jessica Barden | ... | Jody Long | |
| Charlotte Christie | ... | Casey Shaw | |
| James Naughtie | ... | Interviewer | |
| John Bett | ... | Diggory | |
| Josie Taylor | ... | Zoe | |
| Bronagh Gallagher | ... | Eustacia | |
| Pippa Haywood | ... | Tess | |
| Susan Wooldridge | ... | Penny Upminster | |
| Amanda Lawrence | ... | Mary | |
| Zahra Ahmadi | ... | Nadia Patel | |
| Cheryl Campbell | ... | Lucetta | |
| Alex Kelly | ... | Jody's Mum | |
| Emily Bruni | ... | Caitlin | |
| Lola Frears | ... | Poppy Hardiment | |
| Tom Allen | ... | Vintner | |
| Patricia Quinn | ... | Posh Hippy | |
| Walter Hall | ... | Army Geek | |
| Joel Fry | ... | Steve Culley | |
| Lois Winstone | ... | Fran Redmond | |
| Nathan Cooper | ... | 'SWIPE' Band Member | |
| Albert Clark | ... | Boss the Dog |
Directed by | |||
| Stephen Frears | |||
Writing credits(in alphabetical order) | ||
| Moira Buffini | screenplay | |
| Posy Simmonds | graphic novel | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Ben Davis | (director of photography) | ||
Film Editing by | |||
| Mick Audsley | |||
Casting by | |||
| Leo Davis | |||
Production Design by | |||
| Alan MacDonald | (as Alan Macdonald) | ||
Art Direction by | |||
| Patrick Rolfe | (supervising art director) | ||
| Christopher Wyatt | |||
Set Decoration by | |||
| Tina Jones | |||
Costume Design by | |||
| Consolata Boyle | |||
Makeup Department | |||
| Beverley Binda | .... | make-up & hair artist | |
| Kristyan Mallett | .... | prosthetics | |
| Daniel Phillips | .... | make-up & hair designer | |
| Tapio Salmi | .... | make-up & hair supervisor | |
Production Management | |||
| John Crampton | .... | unit manager | |
| Alistair Hopkins | .... | post-production supervisor | |
| Samantha Knox-Johnston | .... | production manager (as Sam Knox-Johnston) | |
Sound Department | |||
| Mark Appleby | .... | adr recordist | |
| Tom Deane | .... | adr recordist | |
| Jennie Evans | .... | foley supervisor | |
| Arthur Fenn | .... | sound: additional photography | |
| James Glenton | .... | sound mix technician | |
| Peter Lindsay | .... | production sound mixer | |
| Christer Melén | .... | sound effects editor | |
| Kate Morath | .... | sound maintenance | |
| Ulf Olausson | .... | foley artist | |
| Theotime Pardon | .... | sound assistant | |
| Mike Prestwood Smith | .... | sound re-recording mixer | |
| Johnathan Rush | .... | sound mix technician | |
| Joakim Sundström | .... | supervising sound editor | |
| Chris Treble | .... | sound re-recording mixer | |
| David Turner | .... | sound studio manager | |
| Paul Wrightson | .... | adr editor | |
| Lionel Strutt | .... | adr coordinator (uncredited) | |
| Chris Sturmer | .... | dolby sound consultant (uncredited) | |
Special Effects by | |||
| Manex Efrem | .... | special effects supervisor | |
Visual Effects by | |||
| Pani Ahmadi-Moore | .... | vfx editor | |
| Antony Bluff | .... | visual effects | |
| Piers Hampton | .... | visual effects producer | |
| Will Hardwick | .... | visual effects | |
| Claire McGrane | .... | visual effects | |
| Mark Nelmes | .... | visual effects supervisor | |
| Martin Ofori | .... | digital compositor | |
| Zachary Bloom | .... | scanning and recording (uncredited) | |
| Karsten Hecker | .... | imaging engineer (uncredited) | |
Stunts | |||
| Nick Gillard | .... | stunt coordinator | |
| Justin Pearson | .... | stunt double | |
Casting Department | |||
| Lissy Holm | .... | casting associate | |
| Marcella Riordan | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Sue Casey | .... | principal wardrobe mistress | |
| Rosie Grant | .... | assistant costume designer | |
| Yasemin Kascioglu | .... | costume trainee | |
| Emma Lloyd | .... | costume daily | |
| Marion Weise | .... | costume supervisor | |
| Charlotte Wiseman | .... | assistant costume designer | |
| Paul Yeowell | .... | principal costume stand-by | |
| Sally Crees | .... | costume assistant: crowd (uncredited) | |
Editorial Department | |||
| Helle Absalonsen | .... | senior DI producer | |
| Pani Ahmadi-Moore | .... | first assistant editor | |
| Ben Bradley | .... | DI technical producer | |
| Gilbert Carreras | .... | color timer | |
| Sinead Cronin | .... | on-line editor (as Sinéad Cronin) | |
| Gaz Evans | .... | trainee assistant editor | |
| Alex Gascoigne | .... | on-line editor | |
| Adam Inglis | .... | colorist | |
| Garry Maddison | .... | 2k data scanning | |
| Clive Noakes | .... | laboratory contact | |
| Beth Pattinson | .... | development editor: BBC Films | |
| Natalie Silver | .... | 2k data scanning | |
| Michael Alexander Winter | .... | delivery coordinator (as Michael Winter) | |
Music Department | |||
| David Arch | .... | soloist (piano) | |
| John Barrett | .... | assistant scoring engineer | |
| Jean-Pascal Beintus | .... | orchestrator | |
| Nicolas Charron | .... | orchestrator | |
| Peter Clarke | .... | auricle operator | |
| Alexandre Desplat | .... | orchestrations | |
| Alexandre Desplat | .... | programming | |
| Andrew Dudman | .... | music mixer | |
| Andrew Dudman | .... | music recordist | |
| Karen Elliott | .... | music supervisor | |
| Xavier Forcioli | .... | programming | |
| Stanley Gabriel | .... | assistant engineer | |
| Rebecca Gilliver | .... | soloist (cello) | |
| Siobhan Grealy | .... | soloist (flute) | |
| Carmine Lauri | .... | orchestra leader | |
| Solrey Lemonnier | .... | score producer (as Solre Lemonnier) | |
| Bryn Lewis | .... | soloist (harp) | |
| Tony Lewis | .... | music editor | |
| Abbie Lister | .... | music clearances | |
| Chi-Yu Mo | .... | soloist (clarinet) | |
| Sylvain Morizet | .... | orchestrator | |
| Claude Romano | .... | music preparation | |
| Ralph Salmins | .... | soloist (drums) | |
| Norbert Vergonjeanne | .... | music preparation (as Norbert Vergonjanne) | |
| Adam Walker | .... | soloist (flute) | |
Transportation Department | |||
| Garry Abbott | .... | minibus driver (as Gary Abbott) | |
| Maurice Avery | .... | location driver (as Maurice 'Tex' Avery) | |
| Mike Beaven | .... | unit driver | |
| Allan Bradshaw | .... | unit driver | |
| John Burden | .... | minibus driver | |
| Sophie Burden | .... | minibus driver | |
| Roy Clarke | .... | transportation captain | |
| Malcolm Cooper | .... | facilities driver | |
| Hendrik De Jonker | .... | facilities driver | |
| Andrew Ellis | .... | vehicle technician | |
| George Fraser | .... | facilities driver | |
| Paul Howitt | .... | facilities driver | |
| Christina Ledger | .... | facilities driver | |
| Enyo Mortty | .... | unit driver | |
| Piotr Walczak | .... | transport facilities manager | |
| Gary Weekes | .... | action vehicle coordinator | |
| Rob Wicks | .... | location driver | |
Other crew | |||
| Aaron Anderson | .... | creative coordinator: UK Film Council | |
| Caridad Angus | .... | stand-in: Gemma Arterton | |
| Nick Atkinson | .... | creative coordinator: UK Film Council | |
| Geraldine Atlee | .... | senior business affairs executive: UK Film Council | |
| Stephanie Barker | .... | medical: additional photography | |
| John Barnes | .... | security services | |
| Chris Barnett | .... | caterer | |
| Natalie Bass | .... | legal services: Lee & Thompson (as Natalie Usher) | |
| Ryan Bohan | .... | key office production runner | |
| Carl Boyce | .... | security services | |
| Andy Brunskill | .... | assistant to producer | |
| James Buckler | .... | production & delivery co-ordinator: BBC Films | |
| Dominic Buttimore | .... | titles producer | |
| Sally Caplan | .... | head of premiere fund: UK Film Council | |
| Jillian Clark | .... | animal handler: 1st Choice Animals (as Jill Clark) | |
| Diarmuid Coghlan | .... | first assistant accountant | |
| Chris Collins | .... | development producer: UK Film Council (as Christopher Collins) | |
| Charlie Coombes | .... | production runner | |
| Jonah Coombes | .... | location manager | |
| Ginger Corbett | .... | unit publicist: Premier PR | |
| Rodney De Winter | .... | security services | |
| Frazer Douglas | .... | stand-in | |
| Janie Dowding | .... | assistant: Tracey Seaward | |
| Linda Drew | .... | personal assistant: Stephen Frears | |
| Penny Dyer | .... | dialect coach | |
| Daniel Edwards | .... | caterer | |
| Fred Everitt | .... | location trainee | |
| Penny Eyles | .... | script supervisor | |
| Lizzy Follows | .... | unit publicist: Premier PR (as Elizabeth Follows) | |
| Samantha Gardner | .... | accommodation coordinator | |
| Linda Gregory | .... | production accountant | |
| Fionn Groeger | .... | runner: London | |
| Jane Hawley | .... | production executive: BBC Films | |
| Billy Hinshelwood | .... | legal services provided by | |
| Vince Holden | .... | head of production finance: UK Film Council | |
| Mel Holland | .... | coordinator: Notting Hill Films | |
| Polly Hope | .... | production co-ordinator | |
| Mick Hurrell | .... | health & safety advisor: JHA Safe T | |
| Scott Jacobson | .... | assistant: Tracey Seaward | |
| Steve Joberns | .... | accountancy services: Shipleys | |
| Carrie Johnson | .... | medical: additional photography | |
| Christina Jules | .... | financial controller: Ruby Films | |
| Beth Hearn Keech | .... | assistant production co-ordinator | |
| Gabby Le Rasle | .... | production co-ordinator | |
| Hannah Leader | .... | lawyer: Notting Hill Films | |
| Tony May | .... | security services | |
| Lynsey Miller | .... | production coordinator: Ruby Films | |
| Richard Morrison | .... | titles designer | |
| Jackie O'Sullivan | .... | second assistant accountant | |
| Simon Osborn | .... | legal & business affairs manager: BBC Films | |
| Kate Penlington | .... | clearances | |
| Ann Phillips | .... | development & acquisitions: WestEnd Films | |
| Rebecca Pick | .... | legal services: Lee & Thompson | |
| Jenny Reid | .... | script supervisor: additional photography | |
| Toby Reisz | .... | electronic press kit: Feasible Films | |
| Kylie Rutkowski | .... | assistant to executive producer: WestEnd Films | |
| Graham Samels | .... | caterer | |
| Neil Samels | .... | caterer | |
| Anthony Stagles | .... | security services | |
| Nicky Surressi | .... | security services (as Nicky 'Genie Boom' Surressi) | |
| Mark Sweeney | .... | medical: additional photography | |
| Ian Thomson | .... | publicist: Ruby Films | |
| Kevin Towell | .... | security services | |
| Amie Tridgell | .... | assistant location manager | |
| John William Turner | .... | key set production assistant (as John Turner) | |
| Jeannie Udall | .... | unit nurse (as Jeanie Udall) | |
| Dean Wares | .... | typographer | |
| Dean Willmott | .... | security services | |
| Josh Yudkin | .... | key assistant location manager | |
| Joanne Fox | .... | work experience runner (uncredited) | |
| Mark Rowan | .... | health & safety advisor (uncredited) | |
| Richard Wild | .... | weather consultant (uncredited) | |
Thanks | |||
| Natasha Alderslade | .... | special thanks | |
| Russell Allen | .... | special thanks | |
| Isabel Begg | .... | special thanks | |
| Fiona Burkeman | .... | special thanks | |
| Neil Calder | .... | special thanks | |
| David Campbell | .... | special thanks | |
| Charlie Carter | .... | acknowledgment: Roger Allam photographed by | |
| Jenne Casarotto | .... | special thanks | |
| Judith Chan | .... | special thanks | |
| St John Donald | .... | special thanks | |
| Sue Greenleaves | .... | special thanks | |
| Sofia Hagberg | .... | special thanks | |
| Ruth Hayter | .... | special thanks | |
| Anthony Jones | .... | special thanks | |
| Simon Kelner | .... | special thanks | |
| Sally Long-Innes | .... | special thanks | |
| Lisa Mayo | .... | special thanks | |
| Sinead Moran | .... | special thanks | |
| Bernard Newman | .... | special thanks | |
| Sheila Newman | .... | special thanks | |
| Tim Newman | .... | special thanks | |
| Sue Newton | .... | special thanks | |
| Nigel Palmer | .... | special thanks | |
| Derek Parkes | .... | special thanks | |
| Ian Robinson | .... | special thanks | |
| Marc Stevens | .... | special thanks: the LSO | |
| Lucie Stoddart | .... | special thanks | |
| Simon Taffe | .... | special thanks | |
| Chris Tarren | .... | special thanks | |
| Philip Wicks | .... | special thanks | |
| Chris Witt | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
Tamara Drewe is a real gem by The Queen director Stephen Frears. It is an updated version of Thomas Hardy's Far from the Madding Crowd but based on a graphic novel by Posy Simmonds. A dark comedy set in the English countryside, the story is centred on a writer's colony run by Tamsin Greig's character Beth and her crime writer husband Nicholas, played by Roger Allam.
Gemma Arteton plays the title character who lived in the same small down in Dorset known as Ewedown during her teenage years. Now grown up she returns to restore and hopefully sell the house she used to live in. With help from a surgically reconstructed nose, Tamara Drewe has blossomed into a beautiful woman and her presence shakes the sleepy town as Bethsheba did in Hardy's novel.
The film is true to the memory of Thomas Hardy maintaining the turmoil of sexual desire and even obsession across all age groups which so commonly adorned his novels. One of the characters, the sympathetic American novelist Glen played by Bill Camp is writing a novel influenced by Hardy and references the author on many occasions.
The film breaks the notion of a quiet and sleepy town, like so many British films do. Underneath these seemingly close communities lies an underlining suspicion. Everyone is in everyone else's business in Ewedown and Tamara's presence only helps fuel the tension.
The pivotal scene that embodies Tamara Drewe's character occurs when Glen tells her that life must be very easy for her because she is beautiful. She laughs it off citing that it has always been difficult for her to be taken seriously.
Behind the character of Tamara Drewe lies something more sinister. The sudden appearance of a beautiful face in the town leads to a series of events that causes the balance of everyone's life to be upset. Men are suddenly smitten by the prospect of sex while women are often jealous or angry by the disruption they cause.
The story really begins to escalate when Tamara begins to date a drummer in a rock band played by Dominic Cooper and sets up permanently in the town. Soon, everyone in the town is invested in the lives of these people in some way.
The voyeurism of the locals who regard Tamara Drewe as both someone to envy and detest is likened to the celebrity status of her rock star boyfriend. Tamara quickly becomes the target of two schoolgirls who are both obsessed with the drummer and jealous of Tamara for disturbing the order of things.
The film eases its dark themes with its excellent use of subtle humour. The updated version of one of Hardy's most celebrated novels exposes the reality of a voyeuristic society too concerned with the lives of other people.
Along with Frears excellent direction, the other great strength of this film is its actors with special distinction going to Tamsin Greig. Greig is familiar to the London stage scene while others have played minor roles in big films. Gemma Arteton was one of Bond's muses in the Quantum of Solace. Roger Allam has been equally excellent in Frears academy award winning film the Queen as well as in V for Vendetta.
On one final note, I read one review that argued that the climax just does not amount to much which I personally felt was very misguided. The ending was true to the traditions of Hardy which is what Tamara Drewe is all about.