| Eva Green | ... | Susan | |
| Lauren Tempany | ... | Girl in Bed | |
| Ewan McGregor | ... | Michael | |
| Connie Nielsen | ... | Jenny | |
| Denis Lawson | ... | Boss | |
| Stephen Dillane | ... | Stephen Montgomery | |
| Shabana Akhtar Bakhsh | ... | Nurse (as Shabana Bakhsh) | |
| Caroline Paterson | ... | Woman at Hospital | |
| Malcolm Shields | ... | Patient | |
| Judith Anne Christie | ... | Waitress | |
| Ewen Bremner | ... | James | |
| Richard Mack | ... | Apprentice Chef Richard | |
| Alastair Mackenzie | ... | Virologist | |
| Anamaria Marinca | ... | Street Performer | |
| Juliet Cadzow | ... | Wife at Grave | |
| Tam Dean Burn | ... | Husband at Grave | |
| Ferosa Mackenzie | ... | Jenny's Daughter | |
| Luke Mackenzie | ... | Jenny's Son | |
| Gilly Gilchrist | ... | Doctor | |
| Barbara Rafferty | ... | Woman in Car Park | |
| Siu Hun Li | ... | Thai Scientist | |
| Stephen McCole | ... | Nice Official | |
| Paul Thomas Hickey | ... | Grumpy Official | |
| Liz Strange | ... | Deaf Customer | |
| Katy Engels | ... | Narrator (voice) | |
| John Mulkeen | ... | Chef de Partie | |
| David Monaghan | ... | Chef de Partie | |
| Karen Hepburn | ... | Pastry Chef | |
| Sean Early | ... | Pastry Chef | |
| Oscar Balmaseda Villoslada | ... | Waiter | |
| Max Barr | ... | Waiter | |
| Amjad Mobarak | ... | Waiter | |
| Joni Mackay | ... | Waitress | |
| James Watson | ... | Crying Bus Driver | |
| Trish Mullin | ... | School Teacher | |
| Fiona Danskin | ... | Crying Traffic Warden | |
| Duncan Airlie James | ... | Kickboxer (as Duncan James) | |
| Lewis Roberts | ... | Boy in Sweet Shop | |
| Ian Sexon | ... | Crying Man in Stadium | |
| John Conroy | ... | Wizard | |
| George Robertson | ... | Crying Fishmonger | |
| Iain Lamont | ... | Food Frenzy Fishmonger | |
| James Ward | ... | Food Frenzy Fishmonger | |
| Paul McCormack | ... | Food Frenzy Fishmonger | |
| Robert Hughes | ... | Food Frenxy Fishmonger | |
| Ian Workman | ... | Food Frenzy Customer | |
| Allan Brown | ... | Food Critic | |
| Perry Costello | ... | Shopkeeper with Gun | |
| Frank McCabe | ... | Emergency Response | |
| Brad Askew | ... | Emergency Response | |
| Euan Williamson | ... | Homeguard | |
| Paul Lambie | ... | Man getting Tattoo | |
| Des Hamilton | ... | Jenny's Husband | |
| rest of cast listed alphabetically: | |||
| Adam Smith | ... | Virology Technician (uncredited) | |
| Gillean Young | ... | Old Folks' Home Nurse (uncredited) | |
Directed by | |||
| David Mackenzie | |||
Writing credits(in alphabetical order) | ||
| Kim Fupz Aakeson | written by | |
Produced by | |||
| Gillian Berrie | .... | producer | |
| Brian Coffey | .... | associate producer | |
| Tomas Eskilsson | .... | producer | |
| Peter Garde | .... | executive producer | |
| Malte Grunert | .... | producer | |
| Peter Aalbæk Jensen | .... | executive producer (as Peter Allbæk Jensen) | |
| Sisse Graum Jørgensen | .... | co-producer | |
| Jamie Laurenson | .... | executive producer | |
| Tristan Lynch | .... | co-producer (as Tristan Orpen Lynch) | |
| David Mackenzie | .... | executive producer | |
| Marianne Moritzen | .... | producer: Danish Film Institute | |
| Charlotte Pedersen | .... | associate producer: Zentropa | |
| Carole Sheridan | .... | executive producer | |
| Akshay Singh | .... | line producer: India | |
| Julia Valentine | .... | line producer | |
Original Music by | |||
| Max Richter | |||
Cinematography by | |||
| Giles Nuttgens | (director of photography) | ||
Film Editing by | |||
| Jake Roberts | |||
Casting by | |||
| Shaheen Baig | |||
Production Design by | |||
| Tom Sayer | |||
Art Direction by | |||
| Andy Thomson | |||
Costume Design by | |||
| Trisha Biggar | |||
Makeup Department | |||
| Orla Carrol | .... | personal hair stylist: Ms. Green (as Oria Carroll) | |
| Marion McCormack | .... | hair stylist | |
| Marion McCormack | .... | makeup artist | |
| Donald McInnes | .... | hair designer | |
| Donald McInnes | .... | makeup designer | |
| Lee Melrose | .... | makeup trainee: Scottish Screen | |
Production Management | |||
| David Hancock | .... | unit manager | |
| Danny Khoudary | .... | unit manager | |
| Nina Sagemoen | .... | production manager | |
| Emma Zee | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Mark Ash | .... | first assistant director: second unit | |
| Avani Batra | .... | first assistant director: India | |
| Simon Cox | .... | unit director: Kenya | |
| Catherine Dunne | .... | second assistant director | |
| Alonso García Borja | .... | unit director: Mexico (as Alonso Garcia-Borja Loaeza) | |
| Nick Q. Hughes | .... | unit director: Kenya | |
| Colin Kennedy | .... | second unit director | |
| Susie Lee | .... | third assistant director | |
| Zoe Liang | .... | third assistant director | |
| Barrie McCulloch | .... | first assistant director | |
| Giles Nuttgens | .... | unit director: India | |
| Sandra Quevedo Solis | .... | assistant director: Mexico | |
Art Department | |||
| Emiio Alday Chálvez | .... | art department assistant: Mexico | |
| Alberto Anaya Adalid | .... | art department: Mexico | |
| Philip Barratt | .... | graphic designer | |
| Ben Barry | .... | carpenter | |
| James Baxter | .... | carpenter | |
| Liam Collins | .... | additional prophand | |
| Paul Curren | .... | painter | |
| Sam Curren | .... | painter | |
| Derek Gray | .... | storyboard artist | |
| Jane Harvie | .... | scenic painter | |
| Paul Lambie | .... | prop hand | |
| David Macleod | .... | props driver | |
| Andrew 'Fred' MacMillan | .... | prop hand (as Abdrew MacMillan) | |
| Janice Macrae | .... | production buyer | |
| Eona McCallum | .... | art department assistant | |
| Andrew McDonald | .... | stand-by carpenter/painter | |
| Caroline McFarlane | .... | art department trainee | |
| Russell McGovern | .... | graphic designer | |
| Aoife McKim | .... | petty cash buyer | |
| Alejandro 'Jano' Meija Gaviño | .... | art department: Mexico | |
| Matt Mooney | .... | prop hand | |
| Andrew Neilson | .... | additional prophand | |
| Jim O'Donnell | .... | scenic painter | |
| Carly Parris | .... | petty cash buyer | |
| Emma Pisano | .... | art department assistant | |
| David Pollack | .... | carpenter | |
| Kenny Pratt | .... | carpenter | |
| David Richmond | .... | carpenter | |
| Dan Roberts | .... | prop hand | |
| Tony Sheridan | .... | property master | |
| James Shovlin | .... | painter (as Jimmy Shovlin) | |
| Lynsey Sinnamon | .... | scenic painter | |
| Jan Suter Warnholtz | .... | art department assistant: Mexico | |
| Caireen Todd | .... | graphic designer | |
| John Watt | .... | stand-by carpenter/painter | |
| Zoe Wight | .... | standby art director | |
| Ella Williams | .... | art department trainee: Scottish Screen | |
| Liam Collins | .... | dressing props (uncredited) | |
| Jordan R.A. Mills | .... | props daily (uncredited) | |
Sound Department | |||
| Omar Aborida | .... | sound assistant | |
| Iain Anderson | .... | sound re-recording mixer | |
| Tony Cook | .... | boom operator | |
| Phil Croal | .... | sound recordist: second unit | |
| Colin Gregory | .... | boom operator | |
| Tom Griffiths | .... | assistant sound editor | |
| Kahl Henderson | .... | adr recordist | |
| Douglas MacDougall | .... | sound designer | |
| Micheal MacKinnon | .... | foley supervisor (as Michael Mackinnon) | |
| Barry O'Sullivan | .... | production sound mixer | |
| Chris Sinclair | .... | dialogue editor | |
| Chris Sinclair | .... | sound re-recording mixer | |
| Linda Wylie | .... | sound coordinator | |
| Benjamin Lécuyer | .... | adr engineer (uncredited) | |
Special Effects by | |||
| Joanna Dewar-Gibb | .... | special effects coordinator | |
| Mike Keit | .... | special effects supervisor | |
| Keith Nairm | .... | special effects technician | |
| Robin Pollok | .... | special effects technician | |
| Toby Stewart | .... | special effects technician | |
Visual Effects by | |||
| Håkan Blomdahl | .... | digital artist | |
| Andreas Hylander | .... | visual effects supervisor | |
| Daniel Nielsen | .... | digital artist | |
| Sean Wheelan | .... | visual effects producer | |
Casting Department | |||
| Kahleen Crawford | .... | development casting | |
| Danny Jackson | .... | development casting assistant | |
| Caroline Stewart | .... | development casting assistant | |
| Aisha Walters | .... | casting assistant: Shaheen Baig | |
Costume and Wardrobe Department | |||
| Harriet Edmonds | .... | standby costume | |
| Fiona King | .... | costume standby: daily | |
| Anna Lau | .... | costume supervisor | |
| Emily Raemaekers | .... | costume trainee | |
| Anna Robbins | .... | wardrobe supervisor: daily | |
| Widaad Williams | .... | costume assistant: dailies (uncredited) | |
Editorial Department | |||
| Siobhan Boyes | .... | post-production coordinator (as Siohán Boyes) | |
| Matt Branton | .... | assistant colorist | |
| Giles Burgess | .... | first assistant editor | |
| Lorene Dewett | .... | first assistant editor | |
| Dave Hughes | .... | second colorist | |
| Sarah Hughes | .... | negative checker | |
| Adam Inglis | .... | colorist | |
| Eimear Jenkinson | .... | digital intermediate faciiities coordinator | |
| Rebecca Lloyd | .... | first assistant editor | |
| Tim Morris | .... | digital intermediate supervisor | |
| Shayne Murphy | .... | data conform editor | |
| Gareth Nolan | .... | on-line conform assistant | |
| Emmet O'Neill | .... | digital intermediate data wrangler | |
| Robbie O'Farrell | .... | on-line editor (uncredited) | |
Music Department | |||
| Claudia Ajmone-Marsan | .... | musician: violin | |
| Falko Duczmal | .... | score mixer | |
| Falko Duczmal | .... | score recordist | |
| Dave Foster | .... | music preparation | |
| Mok-hyun Gibson-Lane | .... | musician: cello | |
| Stefan Heinemeyer | .... | musician: cello | |
| Sebastian Krunnies | .... | musician: cello | |
| Elissa Lee | .... | musician: violin | |
| Max Richter | .... | musician: cello | |
| Max Richter | .... | score mixer | |
| Mathias Schneider-Hollek | .... | score supervisor (as Mathias Schneider) | |
Other crew | |||
| Celia Aiken | .... | science advisor (as Dr. Celia Aiken) | |
| Jim Anderson | .... | researcher | |
| Reno Antoniades | .... | legal services: Sigma Films, Lee & Thompson | |
| Natalie Bass | .... | legal services: Sigma Films, Lee & Thompson (as Natalie Usher) | |
| Mary Brehony | .... | legal affairs: Scottish Screen | |
| James Buckler | .... | production & delivery coordinator: BBC Films | |
| Mark Byrne | .... | business and legal affairs: ord Scannián na hÉtreann/Irish Film Board | |
| Neil Calder | .... | completion guarantor: Film Finances | |
| Sofia Castañ&n Ornelas | .... | production: Mexico | |
| Jim Clubb | .... | animal wrangler | |
| Perry Costello | .... | armorer | |
| Guy Cowan | .... | chef advisor | |
| Miglet Crichton | .... | location manager: second unit | |
| Paul Cross | .... | animal wrangler | |
| Owen Derby | .... | titles | |
| Audrius Dirmauskas | .... | assistant chef advisor | |
| Brendan Diver | .... | catering chef | |
| Laura Donnelly | .... | crowd coordinator | |
| Anna Duffield | .... | production: Sigma Films | |
| Anne Forster | .... | bookkeeping: Sigma Filma | |
| Rosalba Garza Treviño | .... | production: Mexico | |
| Jeremy Gawade | .... | legal services: Sigma Films, Lee & Thompson | |
| Carl Geeson | .... | bicycle mechanic | |
| Donal Geraghty | .... | production accountant | |
| Simon Gillis | .... | legal and business affairs manager: BBC Films | |
| Lindsay Goodall | .... | assistant production coordinator | |
| Chris Hall | .... | production runner | |
| James Hickey | .... | legal representative: Subotica Limited | |
| Michael Higson | .... | location scout | |
| Ruth Hodgson | .... | completion guarantor: Film Finances | |
| Johanna Hogan | .... | legal representative: Subotica Limited | |
| Amy Jackson | .... | assistant: David Mackenzie | |
| David Johnstone | .... | insurance: Media Insurance | |
| Tiernan Kelly | .... | operations: Film City Glasgow | |
| Claire L. Kenny | .... | assistant accountant (as Claire Kenny) | |
| Dedan Kimanthi | .... | unit crew: Kenya | |
| Constantne Kirezi | .... | unit crew: Kenya | |
| Anders Kjærhauge | .... | legal: Zentrope | |
| Katarina Krave | .... | business and legal affairs: Film 1 Väst | |
| Ashifa Lalani | .... | assistant accountant | |
| Kasper Leick | .... | commissioning editor: Danish Film Institute | |
| Tom Lewis | .... | chef advisor | |
| Steven Little | .... | archive producer | |
| Elizabeth MacFarlane | .... | completion guarantor: Film Finances | |
| Joni Mackay | .... | runner | |
| Joni Mackay | .... | stand-in | |
| Donald MacKinnon | .... | location manager | |
| Morven MacPherson | .... | location runner | |
| Virginia Maillo | .... | floor runner | |
| Layla Mall | .... | production coordinator | |
| Carole McAllister | .... | unit doctor (as Dr. Carole McAllister) | |
| Linda McClure | .... | business affairs: Scottish Screen | |
| Ashling McGrath | .... | production executive: Subotica Limited | |
| Kenny McGuire | .... | computer standby | |
| Joyce Miller | .... | animal wrangler | |
| Terry Miller | .... | animal wrangler | |
| Methu Muthoni | .... | unit crew: Kenya | |
| Stephen Nex | .... | development: Sigma Films | |
| Aoife O'Sullivan | .... | production executive: Subotica Limited | |
| John O'Sullivan | .... | insurance: media Insurance | |
| Linda Pather | .... | completion guarantor: Film Finances | |
| Alex Perry | .... | animal wrangler | |
| Simon Perry | .... | chief executive: Bord Scannián na hÉtreann/Irish Film Board | |
| Rebecca Pick | .... | legal services: Sigma Films, Lee & Thompson | |
| Justin Purefoy | .... | unit crew: Kenya | |
| Rob Quigley | .... | production accountant | |
| Morven Reid | .... | production runner | |
| Rachael Reitman | .... | assistant food stylist | |
| Abdias 'Mateo' Solano Gonzáles | .... | production: Mexico | |
| Ross Stewart | .... | production trainee | |
| Stef Swiatek | .... | unit nurse (as Stefania Swiatek) | |
| Beverley Syme | .... | assistant location manager | |
| Mhairi Taylor | .... | caterer | |
| Katherine Tidy | .... | food stylist | |
| Claire Urquhart | .... | operations: Film City Glasgow | |
| Euan Williamson | .... | runner | |
| Euan Williamson | .... | stand-in | |
| Michael Wood | .... | production executive: BBC Films | |
| debra Bruce-Nazarian | .... | drama coach (uncredited) | |
| Roisin Carty | .... | dialogue coach: Eva Green (uncredited) | |
| Matt Cooper | .... | floor runner (uncredited) | |
| Glynn Henderson | .... | safety consultant (uncredited) | |
Thanks | |||
| Douglas Graham | .... | special thanks | |
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| Blindness | The Five Senses | The Pillow Book | Qiu yue | The Hottest State |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
When I read the synopsis for _Perfect Sense_, I was expecting an apocalyptic romance. I was wrong. Such a description is too neat. This is more than escapist entertainment. It is an experience to be savored.
Its story is deceptively simple. It weaves a richer fabric than any casual touch will detect. Those who think its central device capricious (the disease and its development) give themselves too much credit for discerning the logic of their own lives. An illness may seem to follow no obvious or satisfying plot, but who can say whether any "misfortune" fails to follow a narrative too subtle for the prejudice of those who feel injured by it? Those who require every story to have a tidy, forensic resolution, with an indictable perpetrator for every ordeal, on whom they can unleash their outrage in order to achieve "closure," are the victims of their own narrow interpretation. Most pain is not conspiracy. The shared affliction of this story is poetic metaphor; however, like most good art, this film is about its characters, not its literary devices.
The cast's performances are not only authentic, they are illuminating; particularly Ewan McGregor's and Eva Green's central couple. Were they mere victims, their story would be hopeless tragedy. Instead, theirs is the account of an ordinary and vulnerable man and woman with extraordinary resilience, who attack, then embrace each other, stumbling over their circumstances as they learn to transcend them.
**A Brief Response to ArizWldcat's One-star Review**
If those at the premiere who asked questions after the screening (during the Q&A) are a representative sample of the audience, few of Mr. Mackenzie's viewers got the "point" of his film. One person asked the director what message or meaning he hoped we, his audience, would take from his film. He looked nonplussed at this question. He responded that the viewer had to answer that for himself.
It seems that Mr./Ms. ArizWldcat was one of those who expected this film to be easily categorized and to reaffirm a specific, pre-determined view of the world, such as a feel-good romance or a psychological thriller. The guy gets the girl and they save the world in the process, all portrayed through a predictably formulaic sequence of events. Everyone lives happily ever after. By those prerequisites, we would also be forced to give _Hamlet_ or _Citizen Kane_ one out of ten stars.
_Perfect Sense_ is a film whose "point" is not to make its audience comfortable or to provide the adrenaline buzz of a "thriller." Its purpose is to portray authentic human experience in an impossible situation. It did so admirably. It is one of the most hopeful films I have ever seen.