Veteran director Stuart Canterbury graces Penthouse Video with a story-oriented film, one of the few among the new crop of releases assigned to "Penthouse World Broadcasting", a new name but not much different from the output of a decade ago.
Alexa Grace is the only holdout in a cast of swingers, all of them eager to trade their spouses, even if just for one shot, with some fresh folk. This makes for four standard switcheroo sex scenes, and the payoff gimmick is a rather preposterous and unconvincing "fooling" of Alexa to think that interloper Lucas Frost is just her husband Tony Martinez humping her in the middle of the night.
I found it impossible to suspend disbelief, but Alexa saves this scene, as usual, with sheer beauty. Lame punchline that even though her husband has the pleasure of humping new neighbor Kenna James in return it turns out that his wife Alexa is utterly pleased with the sex Lucas provided, and how will he live up to it in future nights since she thinks it was his prowess?
Olive Glass is also a pretty swinger in a flashback scene wih Chad Alva, and Chanel Preston is thrown into the movie without an actual character to play, just for marquee value.
Alexa Grace is the only holdout in a cast of swingers, all of them eager to trade their spouses, even if just for one shot, with some fresh folk. This makes for four standard switcheroo sex scenes, and the payoff gimmick is a rather preposterous and unconvincing "fooling" of Alexa to think that interloper Lucas Frost is just her husband Tony Martinez humping her in the middle of the night.
I found it impossible to suspend disbelief, but Alexa saves this scene, as usual, with sheer beauty. Lame punchline that even though her husband has the pleasure of humping new neighbor Kenna James in return it turns out that his wife Alexa is utterly pleased with the sex Lucas provided, and how will he live up to it in future nights since she thinks it was his prowess?
Olive Glass is also a pretty swinger in a flashback scene wih Chad Alva, and Chanel Preston is thrown into the movie without an actual character to play, just for marquee value.