| Jürgen Vogel | ... | Rainer Wenger | |
| Frederick Lau | ... | Tim Stoltefuss | |
| Max Riemelt | ... | Marco | |
| Jennifer Ulrich | ... | Karo | |
| Christiane Paul | ... | Anke Wenger | |
| Jacob Matschenz | ... | Dennis | |
| Cristina do Rego | ... | Lisa | |
| Elyas M'Barek | ... | Sinan | |
| Maximilian Vollmar | ... | Bomber | |
| Max Mauff | ... | Kevin (as Maximilian Mauff) | |
| Ferdinand Schmidt-Modrow | ... | Ferdi | |
| Tim Oliver Schultz | ... | Jens | |
| Amelie Kiefer | ... | Mona | |
| Fabian Preger | ... | Kaschi | |
| Odine Johne | ... | Maja | |
| Tino Mewes | ... | Schädel | |
| Karoline Teska | ... | Miri | |
| Marco Bretscher-Coschignano | ... | Dominik | |
| Lennard Bertzbach | ... | Bommel | |
| Thommy Schwimmer | ... | Maxwell (as Tommy Schwimmer) | |
| Joseph M'Barek | ... | Thorben | |
| Jaime Ferkic | ... | Bobby (as Jaime Kristo Ferkic) | |
| Darvin Schmidt | ... | Leon | |
| Leander Hagen | ... | Zecke | |
| Lucas Hardt | ... | Kulle | |
| Maxwell Richter | ... | Faust | |
| Sophie Kurzke | ... | Freundin Jens | |
| Liv Lisa Fries | ... | Laura | |
| Lena Lutz | ... | Leyla | |
| Hendrik Holler | ... | Marktverkäufer | |
| Ilo Gansel | ... | Marktverkäuferin | |
| Natascha Paulick | ... | Verkäuferin | |
| Maren Kroymann | ... | Dr. Kohlhage | |
| Teresa Harder | ... | Mutter Karo | |
| Thomas Sarbacher | ... | Vater Karo | |
| Hubert Mulzer | ... | Dieter Wieland | |
| Gerald Alexander Held | ... | Vater Tim (as Alexander Held) | |
| Johanna Gastdorf | ... | Mutter Tim | |
| Friederike Wagner | ... | Mutter Marco | |
| Dennis Gansel | ... | Hängengebliebener | |
| rest of cast listed alphabetically: | |||
| Ron Jones | ... | Coffee Bar Visitor (uncredited) | |
Directed by | |||
| Dennis Gansel | |||
Writing credits | ||
| Ron Jones | (short story and original protocols) (as William Ron Jones) | |
| Johnny Dawkins | (screenplay "The Wave") and | |
| Ron Birnbach | (screenplay "The Wave") | |
| Dennis Gansel | (writer) and | |
| Peter Thorwarth | (writer) | |
Produced by | |||
| Christian Becker | .... | producer | |
| Antonio Exacoustos | .... | co-producer | |
| David Groenewold | .... | co-producer | |
| Franz Kraus | .... | co-producer | |
| Nina Maag | .... | supervising producer | |
| Martin Moszkowicz | .... | co-producer | |
| Peter Schiller | .... | line producer | |
| Anita Schneider | .... | consulting producer | |
Original Music by | |||
| Heiko Maile | |||
Cinematography by | |||
| Torsten Breuer | |||
Film Editing by | |||
| Ueli Christen | |||
Casting by | |||
| Franziska Aigner-Kuhn | |||
| Uwe Bünker | |||
Production Design by | |||
| Knut Loewe | |||
Art Direction by | |||
| Petra Ringleb | |||
Set Decoration by | |||
| Tilman Lasch | |||
Costume Design by | |||
| Ivana Milos | |||
Makeup Department | |||
| Dörte Dobkowitz | .... | makeup artist | |
| Franziska Dominick | .... | assistant makeup artist | |
| Irina Tübbecke-Bechem | .... | makeup artist | |
| Renate Wetzel-Wagner | .... | additional makeup artist | |
| Mieke Willaert | .... | additional makeup artist | |
Production Management | |||
| Dierk Beck von Rohland | .... | post-production supervisor | |
| Natalie Clausen | .... | unit manager | |
| Ulrike Fauth | .... | production manager | |
| Axel Vogelmann | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Hendrik Holler | .... | first assistant director | |
| Hendrik Holler | .... | second unit director | |
| Matthias Nerlich | .... | second assistant director | |
Art Department | |||
| Philipp Hübner | .... | property master | |
| Tilman Lasch | .... | set dresser | |
Sound Department | |||
| David Arnold | .... | adr recordist | |
| Tomas Bastian | .... | adr editor | |
| Christian Bischoff | .... | sound re-recording mixer | |
| Hans-Jörg Bramm | .... | sound (as Hans Bramm) | |
| Christian Bruckmair | .... | adr mixer | |
| Tschangis Chahrokh | .... | sound re-recording mixer | |
| Stephan Fandrych | .... | adr supervisor | |
| Florian Fricke | .... | sound: second unit | |
| Dana Hopfe | .... | adr production manager | |
| Hadon Install | .... | boom operator | |
| Mathias Maydl | .... | sound re-recordist | |
| Henry Mayr | .... | sound project coordinator | |
| Michael Mitra | .... | foley editor | |
| Pierre Peters-Arnolds | .... | synchronisation | |
| Jörn Poetzl | .... | foley artist | |
| Alexander Saal | .... | supervising sound editor | |
| Philipp Sellier | .... | foley recordist | |
| Patrick Veigel | .... | sound mixer | |
Special Effects by | |||
| Michael Apling | .... | special effects office coordinator | |
| Ronny Klost | .... | special effects technician | |
| Adolf Wojtinek | .... | special effects | |
Visual Effects by | |||
| Christopher Chaber | .... | lustre operator | |
| Willy Delgado | .... | film scanning | |
| Geoffrey Grafwallner | .... | digital supervisor | |
| Ulrich Hochleitner | .... | digital transferer | |
| Kathie Klippe | .... | film recorder: ARRILASER (as Kathi Klippe) | |
| Nina Knott | .... | digital intermediate producer | |
| Traudl Nicholson | .... | digital colorist | |
| Marco Ringler | .... | digital compositor | |
| Hari Schernthaner | .... | lustre operator | |
| Abraham Schneider | .... | visual effects supervisor | |
| Ania Senckpiehl | .... | digital transferer | |
| Sascha Stiller | .... | film recorder: ARRILASER | |
| Steven Stueart | .... | film scanning | |
Stunts | |||
| Rainer Werner | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Johannes Burow | .... | video operator | |
| Katharina Dießner | .... | second assistant camera | |
| Fred Dombrowka | .... | gaffer | |
| Christopher Durth | .... | electrician (as Christofer Durth) | |
| Pip Hare | .... | second assistant camera | |
| Arne Hartländer | .... | assistant grip | |
| Thomas Hübener | .... | scorpio head operator | |
| Sandro Kieburg | .... | electrician | |
| Conny Klein | .... | still photographer | |
| Daniel Kraus | .... | underwater assistant camera | |
| Martin Leitsch | .... | second assistant camera | |
| Andres Lizana Prado | .... | underwater camera operator | |
| Frank Pawlowski | .... | electrician | |
| Philip Reinhold | .... | second assistant camera | |
| Axel Renner | .... | best boy | |
| Bernd Schultz | .... | grip | |
| Matthias Wrage | .... | assistant camera | |
Casting Department | |||
| Johanna Ragwitz | .... | extras casting | |
Costume and Wardrobe Department | |||
| Inga Kusche | .... | costume assistant | |
| Anja Lafin | .... | additional costume | |
| Anske Lipinski | .... | wardrobe | |
| Natalia Riede | .... | wardrobe | |
Editorial Department | |||
| Sandra Aichinger | .... | color timer | |
Music Department | |||
| Volker Hinkel | .... | musician: electric guitars | |
| Pia Hoffmann | .... | music supervisor | |
| Torsten Kamps | .... | electronic orchestrator | |
| Matthias Raue | .... | musician: keyboards | |
| Mathias Willvondseder | .... | musician: CS 80 | |
| Andre Winter | .... | programming | |
Transportation Department | |||
| Ralf Pitzius | .... | production driver | |
| Miklas Wittmann | .... | cast & production driver | |
Other crew | |||
| Jan Birka | .... | script supervisor | |
| Mathias Braun | .... | location scout | |
| Christian Dosch | .... | location manager | |
| Gabriele Friedel | .... | production coordinator | |
| Darius Ghanai | .... | title designer | |
| John Kaylin | .... | dubbing producer | |
| Angela Reedwisch | .... | key account manager | |
| Philipp von Hoff | .... | location manager | |
| Gernot Zeglien | .... | location scout | |
|
|
|
|
|
| Notes on a Scandal | Machuca | Carrie | Disturbing Behavior | The Chorus |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Germany section |
Die Welle (The Wave) is truly a brilliant tale that lures viewers into its cleverly developed plot just as Herr Wenger lures his unsuspecting students into a sense of fascism. When Wenger, an affable schoolteacher who seems to be rebellious towards traditional instruction, gets selected to teach a class on autocracy, he is upset. However, he soon devises a plan with which to teach the students a valuable lesson on the sheer dangers of fascism and the ease with which one can be lured into it.
His class starts out simple and nonthreatening. The students choose Wenger as their leader and are instructed to wear a uniform and create a name for themselves (the students choose Die Welle "The Wave"). But, this club slowly turns into a sort of fascist regime. The unsuspecting students think they are participating in some sort of fun club, but they are really being shown how easily impressionable people can be attracted by autocracy.
The biting irony of this film is that at the beginning of the autocracy class, Wenger touched on the subject of Hitler's reign, and the students almost instinctively spit out answers about how Germany would never fall into that trap again knowing what they know now. But, the children soon eat their words when they become members of a much less disturbing, yet frighteningly similar clique.
There is a glimmer of this fact when two students who aren't members of "The Wave" pick on a student who is. Two other members come to the rescue of the victim. Though many may view this as a positive aspect of this sort of togetherness, the point is that fascism has developed and can easily become corrupt.
I highly recommend this to any potential viewer who either holds the same views as the students at the beginning of the film or simply wants to be entertained by the ironic theme of the film (so long as you don't mind the subtitles).