| J.J. Abrams | ... | Himself | |
| Skizz Cyzyk | ... | Himself | |
| Don Dohler | ... | Himself | |
| Dennis Hill | ... | (archive footage) | |
| Lloyd Kaufman | ... | Himself | |
| Don Leifert | ... | Himself | |
| Jay Lynch | ... | Himself | |
| Al Magliochetti | |||
| Steve Pattee | ... | Himself | |
| Joe Ripple | ... | Himself | |
| Tom Savini | ... | Himself | |
| George Stover | ... | Himself | |
| Eric Martin Strauss | ... | Himself | |
| Tom Sullivan | ... | Himself | |
| Aylor Wells | ... | Himself |
Directed by | |||
| John Paul Kinhart | |||
Original Music by | |||
| Christian Brown | |||
Cinematography by | |||
| John Paul Kinhart | |||
| Dan Pittore | |||
| Patrick Wright | |||
Film Editing by | |||
| John Paul Kinhart | |||
Second Unit Director or Assistant Director | |||
| Sara Cole | .... | assistant director | |
| Dan Pittore | .... | assistant director | |
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| Nightmares in Red, White and Blue: The Evolution of the American Horror Film | Going to Pieces: The Rise and Fall of the Slasher Film | Not Quite Hollywood: The Wild, Untold Story of Ozploitation! | Scream: The Inside Story | The American Nightmare |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
For any budding young film-makers desperately trying to scrape together funding and willing actors to make a low budget horror/sci-fi film, then there is one rule they must follow. The film must contains the three B's - blood, boobs, and a beast. These elements are what audiences think they want, and ultimately go for, especially in the straight-to-video market. It is also what television companies look for when buying late night cheapies to show to the drunken and the stoned. Cult film-maker Don Dohler has followed these rules, and although it hasn't exactly brought him financial success, he has enjoyed a steady output since 1978's The Alien Factor.
Blood, Boobs & Beast is a love-letter to low-budget film-making, and its arguable that as much love and determination goes into these (usually very bad) films as any of the mainstream output. It briefly traces Dohler from his days working on an underground comic called WILD (a sort of MAD homage that had contributors from the likes of Jay Lynch and Art Spiegelman) to his work on the hugely influential Cinemagic Magazine, that gave guidelines on how to make home-made special effects and monster costumes (read by the likes of Tom Savini and J.J. Abrams).
While its a relatively poorly made documentary, it has plenty of heart, much like the work of Dohler. Director John Paul Kinhart clearly has a lot of love for his director, and its hard not to be moved as Dohler describes how the internet made him realise he has a dedicated fan-base. I just wish they hadn't included the two very annoying film geeks who think it's funny to recite lines from The Alien Factor while drinking beer. So, a must-see for B-movie fans, and an eye-opener to just how difficult it is to make a movie (it takes us throughout the development of Dead Hunt (2006)). The ending is extremely moving, as Dohler sadly developed cancer and passed away during the making of the film. I will certainly try and track down some of his films, however bad they look.
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