| Danilo Mancinelli | ... | Zack | |
| Heidi Brucker | ... | Samantha | |
| Mira Rayson | ... | Felicity | |
| Danny Kitz | ... | Gary | |
| Danielle Kreinik | ... | Trudy | |
| Jacqueline Anzalone | ... | Kendra | |
| Yasmine Vine | ... | Janet | |
| Christina Caporale | ... | Chelsea | |
| Burke Morgan | ... | Professor Stockwell | |
| Dana Davidson | ... | Fawn | |
| Kevin Surrey | ... | Josh | |
| Ker'in Hayden | ... | Wendy (as Kerin Hayden) | |
| Claudia Genah | ... | Yvette | |
| Johnnie Five | ... | Clem the Gardener | |
| Riley Behling | ... | Ralph the Bartender | |
| Darlene K. Oliver | ... | Sharon - a Bar-Fly (as DK Oliver) | |
| Scott D. Evans | ... | Breck | |
| Victor Krone | ... | Cody | |
| Bonnie Mannion | ... | Grandma Ruby | |
| John Mark Robbins | ... | Guy with Knife | |
| Brandi Renee Flowers | ... | Brunette Cannibal | |
| Shelley Boozer | ... | Blonde Cannibal | |
| Teresa Louise | ... | Female Bartender | |
| Ariel Rider | ... | Renee | |
| Nicole Lyons | ... | Michelle | |
| Ben Solenberger | ... | Brian (as Ben E. Solenberger) | |
| Jim Bernet | ... | Beach Bum | |
| Leo Smith | ... | Beach-Guy who finds ear (as LK Smith) | |
| Georgia Anderson | ... | Dalia - Foosball Bar Girl | |
| Loine Lynch | ... | Erin - Foosball Bar Girl | |
| Kirk Bowman | ... | Phillip | |
| rest of cast listed alphabetically: | |||
| Amy Ashton | ... | News Reporter (uncredited) | |
Directed by | |||
| Kirk Bowman | |||
Writing credits | ||
| Kirk Bowman | (screenplay) | |
Produced by | |||
| Paul Beeson | .... | executive producer | |
| Kirk Bowman | .... | producer | |
| Danilo Mancinelli | .... | co-producer | |
Film Editing by | |||
| Kirk Bowman | |||
| Mark Morocco | |||
Makeup Department | |||
| Victor Krone | .... | special makeup effects artist | |
Second Unit Director or Assistant Director | |||
| Chris Williams | .... | first assistant director | |
Art Department | |||
| Patricia Anaya | .... | graphic designer | |
Sound Department | |||
| Vin Krone | .... | boom operator | |
Visual Effects by | |||
| David Zorn | .... | visual effects | |
Camera and Electrical Department | |||
| Riley Behling | .... | still photographer | |
| John Mansfield Flint | .... | gaffer | |
| John Mansfield Flint | .... | grip | |
| Chris Williams | .... | assistant camera | |
Music Department | |||
| Dewey Dellay | .... | music by | |
| Micheal T. Drost | .... | composer: additional music | |
| Rob Notoris | .... | composer: additional music | |
| Billy Pfrummer | .... | music by | |
| J.A. Powers | .... | music by | |
| Jim Shagawat | .... | composer: additional music | |
| Bryan Steele | .... | music by | |
Other crew | |||
| Simone Bennet | .... | legal | |
| Joanne Johnson | .... | first aid | |
| Mike Sanchez | .... | promotional materials | |
| Beverly Tunison | .... | script supervisor | |
Thanks | |||
| Amy Ashton | .... | special thanks | |
| John Mansfield Flint | .... | special thanks | |
| John Goodfriend | .... | special thanks | |
| Judy Hay | .... | special thanks | |
| Kerin Inger | .... | special thanks | |
| Joanne Johnson | .... | special thanks | |
| Sarah Kincaid | .... | special thanks | |
| Teresa Louise | .... | special thanks | |
| Cathy Polisoto | .... | special thanks | |
| Pam Raines | .... | special thanks | |
| Tanya Vanriel | .... | special thanks | |
| David Vogler | .... | special thanks | |
| Kelli Warren | .... | special thanks | |
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| Indiana Jones and the Temple of Doom | House of Sand and Fog | Vampire Killers | Don't Go Near the Park | It's in the Water |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section |
How can I describe this movie? To start with, it doesn't just deliver blood-suckers, but flesh-eaters. The whole film is shot with a "Your daughter's fifth-grade play" camera, and the sound is at times in-audible.
I can't tell you if you should see this movie or not, until you answer this question: Do you like to see young women feasting on man-flesh? If so, you will enjoy this movie for all it's corniness. Despite my expectations, a lot of the acting shows genuine enthusiasm, effort and energy. Sure, it may have the production values of a failed porno movie, but this film has value within its perverse little niche. There are some inexplicably memorable and compelling performances in this film. Sure, you may root for the cannibals, but that's no flaw within this particular film's schema.
This movie reinforces something: when it comes to scary vampires/cannibals, it's all in the body language and the eyes. There's something about those deep, black eyes that terrifies me in a way no movie this cheap should. o_o On the other hand, there are some wanna-be nefarious characters that didn't quite live up to their potential. I have to penalize this film for not giving us the most charismatic cannibal we could have had. :(