| Photos (see all 5 | slideshow) | Videos |
| Nurgül Yesilçay | ... | Ayten Öztürk aka Gül | |
| Baki Davrak | ... | Nejat Aksu | |
| Tuncel Kurtiz | ... | Ali Aksu | |
| Hanna Schygulla | ... | Susanne Staub | |
| Patrycia Ziolkowska | ... | Charlotte 'Lotte' Staub | |
| Nursel Köse | ... | Yeter aka Jessy | |
| rest of cast listed alphabetically: | |||
| Erkan Can | ... | Nejat's Cousin | |
| Yusuf Kaba | ... | Flute player | |
| Yelda Reynaud | ... | Emine | |
| Lars Rudolph | ... | Markus Obermüller | |
| Andreas Thiel | ... | Konsulatsmitarbeiter | |
| Idil Üner | ... | Pregnant doctor (uncredited) | |
Directed by | |||
| Fatih Akin | |||
Writing credits(in alphabetical order) | ||
| Fatih Akin | writer | |
Produced by | |||
| Ali Akdeniz | .... | co-producer | |
| Fatih Akin | .... | producer | |
| Paolo Colombo | .... | co-producer | |
| Alberto Fanni | .... | co-producer | |
| Nevra Koçoglu | .... | supervising producer | |
| Klaus Maeck | .... | producer | |
| Funda Odemis | .... | co-producer | |
| Erhan Ozogul | .... | co-producer | |
| Christian Springer | .... | line producer | |
| Andreas Thiel | .... | producer | |
| Jeanette Würl | .... | producer | |
| Flaminio Zadra | .... | associate producer | |
Original Music by | |||
| Shantel | |||
Cinematography by | |||
| Rainer Klausmann | |||
Film Editing by | |||
| Andrew Bird | |||
Casting by | |||
| Monique Akin | |||
Production Design by | |||
| Sirma Bradley | |||
| Tamo Kunz | |||
Art Direction by | |||
| Seth Turner | |||
Costume Design by | |||
| Katrin Aschendorf | |||
Makeup Department | |||
| Maike Heinlein | .... | makeup artist | |
| Mediha Safak | .... | makeup artist | |
| Daniel Schröder | .... | makeup artist | |
Production Management | |||
| Tolga Dundar | .... | assistant production manager | |
| Aksel Kamber | .... | production manager | |
| Tina Mersmann | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Surk-Ki Schrade | .... | assistant director | |
| Seren Yüce | .... | first assistant director | |
Art Department | |||
| Jan Feil | .... | property master: inside | |
| Elif Tasçioglu | .... | property master | |
Sound Department | |||
| Ahmt Sut Alban | .... | sound | |
| Richard Borowski | .... | sound re-recording mixer | |
| Andreas Hildebrandt | .... | sound designer | |
| Jörg Krieger | .... | sound designer | |
| Martin Langenbach | .... | foley artist | |
| Kai Lüde | .... | sound mixer | |
| Jörn Martens | .... | boom operator | |
Special Effects by | |||
| Peter Wiemker | .... | special effects | |
Visual Effects by | |||
| Philipp Eckel | .... | film recording | |
| Birk Ewert | .... | 2D graphic artist | |
| Michael Krämer | .... | digital compositor | |
| Philipp Schneider | .... | visual effects editor | |
| Christoph Schröer | .... | lead digital compositor | |
| Matthias Schulze-Kirketerp | .... | digital colorist | |
| Alex Brommer | .... | digital compositor (uncredited) | |
Stunts | |||
| Ali Haznebar | .... | stunt performer | |
Camera and Electrical Department | |||
| Julien Aksoy | .... | third assistant camera: Istanbul | |
| Gokhan Atilmis | .... | director of photography: Istanbul | |
| Emre Basaran | .... | focus puller: second unit | |
| Faruk Belbidi | .... | dolly grip | |
| Kuray Benirtray | .... | lighting technician | |
| Matthias Bode | .... | grip assistant | |
| Ethem Dag | .... | second assistant camera: Istanbul | |
| Julia Drache | .... | second assistant camera | |
| Özgür Eken | .... | first assistant camera: Istanbul | |
| Torsten Lemke | .... | lighting design | |
| Astrid Miegel | .... | first assistant camera | |
| Olcay Oguz | .... | camera operator: second unit | |
| Carsten Scharrmann | .... | key grip | |
| Kerstin Stelter | .... | still photographer | |
Costume and Wardrobe Department | |||
| Chandra Liebetanz | .... | wardrobe assistant | |
| Ceylan Senbark | .... | wardrobe assistant | |
Editorial Department | |||
| Ursina Merkt | .... | post-production assistant | |
| Marcus Ott | .... | supporting editor | |
Music Department | |||
| Klaus Maeck | .... | music supervisor | |
Other crew | |||
| Ayse Barim | .... | production consultant | |
| Can Bemir | .... | office runner: Turkey | |
| Emre Cosar | .... | production accountant | |
| Agnès Leroy | .... | press attachée: France | |
| Margaret Metz | .... | production coordinator | |
| Céline Petit | .... | press attachée: France | |
Thanks | |||
| Andreas Thiel | .... | in memory of | |
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many of us who watched or are thinking about watching Faith Akin's latest film are most probably turning to it after being impressed by his more than amazing Head-On which i personally love! To avoid disappointment, besides the tag line which seems pretty similar these two movies are not very much alike. The best would be to take 'TEOH' as what it is and not as "Head-On the sequel".
the movie tells us the story of a young Turkish professor who lives and most probably grew up in Germany, and now decides to set on a journey back to his hometown to find the daughter of his father's new girlfriend. as it turns out finding someone in a foreign country is not that easy, and as such there are many emotions and surprises involved.
what especially stands out are the cinematography which presents a beautiful and colorful Turkey and the direction which is nothing less than superb! although there are no big names in the cast, as a whole it performed a great job, especially by Nurgul Yesilcay who portrayed the looked for daughter and Hanna Schygulla who portrayed the mother of this daughter's lover.
for me, just as it was a great movie it could have been a great book, especially because of the ending that no matter how hard i tried just didn't let me get this movie out of my head. in an interview i've seen of the newly internationally acclaimed and appreciated director he mentions Emir Kustorica and also confesses how after making Head-On he thought he knew one or two things about cinema and how now after making The Edge Of Heaven he knows that nor he nor many others have any idea what cinema really is. He ends by quoting Mr. Kustorica after watching TEOH saying "this my friend, this is cinema."
highly recommended to anyone who...to everyone!