Paul and Eddie have just begun previews for the new Off-Broadway musical "Adam and Steve Just the Way God Made 'Em." Their lives strangely mirror the characters they are playing. Paul is ... See full summary »
Young Tim Cornish's life has begun with great promise. Blessed with extraordinary good looks, Tim enjoyed much attention and cared little of broken hearts. At University he was a favored ... See full summary »
Hunky writer Markus returns home to find his boyfriend of four years naked with another man. Newly single, he begins waiting tables at a swinging Chelsea hotspot where the indelible ... See full summary »
Chris and RJ reunite five years after coming out to their families and their church as gay men, where the factors that led to their separation are revealed as they mourn the death of their mutual friend Rodney.
Six people in New York are adrift. Zeke and Luke work in a sex shop: Zeke takes gay liberation seriously, Luke likes to sparkle and takes nothing seriously. He's offended when Stephen calls him a gay cliché, then, surprisingly, they find each other attractive and interesting. Stephen, it turns out, has a great apartment, trust fund, and artwork he's painted on his walls. Meanwhile, Peter, a neat-freak, and Derek, nice to everyone, move in together. Peter's compulsiveness threatens the relationship. Last, newly-engaged Marilyn, a recovering alcoholic stuck at step 2, can't stop obsessing about wedding details. Can these folks sort out civilization and its discontents? Written by
I'm Not Crazy
(Twisted Dee Mix)
Music & Lyrics by Brian Kent, Keith Haarmeyer, and Zhana Saunders
Performed by Brian Kent
Produced by Denise 'Twisted Dee' Gurney
Courtesy of Brian Kent Music and KRN Publishing See more »
The first five minutes of this film had my friend and me squirming in our seats, convinced we were about to see another tired gay comedy with stereotypical characters and an all-too-obvious plot line.
But looking back, I think we were purposely, and perhaps masterfully duped by the director to trigger our own stereotypes and preconceived ideas about what it means to be young, gay and living in New York. He flipped the stereotype switch gently, providing everything from drunk boys in bars, to gratuitous and seemingly premature skin shots. It was a useful tool that invited us to confirm the unspoken notions of our gay identities in order to bring about a more genuine deconstruction.
The art of the film lies not in the acting, which sometimes stumbles; save of course, for Cory Grant who delivers a consistent and unique authenticity. Instead, the film's soul is truly in the scripted storyline and in the very digestible way we are taken on one character's drunken and stumbling path to the first spark of his own electric and glittery evolution.
28 of 39 people found this review helpful.
Was this review helpful to you?