| Videos (see all 3) |
Directed by | |||
| Roar Uthaug | |||
Writing credits | ||
| Thomas Moldestad | and | |
| Roar Uthaug | story & | |
| Martin Sundland | story | |
| Jan Eirik Langoen | (idea) & | |
| Magne Lyngner | (idea) | |
Original Music by | |||
| Magnus Beite | |||
Cinematography by | |||
| Daniel Voldheim | |||
Film Editing by | |||
| Jon Endre Mørk | |||
Casting by | |||
| Celine Engebrigtsen | |||
Production Design by | |||
| Astrid Sætren | |||
Costume Design by | |||
| Kjell Nordström | |||
Makeup Department | |||
| Maxine Blystad-Collins | .... | hair stylist | |
| Dorte Pedersen | .... | assistant makeup artist | |
Art Department | |||
| Krzysztof Adamski | .... | painter | |
| Wojtek Adamski | .... | painter | |
| Kjell Arne Carlsen | .... | construction manager | |
| Martin Gant | .... | propmaker | |
| Øyvind Grev Møgster | .... | construction foreman (as Øyvind Møgster) | |
| Kristin Günther | .... | storyboard artist | |
| Pål Holth | .... | painter | |
| Tord Moberg | .... | assistant decorator | |
| Peter Mydske | .... | painter | |
| Thomas Nes | .... | set dresser | |
| Eivind Stoud Platou | .... | graphic designer | |
| Åsmund Stemme | .... | property master | |
| Astrid Sætren | .... | set designer | |
| Kåre Martens | .... | graphic designer (uncredited) | |
| Tord Moberg | .... | carpenter (uncredited) | |
Sound Department | |||
| Roy Fenstad | .... | sound editor | |
| Gunn Tove Grønsberg | .... | dialogue editor | |
| Eirik Ingebricson | .... | foley recordist | |
| Eirik Ingebricson | .... | sound effects editor | |
| Tomas Naug | .... | boom operator | |
| Tomas Naug | .... | sound | |
| Mads Olsen | .... | sound mixer | |
| Christian Schaanning | .... | sound re-recording mixer | |
| Christian Schaanning | .... | supervising sound editor | |
| James Seddon | .... | dolby consultant | |
| Gisle Tveito | .... | dialogue re-recording mixer | |
| Erik S. Watland | .... | foley artist | |
| Erik S. Watland | .... | sound effects editor | |
Special Effects by | |||
| Morten Borik | .... | special effects photographer | |
| Thomas Foldberg | .... | special effects | |
| Morten Jacobsen | .... | special effects | |
| Thomas Nes | .... | special effects technician | |
| Thomas Steen | .... | special effects supervisor | |
Visual Effects by | |||
| Kasper Bræmer-Jensen | .... | software engineer | |
| Jeppe N. Christensen | .... | visual effects supervisor | |
| Jimmy Max Christensen | .... | software engineer | |
| Martin Gardeler | .... | 3D artist | |
| Martin Gardeler | .... | visual effects assistant supervisor | |
| Sascha Alexander Haber | .... | digital compositor | |
| Sascha Alexander Haber | .... | visual effects: title sequence | |
| Thomas Hansen | .... | 3D artist | |
| Thomas Hansen | .... | digital compositor | |
| Rikke Hovgaard Jørgensen | .... | visual effects assistant | |
| Tim Kjær Lange | .... | digital compositor | |
| Alfred Lindahl | .... | visual effects research | |
| Lucas Pigliacampo | .... | 3D artist | |
| Lucas Pigliacampo | .... | matte painter | |
| Eric Westphal | .... | digital compositor | |
Camera and Electrical Department | |||
| Even Birkeland | .... | aerial camera operator | |
| Philip J. Borgli | .... | second assistant camera | |
| Christen Kenneth Gran | .... | rigger | |
| Olav Haddeland | .... | gaffer | |
| Karsten Heidar | .... | electrician | |
| Chris Karlstad | .... | rigger | |
| Thomas Løberg | .... | still photographer | |
| Thor Erik Løkken | .... | gaffer | |
| Mark Mavrinac | .... | grip | |
| Nicolay Poulsen | .... | director of photography: second unit | |
| Pål Ulvik Rokseth | .... | first assistant camera: second unit | |
| Peter Topsøe-Jensen | .... | first assistant camera | |
| Stig Tvenge | .... | best boy electric | |
Costume and Wardrobe Department | |||
| Ami Gren | .... | costume assistant | |
| Tina Haagensen | .... | costume assistant | |
| Jon Lundemoen | .... | costume assistant | |
Editorial Department | |||
| Helge Billing | .... | assistant editor | |
| Andrzej Kiwala | .... | color timer | |
| Liv Risvaag | .... | colorist | |
| Kristian Sinkerud | .... | post-production coordinator | |
| Thomas G. Trælnes | .... | assistant editor | |
| Camilla Holst Vea | .... | film scanning | |
Music Department | |||
| Christian Schaanning | .... | music editor | |
Other crew | |||
| Niklas Sebastian Alveberg | .... | production assistant | |
| Gudrun Austli | .... | production coordinator | |
| Simen Malmø | .... | production assistant | |
| Audun Lyngholm Wittenberg | .... | production assistant | |
Thanks | |||
| Espen Egeland | .... | thanks | |
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| Torso | The Bird with the Crystal Plumage | Black Belly of the Tarantula | The Cat o' Nine Tails | A Bay of Blood |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Norway section |
People have talked and talked about the revolution within Norwegian films for a few years now. That everything has become so much better. In my opinion, most of the films produced in the last few years, within this so-called revolution, has been the same old stories and concepts that Norway has made from day one, except the productions has become better. I have visited the theater for basically every new Norwegian film, with high hopes and a wanting to like what they show, and every time I walk out disappointed and with less hope for our present generation of filmmakers. This all changed today. I went to the premiere of Fritt Vilt expecting a nice slasher film, and I walked out 95 minutes later, with hope restored and a nice smile on my face. I actually felt good.
The film is a slasher film, through and through, and that is both one of it's strengths, but also it's weakness. The film contains basically every little slasher movie clichè you can think of. It's just they do it so very well. It is a genre film and it doesn't bring anything new to the concept, but it's fresh for us Norwegians. The film doesn't try to be anything more than a good horror film.
The setting is excellent. An old abandoned hotel in the middle of nowhere up in the mountains. The back story is not exactly original, but it works well enough to pull of some really scary scenes. The look and feel of the hotel and the isolation is all there, and the evil that is lurking sure is creepy.
Roar Uthaug does a few neat tricks early in the movie, which makes you sit at the edge of your seat through out the film, and his direction is good. The script is good enough for a horror story, but sometimes, especially in the opening scene, the dialoges are pretty campy and lame. But they redeem themselves quickly when the sh#% hits the fan.
The acting is excellent from most of the cast. I hope we'll see a lot more of Ingrid Bolsø Berdal in other films. Having her in the lead was a smart move. I would also like to credit Rolf Kristian Larsen. He had some funny commentaries and face expressions. The weakest actor, and at times so bad it was annoying, was Endre Martin Midtstigen. I'm not sure why he was in the movie. He must know someone in the production team, cause he has no acting talents what so ever.
A creepy horror film from Norway, and one of our finest films in recent years. I hope to see more of Roar Uthaug in the near future. I think this is a director with much to come. Also Ingrid Bolsø Berdal, we want more of you! Keep Up The Good Work!