
A Letter to Elia (2010)
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- Not Rated
- 1h 0min
- Documentary
- 04 Oct 2010 (USA)
- Movie
- Nominated for 1 Primetime Emmy. Another 1 win.
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Photos and Videos
Cast
Martin Scorsese | ... |
Self - Narrator
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Elia Kazan | ... |
Self (archiveFootage)
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Elias Koteas | ... |
Elia Kazan (voice)
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Directed by
Kent Jones | ||
Martin Scorsese |
Written by
Kent Jones | ... | () |
Martin Scorsese | ... | () |
Produced by
Stone Douglass | ... | executive producer |
Diane Kolyer | ... | consulting producer |
Taylor Materne | ... | executive producer |
Rachel Reichman | ... | co-producer |
Martin Scorsese | ... | producer |
Emma Tillinger Koskoff | ... | producer (as Emma Tillinger) |
Cinematography by
Mark Raker |
Editing by
Rachel Reichman |
Editorial Department
Jack Lewars | ... | colorist |
Benjamin Murray | ... | on-line editor |
Lindsay Rothenberg | ... | assistant editor |
Molle DeBartolo | ... | digital intermediate producer (uncredited) |
Production Management
Parker Chehak | ... | post-production supervisor |
Kim Surowicz Allen | ... | production manager (as Kim Surowicz) |
Sound Department
Ron Bokor | ... | sound editor |
Bill Orrico | ... | sound editor |
Reilly Steele | ... | re-recording mixer |
Bill Wander | ... | sound |
Visual Effects by
Tom Koken | ... | photo retouching |
Camera and Electrical Department
Ned Hallick | ... | grip |
Douglas C. Hart | ... | assistant camera |
Nils Johnson | ... | playback |
Phillip Sorenson | ... | gaffer (as Philip Sorensen) |
Music Department
Scott Lehrer | ... | music recording |
Leslie Stifelman | ... | music producer |
Additional Crew
Bodine Boling | ... | post production assistant |
Lisa Frechette | ... | assistant to Martin Scorsese |
Howard Heitner | ... | teleprompter operator |
Amy Meharg | ... | production accountant |
William Meny | ... | assistant to executive producer |
Chris Robertson | ... | rights and clearances |
Eric J. Schwartz | ... | legal services |
Blake Wilson | ... | production assistant |
Cristina Wolf | ... | media manager (as Christina Wolf) |
Thanks
Mark Ankner | ... | thanks |
Patricia Bosworth | ... | thanks |
Marianne Bower | ... | thanks |
Scott Brock | ... | thanks |
Red Charyszyn | ... | thanks |
Jean-Pierre Dardenne | ... | thanks |
Luc Dardenne | ... | thanks |
Christopher Donnelly | ... | thanks |
Marta Franzese | ... | thanks |
Doug Freeman | ... | thanks |
Randy Gitsch | ... | thanks |
Arnie Herrmann | ... | thanks |
Frances Kazan | ... | thanks |
Liana Kroll | ... | thanks |
David Licht | ... | thanks |
Alan Lowe | ... | thanks |
Mark McElhatten | ... | thanks |
Allison Niedermeier | ... | thanks |
Tiffany Nishimoto | ... | thanks |
Michael Palmer | ... | thanks |
Damian Rodriguez | ... | thanks |
Richard Schickel | ... | special thanks |
Robert Shephard | ... | thanks |
David Tedeschi | ... | thanks |
Steve Turner | ... | thanks |
Jeff Young | ... | thanks |
Rick Yurn | ... | thanks |
Kate Zuckerman | ... | thanks |
Production Companies
Distributors
- Echo Bridge Entertainment (2011) (Non-US)
- Public Broadcasting Service (PBS) (2011) (United States) (tv)
- Yleisradio (YLE) (2013) (Finland) (tv)
Special Effects
Other Companies
Storyline
Plot Summary |
Director Martin Scorsese speaks candidly and passionately about one of his formative filmmaking influences: the late Elia Kazan. Utilizing precisely chosen clips from Kazan's signature films including "On the Waterfront," "A Streetcar Named Desire," "Gentleman's Agreement," "Baby Doll," "A Tree Grows in Brooklyn," "A Face in the Crowd," "America, America," and "The Last Tycoon," and interview footage of the director himself, co-directors Scorsese and Kent Jones recount the director's tumultuous journey from the Group Theatre to the Hollywood A-list to the thicket of the blacklist. But most of all, they make a powerful case for Kazan as a profoundly personal artist working in a famously impersonal industry. Written by alfiehitchie |
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Parents Guide | Add content advisory for parents » |
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Did You Know?
Movie Connections | Edited into A Letter to Elia (2010). See more » |