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Directed by | |||
| John Krasinski | |||
Writing credits(in alphabetical order) | ||
| John Krasinski | screenplay | |
| David Foster Wallace | story collection | |
Produced by | |||
| Kevin Patrick Connors | .... | executive producer (as Kevin Connors) | |
| Thomas Fatone | .... | associate producer (as Tom Fatone) | |
| Chris Hayes | .... | associate producer (as Christopher Hayes) | |
| Eva Kolodner | .... | producer | |
| John Krasinski | .... | producer | |
| Yael Melamede | .... | producer | |
| Dori Oskowitz | .... | associate producer | |
| George Paaswell | .... | line producer | |
| Michael Schur | .... | associate producer | |
| James Suskin | .... | producer | |
Original Music by | |||
| Billy Mohler | |||
| Nate Wood | |||
Cinematography by | |||
| John Bailey | (director of photography) | ||
Film Editing by | |||
| Zene Baker | |||
| Rich Fox | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Stephen Beatrice | |||
Art Direction by | |||
| Pierre Rovira | |||
Set Decoration by | |||
| Cristina Casanas | |||
Costume Design by | |||
| Victoria Farrell | |||
Makeup Department | |||
| Joseph Farulla | .... | assistant makeup artist | |
| Fabian Garcia | .... | hair department head | |
| Sharon Ilson | .... | key makeup artist | |
Production Management | |||
| Danielle Blumstein | .... | unit production manager | |
| Patrick Gibbons | .... | production supervisor: re-shoots | |
| John Portnoy | .... | post-production supervisor | |
Art Department | |||
| David Boyd | .... | charge scenic painter | |
| Anna Butwell | .... | property master: reshoot | |
| Travis Child | .... | scenic | |
| Isaac Gabaeff | .... | property master | |
| Bobbi Jo Gonzales | .... | assistant property master: re-shoot | |
| Liza Handziak | .... | lead painter | |
| Arlo Hoffman | .... | assistant property master | |
| Gavin A. Holmes | .... | carpenter | |
| Kim Korba | .... | scenic | |
| James Maher | .... | set dresser | |
| Melissa B. Miller | .... | art department coordinator | |
| Richard Moran | .... | construction grip | |
| Michael Powsner | .... | set dresser | |
| Niquan Riley | .... | on-set dresser | |
| Pierre Rovira | .... | construction coordinator | |
Sound Department | |||
| Jeremy Bowker | .... | supervising sound assistant | |
| Frank Clary | .... | foley editor | |
| Neil Danziger | .... | boom operator | |
| Tim Elder | .... | sound mixer: reshoot | |
| Sean England | .... | foley artist | |
| Will Files | .... | sound re-recording mixer | |
| Will Files | .... | supervising sound editor | |
| Pete Horner | .... | sound re-recording mixer | |
| Claire Houghtalen | .... | boom operator: reshoot | |
| Michael Kirchberger | .... | dialogue editor | |
| Scott R. Lewis | .... | sound recordist | |
| Charlotte Moore | .... | post production sound accountant | |
| Jeff Pullman | .... | sound mixer | |
| Richard Quinn | .... | dialogue editor | |
| Adam Sanchez | .... | additional sound mixer | |
Special Effects by | |||
| Chelsea Manifold | .... | prosthetics | |
| Paul J. Mason | .... | prosthetics | |
| Carl Paolino | .... | prosthetics | |
Casting Department | |||
| Sylvia Fay | .... | extras casting | |
| Lee Genick | .... | extras casting | |
| Jessica Kelly | .... | casting assistant | |
| Paul Schnee | .... | casting associate | |
Costume and Wardrobe Department | |||
| Sonja Cizmazia | .... | wardrobe supervisor | |
| Jackie Freeman | .... | additional costumer | |
| Michael Kale | .... | costume intern | |
| Carol McLennan | .... | assistant costumer | |
| Angela E. Thomas | .... | assistant costume designer (as Angie Thomas) | |
Editorial Department | |||
| Greg D'Auria | .... | assistant editor | |
| Michael Kaz | .... | assistant editor | |
| Robert Leaton | .... | colorist: dailies | |
| Joan Malloch | .... | post-production coordinator | |
| Patrick J. Smith | .... | first assistant editor | |
| Joe Violante | .... | dailies advisor (as Joey Violante) | |
| Lee Wimer | .... | color timer | |
| Jana Pennell | .... | assistant editor (uncredited) | |
Music Department | |||
| Doug Bernheim | .... | music consultant | |
| Linda Cohen | .... | music supervisor | |
| Greg Koller | .... | recording engineer | |
| Colleen Stewart | .... | music coordinator | |
| Alice Wood | .... | music editor | |
Thanks | |||
| Ashley Arrison | .... | the producers wish to thank | |
| Jon Brion | .... | the producers wish to thank | |
| Christopher Ciancimino | .... | the producers wish to thank (as Chris Ciancimino) | |
| Micah Green | .... | the producers wish to thank | |
| John Carroll Lynch | .... | the producers wish to thank | |
| Thomas McCarthy | .... | the producers wish to thank | |
| Sam Mendes | .... | the producers wish to thank | |
| Mark Merriman | .... | the producers wish to thank | |
| Jason Reitman | .... | the producers wish to thank | |
| Mike Sablone | .... | special thanks | |
| David Schwimmer | .... | the producers wish to thank | |
| Adam Shulman | .... | the producers wish to thank | |
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| Swingers | Telling You | Frost/Nixon | High Fidelity | Kicking and Screaming |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
This movie was universally panned on just about every site on the internet. Sometimes it works, most often it doesn't. Perhaps it's the films pretentiousness. Or the flippant direction by John Krasinski. I agree with the critics on this one. Although it's not a disaster, it is an incoherent mishmash of interviews, interspersed with various dramatic and comic moments that amounts to a lot of nothing. Not once did I care about any of the characters, except perhaps Julianne Nicholson, who really is about the only ray of sunshine in this film. It's pointless and even though it is only 80 minutes long, it gets tiring after only 20 minutes.