| Lori Petty | ... | Judith | |
| William Samples | ... | Anton | |
| Lindsay Pulsipher | ... | Tara | |
| Ian A. Wallace | ... | Math Teacher (as Ian Wallace) | |
| Haley Morrison | ... | Teenage Girl | |
| Jesse Haddock | ... | Johnny | |
| Walter Phelan | ... | Johnny Thing |
| Episode Crew |
Directed by | |||
| William Malone | |||
Writing credits | ||
| Mick Garris | (creator) | |
| Matt Greenberg | (written by) | |
Produced by | |||
| Keith Addis | .... | executive producer | |
| Bo Altherr | .... | producer: special features, IDT Entertainment | |
| Morris Berger | .... | executive producer | |
| Stephen R. Brown | .... | executive producer (as Steve Brown) | |
| Ben Browning | .... | co-producer | |
| Andrew Deane | .... | executive producer | |
| Mick Garris | .... | executive producer | |
| Adam Goldworm | .... | co-producer | |
| John W. Hyde | .... | executive producer | |
| Lisa Richardson | .... | producer | |
| Tom Rowe | .... | producer | |
| Pascal Verschooris | .... | co-producer | |
Original Music by | |||
| Nicholas Pike | |||
Cinematography by | |||
| Brian Pearson | (director of photography) | ||
Film Editing by | |||
| Patrick McMahon | |||
Casting by | |||
| Stuart Aikins | (as Aikins/Cossey Casting) | ||
| Sean Cossey | (as Aikins/Cossey Casting) | ||
| Nancy Nayor | (as Nancy Nayor Battino) | ||
| Kelly Wagner | (as Kelly Martin Wagner) | ||
Production Design by | |||
| David Fischer | |||
Art Direction by | |||
| Don Macaulay | |||
Set Decoration by | |||
| Ide Foyle | |||
Costume Design by | |||
| Lyn Kelly | |||
Makeup Department | |||
| Mike Fields | .... | on-set key special makeup effects artist: KNB EFX Group, Inc. (as Michael Fields) | |
| Cleo Gagner | .... | first assistant hair stylist | |
| Sarah Graham | .... | on-set key special makeup effects artist: KNB EFX Group, Inc. | |
| Amanda McGowan | .... | first assistant makeup artist | |
| Adina Shore | .... | key hair stylist | |
| Margaret Solomon | .... | key makeup artist | |
Production Management | |||
| Margo Coughlin Zimmerman | .... | production manager: IDT Entertainment (as Margo Zimmerman) | |
| Sally Dixon | .... | post-production supervisor | |
| Marie Norton | .... | administrative manager: IDT Entertainment | |
| Zaida Rodriguez | .... | assistant manager: IDT Entertainment | |
| Stacey Jade Smart | .... | executive in charge of production: IDT Entertainment | |
| Pascal Verschooris | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Karin Behrenz | .... | third assistant director (as Karen Behrenz) | |
| Mick MacKay | .... | first assistant director | |
| Ian Samoil | .... | second assistant director | |
| Yannick Leray | .... | trainee assistant director (uncredited) | |
| Trevor Ralph | .... | assistant director (uncredited) | |
Art Department | |||
| Nick Dibley | .... | property master (as Nicholas Dibley) | |
| Jim Geddes | .... | construction coordinator | |
| Leesa Hanna | .... | assistant set decorator (as Leesa McNalley) | |
| John McIntosh | .... | greens | |
| Jake Miller | .... | assistant property master | |
| Vicky Peters | .... | assistant art director | |
| Zbibgniew Scheller | .... | construction foreman (as Zbish Scheller) | |
| John Wilcox | .... | paint coordinator | |
| Dylan Dowd | .... | lead greens person (uncredited) | |
| Les Ford | .... | computer graphics designer (uncredited) | |
| Sean McGee | .... | on-set props assistant (uncredited) | |
| Regan Steele | .... | set dresser (uncredited) | |
Sound Department | |||
| Anke Bakker | .... | sound supervisor | |
| Kevin Belen | .... | re-recording mixer | |
| Brian Campbell | .... | dialogue editor | |
| Jay Cheetham | .... | background sound editor | |
| Jacqueline Cristianini | .... | sound supervisor | |
| Kris Fenske | .... | sound designer | |
| Kevin Konarzewski | .... | adr mixer | |
| Jason Mauza | .... | foley editor | |
| Laurie Melhus | .... | audio post coordinator | |
| Maureen Murphy | .... | foley artist | |
| Iain Pattison | .... | re-recording mixer | |
| Jean Raymond | .... | foley mixer | |
| Sebastian Salm | .... | sound mixer | |
| Paul A. Sharpe | .... | re-recording mixer (as Paul Sharpe) | |
| Colin Smith | .... | boom operator | |
| Matthew Wilson | .... | sound effects editor (as Matt Wilson) | |
| Todd R. Mason | .... | sound effects recordist (uncredited) | |
| Joshua Stevenson | .... | assistant dialogue editor (uncredited) | |
Special Effects by | |||
| Howard Berger | .... | special effects makeup | |
| Mark Boley | .... | effects crew: K.N.B. EFX Group (as Mark Bolie) | |
| Michael Deak | .... | effects crew: K.N.B. EFX Group (as Mike Deak) | |
| Robert Freitas | .... | effects crew: K.N.B. EFX Group (as Rob Freitas) | |
| Derek Heselton | .... | special effects best boy (as Derek Heselston) | |
| Grady Holder | .... | effects crew: K.N.B. EFX Group | |
| Jim Leonard | .... | effects crew: K.N.B. EFX Group | |
| Gregory Nicotero | .... | special effects makeup | |
| Ron Pipes | .... | effects crew: K.N.B. EFX Group | |
| Frank Rydberg | .... | effects crew: K.N.B. EFX Group (as Frank Ryberg) | |
| Shannon Shea | .... | effects crew: K.N.B. EFX Group | |
| Wayne Szybunka | .... | special effects coordinator | |
| Veronica Torres | .... | effects crew: K.N.B. EFX Group | |
| Lino Stavole | .... | special effects technician: mold department, K.N.B Effects Group (uncredited) | |
| Lindsay Vivian | .... | special effects crew (uncredited) | |
Visual Effects by | |||
| Steve Au | .... | cg artist: Anthem Visual Effects | |
| Matt Belbin | .... | digital effects editor: Anthem Visual Effects | |
| Sébastien Bergeron | .... | digital effects supervisor: Anthem Visual Effects | |
| John Cairns | .... | digital compositor: Anthem Visual Effects | |
| Muzaffer Korkut | .... | cg artist: Anthem Visual Effects | |
| Darren MacKay | .... | digital compositor: Anthem Visual Effects | |
| Stu McRae | .... | digital compositor: Anthem Visual Effects (as Stu MacRae) | |
| Mladen Miholjcic | .... | cg artist: Anthem Visual Effects | |
| Stephen Paschke | .... | cg artist: Anthem Visual Effects | |
| Lisa K. Sepp | .... | visual effects coordinator: Anthem Visual Effects (as Lisa Sepp-Wilson) | |
| Lisa K. Sepp | .... | visual effects producer: Anthem Visual Effects (as Lisa Sepp-Wilson) | |
| Trevor Strand | .... | digital compositor: Anthem Visual Effects | |
| Lee Wilson | .... | visual effects supervisor | |
Stunts | |||
| Jim Dunn | .... | stunt coordinator | |
| Jim Dunn | .... | stunt performer | |
| Krista Bell | .... | stunt double: Lindsay Pulsipher (uncredited) | |
Camera and Electrical Department | |||
| Michael Auger | .... | gaffer | |
| Trevor Carabin | .... | best boy lighting | |
| Bradley S. Creasser | .... | camera operator: "a" camera (as Brad Creasser) | |
| Tom Kaczmarski | .... | key grip | |
| Christina Kasperczyk | .... | first assistant camera: "a" camera | |
| Lane Koch | .... | first assistant camera: "b" camera | |
| Dean Schwingboth | .... | best boy grip | |
| Richard Wilson | .... | camera operator: "b" camera | |
| Chris Cove | .... | second assistant camera (uncredited) | |
| Jeff Grimshire | .... | dolly grip (uncredited) | |
| Paul Matsalla | .... | lighting technician (uncredited) | |
| Diyah Pera | .... | stills photographer (uncredited) | |
| Pascal Jean Provost | .... | cinematographer: second unit (uncredited) | |
| Jason Tidsbury | .... | light balloon technician (uncredited) | |
Casting Department | |||
| Sandra-Ken Freeman | .... | extras casting (as Sandra Ken-Freeman) | |
Costume and Wardrobe Department | |||
| Linda Leduc | .... | assistant costume designer | |
| Tyler Tone | .... | set costume supervisor (uncredited) | |
Editorial Department | |||
| Richard Cordes | .... | color timer | |
| Andrea Dixon | .... | color timer | |
| Marc Pollon | .... | assistant editor | |
| Matt Venables | .... | post-production coordinator | |
| Mike Williamson | .... | apprentice editor | |
Music Department | |||
| Mike Beckett | .... | music editor | |
| Lisa Brown | .... | music supervisor | |
| Jennifer Ross | .... | music supervisor | |
| Ed Shearmur | .... | composer: main title music (as Edward Shearmur) | |
| Happy Walters | .... | music supervisor | |
| James Fogel | .... | assistant score engineer (uncredited) | |
Transportation Department | |||
| Fraser Sutherland | .... | transportation coordinator | |
| John Swetlikoe | .... | transportation captain | |
| Duane Shearer | .... | office driver (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Mick Garris | creator | |
Makeup Department | |||
| Leanne Rae Podavin | .... | special makeup effects artist | |
| Sherry Van Gool | .... | additional assistant makeup artist | |
Second Unit Director or Assistant Director | |||
| Raj Uppal | .... | first assistant director: second unit | |
Art Department | |||
| Martin P. Blaine | .... | lead carpenter | |
| Bill Morrill | .... | lead carpenter | |
Sound Department | |||
| Kris Casavant | .... | assistant sound editor | |
| Dario DiSanto | .... | foley editor | |
| Talvinder Gill | .... | assistant sound editor | |
| Shawn Miller | .... | sound mixer: second unit | |
Special Effects by | |||
| Ozzy Alvarez | .... | lab technician: K.N.B. EFX Group | |
| Jenny Wallace | .... | special effects runner | |
Stunts | |||
| Byron Briscoe | .... | stunt double | |
| Clint Carleton | .... | stunt double: Ethan Embry | |
| Janina Dall | .... | stunt double | |
| Jim Dunn | .... | stunt coordinator (12 episodes) | |
| Ashlea Earl | .... | stunt double: Bree Turner | |
| Lani Gelera | .... | stunt double | |
| Jon Kralt | .... | stunt rider | |
| James Ralph | .... | stunt double: William Forsythe | |
| Jeff Sanca | .... | stunt driver | |
| Sharon Simms | .... | stunt double | |
| Eli Zagoudakis | .... | stunt double | |
Camera and Electrical Department | |||
| John Brown | .... | rigging lamp operator | |
| Jeff Cassidy | .... | second assistant camera | |
| T.C. Chapman | .... | rigging gaffer | |
| Glen A. Dickson | .... | camera operator: "b" camera (episode: "Deer Woman") | |
| David Gray | .... | still photographer | |
| Gary Stamford | .... | gaffer: second unit | |
Costume and Wardrobe Department | |||
| Dawn Grey | .... | dresser | |
Music Department | |||
| Amanda Sobeck | .... | music coordinator | |
Transportation Department | |||
| John Sorenson | .... | driver | |
| Larry Tardif | .... | driver: camera car and process trailer | |
Other crew | |||
| Ron Buck | .... | technical advisor: military | |
| Simon Chin | .... | extras wrangler | |
| Andrzej Dec-Williams | .... | assistant location manager (odd episodes) (as Andrzej Dec) | |
| Pancho Mansfield | .... | network executive | |
| Sandra Montgomery | .... | script supervisor: second unit | |
| Rainer Scheelisch | .... | special equipment | |
| Stephen Sobisky | .... | interactive designer | |
| Ryan Steacy | .... | armorer | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Horror section | IMDb USA section |
William Malone is probably the least credible director on the 'Masters of Horror' roster (with the exception of series creator Mick Garris), as his only 'big' film credits are the appalling House on Haunted Hill and the universally hated Feardotcom. This makes it all the more incredible that The Fair-Haired Child is actually one of the series highlights! The reason why Malone's entry works so well is because it utilises a strong story, which keeps it simple and doesn't go over the top; thus making it perfect for 55 minutes of screen time. The plot follows a young girl who is abducted. She wakes up in a strange environment, and her situation depreciates when she's thrown in the basement with a weird kid who can't speak. The tale works because we are fed just enough information to ensure that it stays interesting, without going enough into the tale so that we fully know what's going on. The twist in the tale is revealed via a set of very eerie flashbacks, and even though the actual idea behind the story isn't very original; it is very well handled. All this is topped off by a superb atmosphere, which gives the piece a very sinister tone. The scenes that take place in the basement look great and even hokey demon doesn't look too far out of place. Unlike a lot of the rest of the series; this one comes highly recommended!