The bankrupted owner of the movie theater Vogue, Kirby Sweetman, is hired by the eccentric private collector Mr. Bellinger to search and find the cursed horror movie "Le Fin Absolue du Monde". This film is considered lost and magic, and has been presented only once in the Sitges Festival, driving the audience insane and violent, causing bloodshed in the theater. The director, crew and everybody involved in its production has also died. Kirby owes US$ 200,000.00 to his father-in-law, who blames Kirby for the death of his daughter Annie, and accepts the assignment to pay his debt and for his own satisfaction. Bellinger shows him a souvenir from the film in his basement, a chained angel that had his wings torn off in the movie. Kirby travels to France to meet his contact and has glimpses of his beloved Annie, initiating his journey to hell. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Cody Carpenter's first time as a composer. See more »
Kirby visits Henri Cotillard's office in Paris, France. When Henri asks Kirby for the name of the film he's looking for, he puts his right hand by his computer monitor. In the next shot, Henri's arm is by his side. See more »
I know what you want, you want to see the movie!
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A film collector/sleuth accepts an assignment from an eccentric millionaire to locate a notorious film that caused mass hysteria and madness upon it's one and only showing. As he gets nearer to finding it he experiences the film's profound effects and the horror it possesses.
A good and original horror story gets supreme treatment from a master horror director. Striking images (one in particular) fuel this intriguing story which builds good momentum and climaxes in a very satisfying and bloody way. People have noted the similarities between this film and Carpenter's earlier In the Mouth of Madness but when all is said and done this is pretty effective stuff and handled beautifully by Carpenter. One scene is as gruesome as they come and I'm amazed it wasn't edited out since this is a TV movie. It could easily be stretched out for feature length and that's maybe it's only problem; it unveils too fast.
Although not written by Carpenter this still feels and looks like a film made by him. Highly recommended.
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