With a torrid past that haunts him, a movie theatre owner is hired to search for the only existing print of a film so notorious that its single screening caused the viewers to become homicidally insane.
The bankrupted owner of the movie theater 'Vogue', Kirby Sweetman, is hired by the eccentric private collector Mr. Bellinger to search and find the only existing print of the legendary horror film "La Fin Absolue du Monde" by Hans Backovic. This lost film is considered magic and cursed, and has been presented only once to an audience at the Sitges Festival, driving the people insane and causing bloodshed in the theater. The director, the crew and everybody involved in its production seemingly have died since. Kirby owes 200.000 dollars to his father-in-law, who blames Kirby for the death of his daughter Annie, and accepts the assignment to pay his debt. Bellinger shows him a souvenir from the film in his basement, a chained angel that had his wings torn off in the movie. Kirby travels to France to meet a contact and has glimpses of his beloved Annie, initiating his journey to hell. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The first production for Scott Swan and Drew McWeeny as writers. See more »
Kirby visits Henri Cotillard's office in Paris, France. When Henri asks Kirby for the name of the film he's looking for, he puts his right hand by his computer monitor. In the next shot, Henri's arm is by his side. See more »
I know what you want, you want to see the movie!
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Several years ago I read a quote by Carpenter where he said that he did not understand how a film like " The Ring" can be considered to be a true horror film. I think that this short certainly backs up his vision of horror and I must agree. "Burns" is a cross between the aforementioned "The Ring" and 1 of Carpenter's best works in recent years..."In the Mouth of Madness". Carpenter's horror is not suggestive, it is in your face. A true non-conformist, he is amongst my favorite filmmakers and in a time when being PC has brought us to new levels of bland. Carpenter is the one filmmaker that will give his unabated opinion on the state of film without it having to go through a publicist first. Like his movies or not, he is an original American talent. And for the record, his 1982 remake of "The Thing" goes down as one of the underrated horror films of all time. As a remake, it is one of the best that has ever been done in the genre, that is something that these director's of 70's remakes i.e ..Hills, Massacre, Omen....can learn from. If you are going to do a remake...REMAKE IT..not copy it! Kudos to Mr. Carpenter.
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