"Combat!" The Hard Way Back (TV Episode 1964) Poster

(TV Series)

(1964)

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9/10
Hero by Accident
claudio_carvalho28 October 2017
When the German artillery fires a French village, Sgt. Saunders and his squad are ordered to retreat. Saunders look for Private Kogan, who is hidden in the corner of a building totally scared. Saunders summons him but out of the blue, the building is hit and partially collapses, leaving Saunders with the legs trapped under a beam. He asks Kogan to help him but the yellow private flees, He meets Lt. Hanley and his squad on the border of the village and reports that Saunders is dead. But when Lt. Hanley informs that the squad will counter-attack the village, Kogan decides to head alone to rescue Saunders. But the village is invaded by the Germans.

"The Hard Way Back" is among the best episodes of "Combat!". Sgt. Saunders behavior and temper is maybe the greatest attraction of this series, and he shines in this episode. The performances and the battle scenes are excellent as usual and the drama lived by Kogan is amazing. My vote is nine.

Title (Brazil): "O Difícil Caminho de Volta" ("The Hard Way Back")
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9/10
Cowardice or Pragmatism ?
jmarchese14 August 2014
"The Hard Way Back" is a story about how some people react under pressure. After the Sarge is pinned under a heavy beam inside a bombed out building, Private Larry Kogan (excellently played by Sal Mineo) wants to rescue him but hears Germans out in the street coming their way. He panics and runs out on Saunders. Is this really cowardice or practicality? Kogan makes it back to Lieutenant Hanley and the squad and informs them the Sarge is dead. After taking time out to reconsider, Kogan returns to help Saunders.

As usual, Ed Lakso wrote a fine screenplay while Bernard McEveety directed a fine episode. Heavy artillery scenes are excellent and Saunders-Kogan versus several Germans is a lesson in confidence for Kogan. We can really appreciate the unique talents of Ed Lakso on screen writing because he did not have extensive real life experiences in the genre as so many outstanding writers have had. It took real imagination to conceive this plot & story. Bringing in the beggar was an excellent move to sort of connect pieces of the story and add to the suspense. And give Director McEveety credit for making it believable.

Suspense levels remain high throughout and real fear comes through in Mineo's performance. The Sarge as usual is the epitome of "cool" and helps him through it. They make a good team. Was Kogan a coward or did he know when the deck was stacked against him ? Excellent episode.
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9/10
Unwilling hero
nickenchuggets28 December 2022
Warning: Spoilers
Some time ago, I dissected the Combat episode entitled "The Duel", in which Vic Morrow takes on a German tank all by himself and comes out on top. I noted how even without his squad, he shouldn't be messed with. This peculiar episode goes even further and shows how Sergeant Saunders is a force to be reckoned with even when he isn't able to move most of his body. The episode begins with Saunders and the rest of the squad attempting to retreat from a village while under heavy German assault. Saunders and a squad member named Kogan (Sal Mineo) are caught in a house as artillery shells zip overhead, and one of them hits the house directly. A beam from the roof falls onto Saunders and pins him to the floor. Convinced Saunders is dead, Kogan runs to meet up with Hanley and the other squad members. He tells them Saunders is dead, even though he tried to save him. Everyone is understandably shocked, but Hanley says they're going back to the village in about an hour. Without receiving permission from Hanley, Kogan takes it upon himself to venture back to the house in order to see if Saunders is actually dead. When he arrives, Saunders lets him know he's still alive, but can't move his legs. Kogan attempts to wedge something under the beam so Saunders can get out, but still no luck. Soon, german soldiers show up to the house and garrison it. Kogan confesses that even though his father was a hero in the First World War who was given a French medal for his actions, he isn't one. Kogan says he's going to try to free Saunders and then run away so he doesn't get court martialed for leaving the squad without permission, but Saunders says he'll have to face himself eventually. Kogan decides to silently retrieve Saunders' Tommy gun some time before a homeless beggar enters the house looking for food and other commodities. Kogan and Saunders lay dead silent, but the guy notices Saunders' legs. Without saying a word, Saunders aims his Thompson right at the man, while Kogan offers him a chocolate bar to make him go away. The german soldiers eventually kick him out. Still undetected, Saunders decides him and Kogan have to make their move right after the germans near the entrance of the house go away. Once they do, Kogan forces the two german radio operators upstairs at gunpoint to help free Saunders. They do, but of course, try to take back their guns when Kogan is distracted. After Kogan and Saunders kill them both, they make a run for it right as American artillery starts pounding the area. Rather, only Kogan can since Saunders isn't really fit for walking right now. Not knowing if his legs are broke, Kogan carries him to safety while momentarily putting him down so he can shoot at germans. Once they're both safe, Hanley visits Saunders, whose legs haven't been broken, and tells a nearby Kogan that before he's going to be considered a hero, he's going to get chewed out by a captain for going back to Saunders without permission. Even though we barely get to see Saunders in action in this episode, I still think it's a high point for the show. It isn't very often where we get to see him in a vulnerable state, but here, he has to do everything he can to avoid being discovered. It's not like he can escape if the germans decide to look in the part of the house he's trapped in. I found Kogan to be kind of annoying, and was hoping for more sad sounding music when the squad hears the news from him that Saunders is dead. Even though, as the audience, we know it isn't true, the moment would be a lot more depressing if they used piano music or something like that, as opposed to the music we've heard many times before. The Hard Way Back shows how even when Saunders knows he's probably on the brink of death, he still expects people under him to follow orders. He didn't really want Kogan to come back for him, and even tells him to move on without him towards the end now that he can't walk, but Kogan goes above and beyond his duties as a soldier.
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An acting teamup worth waiting for
lor_11 August 2023
A fine role for movie star Sal Mineo, who adds panache to the familiar story of cowardice. It's an indelible portrait of a weakling under pressure, right up Mineo's alley.

Mainly a two-character play, with Mineo playing off a solid Vic Morrow, the story unfolds with solid suspense maintained as we watch Sal go through several phases of guilt and weakness en route to finally exhibiting the sort of heroism one hopes he might aspire to, especially with Vic's life in the balance.

It's a thoughtul story, very well-performed by both of these talented method actors, whose careers fortunately intercepted here.
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