With his rumpled raincoat, ever-present cigar, bumbling demeanour and Sherlock Holmesian powers of deduction, disarmingly polite homicide detective Lieutenant Columbo took on some of the most cunning murderers in Los Angeles, most of whom made one fatal, irrevocable mistake: underestimating his investigative genius.
An infamous 'psychic' abandons his public persona, outing himself as a fake, to focus on his work as a consultant for the California Bureau of Investigation in order to find "Red John," the madman who killed his wife and daughter.
Dr. Cal Lightman teaches a course in body language and makes an honest fortune exploiting it. He's employed by various public authorities in various investigations, doing more when the ... See full summary »
The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
S. Epatha Merkerson,
Jesse L. Martin
After traveling on the Blue Train from Calais to Nice, Hercule Poirot is pressed into service to help solve the murder of heiress Ruth Kettering who is found savagely beaten in her compartment. She was the daughter of wealthy industrialist Rufus Van Alden and very much wanted a divorce. Both her husband and her lover were on the train but she had changed rooms with another passenger, Katherine Grey, so the question naturally arises as to whether she was the intended victim. Grey may also have had enemies as she had recently inherited a very large sum of money and greedy relatives had suddenly taken a interest in her. When an attempt is subsequently made on Grey's life, this appears to the case but Poirot methodically sifts through all of the clues to determine the motive and identify the killer. Written by
Hercule Poirot mentions at the end that he has never traveled on the Orient Express, raising viewer expectations of his most famous case, "Murder on the Orient Express." See more »
[Lenox and Corky enter]
Ah, here they are at last. Katherine, my daughter Lenox. And this infant is my husband.
He's not my father, obviously.
That would be the astonishment of science.
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I am not a terribly big fan of Agatha Christie, but "Mystery of the Blue Train" is one of her novels that I did in fact like and was therefore thrilled to hear that they've made this TV adaptation as part of the "Poirot" series with David Suchet.
Unfortunately, it was not to be... it started on the wrong foot immediately with the way it was directed--was there no one around to rein the director in? Everything seems shot in darkness, through smoke, half-obscured, half-reflected in mirrors, etc. It's often difficult to even see the faces of actors because of this.
Of course, that would probably be bearable if the screenplay adaptation wasn't so bad. It takes amazing liberties with the novel (some of which have been already mentioned in other comments) that I couldn't believe. The storyline doesn't seem to make any sense any more, and the dynamic between some of the characters has been completely changed.
In conclusion, do not go anywhere near this movie if you've liked the novel at all.
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