| Monique Gabriela Curnen | ... | Port Authority Attendant (as Monique Curnen) | |
| Jonan Everett | ... | Angel | |
| Edwina Findley | ... | Charlene | |
| David Greenberger | ... | Voiceover | |
| Rachel Griffiths | ... | Nicole | |
| Emmi Grullon | ... | Teenager | |
| Maria E. Heredia | ... | Applebee waitress | |
| Miriam A. Hyman | ... | Chantel | |
| Amanda KC | ... | Bus ticket buyer | |
| Catherine Kellner | ... | Heather | |
| Wallace Little | ... | Raymond | |
| Denis O'Hare | ... | Henry | |
| Roger Raskin | ... | Lawyer | |
| Messiah Rhodes | ... | Boy being interrogated | |
| Christopher Rivera | ... | Mr. Rivera | |
| Bobby Routh | ... | Abbas | |
| Jon Norman Schneider | ... | Jamie | |
| Darien Sills-Evans | ... | Receptionist | |
| David Zayas | ... | Angel's Father | |
| Steve Axelrod | ... | 1st detective (uncredited) |
Directed by | |||
| Jim McKay | |||
Writing credits(WGA) | ||
| Jim McKay | (written by) & | |
| Hannah Weyer | (written by) | |
Produced by | |||
| Becky Glupczynski | .... | line producer | |
| Paul Mezey | .... | producer (as Paul S. Mezey) | |
| Jeremy Kipp Walker | .... | associate producer | |
Cinematography by | |||
| Chad Davidson | |||
Film Editing by | |||
| Alex Hall | |||
Casting by | |||
| Alexa L. Fogel | |||
Production Design by | |||
| Ben Barraud | |||
Art Direction by | |||
| Anu Schwartz | |||
Set Decoration by | |||
| Cathryn Mazer | |||
Costume Design by | |||
| Mel Ottenberg | |||
Makeup Department | |||
| Roderica McCloud | .... | additional hair stylist | |
| Roderica McCloud | .... | additional makeup artist | |
| Stacey Panepinto | .... | key makeup artist | |
Production Management | |||
| Heath Jacob Baldwin | .... | production supervisor | |
| Spike Allison Hooper | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Nicholas R. Bell | .... | second second assistant director | |
| Adam Escott | .... | first assistant director | |
| Annie Tan | .... | second assistant director | |
Art Department | |||
| Glen Aldous | .... | set dresser | |
| Ipek Celik | .... | assistant set decorator | |
| Abariss Culjak | .... | set dresser | |
| Neil Driscoll Jr. | .... | lead man | |
| Yolan Fisher | .... | property master | |
| Robert Grbavac | .... | painter | |
| Dan-ah Kim | .... | assistant property master | |
| Adriana Serrano | .... | set dresser | |
Sound Department | |||
| Ryan Collison | .... | foley engineer | |
| Judy Karp | .... | sound | |
| Mike Poppleton | .... | sound effects editor | |
| Paul P. Soucek | .... | supervising sound editor | |
| Dominick Tavella | .... | sound re-recording mixer | |
| Daniel Ward | .... | assistant sound editor | |
Visual Effects by | |||
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM | |
| Diane Wright | .... | digital asset manager: Laser Pacific | |
Stunts | |||
| Ming Qiu | .... | stunt double: Bai Ling/ Danielle Nicolet | |
| Ming Qiu | .... | stunt double: Bai Ling/Danielle Nicolet | |
Camera and Electrical Department | |||
| Adam B. Bell | .... | still photographer | |
| René Crout | .... | first assistant camera | |
| Wesley Hodges | .... | camera loader | |
| Bob Izzo | .... | key grip | |
| Jim Mickle | .... | best boy grip | |
| Messiah Rhodes | .... | grip intern | |
| R. Samul | .... | grip | |
| Steve Siddell | .... | best boy electric | |
| Jason Velez | .... | gaffer | |
Casting Department | |||
| Rita Powers | .... | extras casting | |
| Sean Powers | .... | extras casting | |
Costume and Wardrobe Department | |||
| Amy Pickering | .... | wardrobe supervisor | |
Editorial Department | |||
| Mike Sowa | .... | digital intermediate color timer | |
Other crew | |||
| Jeffrey A. Brown | .... | location manager | |
| Andrea F. Cannistraci | .... | legal services | |
| Rowena De La Rosa | .... | assistant production coordinator | |
| Michael Dudek | .... | personal assistant | |
| Steve Gilbaud | .... | production accountant | |
| Graham Goetz | .... | assistant location manager | |
| Aline Motta | .... | script supervisor | |
| Sean Oliver | .... | adr loop group | |
| Carolina Osorio | .... | set intern | |
| Howard Samuelsohn | .... | dialect coach | |
| Kareem Taylor | .... | production assistant | |
| Danielle Wilson | .... | craft service | |
| Tina Yeh | .... | office production intern | |
| Dianne Zaremba | .... | stand-in: Rachel Griffiths | |
| Anthony Zayas | .... | stand-in: Jonan Everett | |
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| Life Support | Astronauts | Havoc | Nobody | Orchids |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
ANGEL RODRIGUEZ is yet another story of a kid whose innate talents and intelligence are misguided until he comes Under the influence of a caring adult, able to share her own vulnerabilities allowing the two to grow into stronger people. At least it seems that is what this little short and rather flimsy film is trying to say. The script is so lean and the attempt to develop characters who are understandable in their own light in order for us to care about the plot line of 'redemption' just doesn't support the film. This is a case where the actors are so fine that they are able to fill in the gaping cracks in the script well enough to maintain our attention, our concern, for the duration of the film.
Jonan Everett, making his strong film debut, is that kind of understated actor whose presence rings true and this presence makes us care about a kid whose actions should repulse us at times. His 'Angel' is a bright young talented kid who longs for something more then the hand he has been dealt. His friends, especially the gender bending Jamie (Jon Norman Schneider) is another newcomer to watch. The camera loves him and it seems there is enough latent talent to make him a fine little character actor. Much the same can be said for his other computer geek friend Raymond (Wallace Little). But the strength of the production is secured whenever the talented Rachel Griffiths (Nicole - the social worker) enters the story. Though we are given little from the script to help us organize her motivations, Griffiths' power as an actress overcomes the hurdles.
Writer/director Jim McKay has done better work in the past: Everyday People, Our Song, Girls Town, and some TV show episodes. He gives us the feeling that he understands the underbelly of the big cities and probably with the next film he will have learned from ANGEL RODRIGUEZ a few pointers to help him correct the deficiencies here. Grady Harp