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I haven't been a dedicated fan of a TV series since Moonlighting back in the 80's but I'm totally hooked on Weeds. Mary-Louise Parker plays the role of Nancy Botwin perfectly! As a widowed housewife trying to maintain an upper class lifestyle for herself and her two sons by selling weed, she obviously encounters problems maintaining her two roles....mother and drug dealer. Parker really emphasizes this "dual role" and she does it brilliantly....you'll find yourself really feeling for the character and cheering for her all the way. Elizabeth Perkins in the role of Celia, Nancy's close friend, is phenomenal. Watch her carefully in this show, her brilliant acting and her characters dry sarcastic nature provides much of the shows' comedic value but it is sometimes very subtle. I personally think Perkins deserves a supporting Emmy for this one. In short, Jenji Kohan has scored big-time with Weeds and I hope it enjoys a good long run on Showtime....I'm definitely a dedicated fan! My only suggestion....episodes should be an hour long!
This show is as good as it gets. As in, Six Feet Under good, without being any kind of clone: it's its own magical world, of which there will be many future clones, but nothing will ever come close to this for wit, emotion, pacing, or perfection of casting. This show says This Is Us like nothing I've seen in a long time. Showtime has done some good shows, and they've been getting better (after decades of astonishingly lazy creative thinking) but in Weeds the we-try-harder network finally has a true destination series. For one thing, Mary Louise Parker, who is always brilliant, here manages to pull it off with none of the mannerisms that have colored some of her lesser roles: she is luminescent and true in every moment. And the kids? And the son's girlfriend? You get this weird feeling there was no camera around--there couldn't have been for people to come off this completely real. Bravo bravo bravo! Can't wait to see episode 2.
Good lord, this show is good. It's thought provoking. Really, so many
of the decisions made are poor, so many of the characters do fairly
rancid things. But you can't help loving them and you can't help loving
the plots. I've fallen in love with every member of the Botwin family.
This is a smart, very funny, sexy and sophisticated show. I'm not going
to summarize anything here because I'm sure people are aware of the
It sounds like it could be ho-hum, but you must see it- each episode, people are dealing the characters deal with difficult decisions. Sometimes there's deliberation, sometimes there's regret- the show's smart enough where it assumes we know what the "right thing" was that one should have done. Most often, the characters don't do that right thing, and yet we love them, maybe even think "I would have done that." This is a show that basically says, beneath the normalcy, everyone is pushed to the limit in some way. It's no where near as dark as "Twin Peaks," but somehow, without the freakiness/fear, it reminds me of it because it's intelligent and it shows what lies beneath a bit.
When you watch it, watch out for Shane Botwin who is the Id of the show, and Andy, his grown up version who I personally hate yet am totally charmed by.
Ah, and yes, the acting is superb.
Here's hoping it goes to DVD!
Mary Louise Parker plays a widowed suburban housewife forced to create new ways to generate enough income to support the lifestyle she and her family had become accustomed before her husband departed. Parker and Elizabeth Perkins are excellent representations of housewives dealing with serious problems in this unrealistic yet frighteningly realistic comedy about living in the suburbs. Unrealistic because it is doubtful that this scenario could actually take place but realistic because the actors portray real suburban characters that you might meet anywhere in the US. The PTA scenes are a scream to any mom that has attended these mundane meetings. Kevin Nealon is great as the always high accountant looking to score and Justin Kirk accurately plays Parkers outrageously screwed up brother-in-law that can't seem to stay out of trouble. Even though this is a comedy, it also examines important aspects of suburban life. Drug abuse, race relations, cancer, homosexuality, mortality and morality are all explored in a real life yet unreal setting. It kind of makes you think while you are laughing at the superb dialog.
WEEDS is the anti-Christ type show for the people lobbying for
wholesome story lines. The title only begins to tell all the things
about this program that would have it on a Jerry Falwell morals hit
list. Maybe that is why I like the show so much.
Mary-Louise Parker leads a great cast with superb veteran performers such as Elizabeth Perkins and Kevin Nealon. The premise of the show is Nancy Botwin (Parker) has to figure out how to keep together her family in an upscale Calif. neighborhood after he early 40's husband, whom we never meet, dies of a heart attack while out running around with his youngest son. This boy now has issues and doesn't quite fit in with his peers. Her older son is discovering his hormones are raging and the brother-in-law has come to visit and he is a horrible influence on the boys, the housekeeper, and Nancy despite her attempts to keep him in check. Despite it all she really loves her brother-in-law as he is her family reminder of the husband she loved and lost.
What she does to keep the roof over her house is to sell weed...pot...marijuana. She gets the stuff from a thoroughly outrageous and hysterical black family on the poor side of town. She sells in the community of Agrestic, where she lives, and she sells to her lawyer/neighbor, a guy on the city council (Nealon), and anyone else that will take, which in this community seems to be almost everyone.
Great part for Parker as she is the consummate actress. She is always a bit understated, never overacts, has a great sly smile, does dry comedy very well, and delivers her lines convincingly. Nealon is great as the burnout councilman/accountant who can't seem to be high enough of the day yet covers his bases so as not to be discovered. But I think it is Perkins who just might steal this show. She plays a very bright yet vapid wife and mother of two girls. She is an overbearing parent who chastises and spy's on her 15 yr. old and harasses her youngest because of the poor girl's weight. Her shallow nature is shown as a defense mechanism for a woman whose own mother (Conchetta Tomei) is even more overbearing than her daughter and toward her husband whom she verbally spars with when they are together.
From the opening song, a reprise of the great Pete Seger song "Little Boxes", to the weekly dilemmas for the characters of coping in suburbia the show scores. Usually HBO has the standard for cable comedy series but this one is as good as any.
For years Weeds is being the "everybody-talks-about" series but I never
had the opportunity to watch it. But finally I did it, and I did it
desperately because the show is addictive. So finally I could
understand why it got so much attention.
First of all, the cast is amazing. Mary-Luise Parker, as Nancy Botwin, fits so well in her character and she is so charismatic and so beautiful and so subtle, gentle, comprehensive and polite that it's almost impossible dislike her. Elizabeth Perkins, as Celia Hodes, my god, that woman rocks! She's so naturally dried by the unhappy life she has built that even a spontaneous smile seems like a rock. I can't believe that Elizabeth Perkins never won an award for this character until now because every moment is an outstanding performance and I mean it! It's a shame that her character lost so much of her potentials to a point of being kicked out of the show because Celia was one of the gears of the show.
The most interesting things about the show were not the drugs, neither was Nancy living a hell each new day, nor the mistakes each character does during the episodes, but yes the social matters that it pointed. I'm Brazilian and I live in a small suburban city like the imaginary Agrestic/Magestic, so... I know a lot how is to survive in a place where you're surrounded by ignorant people that are moved just by an inexistent appearance. It's so revolting to a point that sometimes you just want to do things just to provoke them and play with their abstraction of reality, and the series shows it in a very intelligent and interesting way so you feel connected by it.
But now, after 6 years and some changes, Weeds seems to have lost most of what made it so interesting during the years becoming just another dramedy and Weeds is now just all about a woman dealing with an everyday drama that doesn't fit anymore. While the first 4 seasons were amazing and subtle in its subject, the last 2 seasons lack of the cleverness that once existed. Weeds now is being pushed to something we don't know anymore and it's showing signs of tiredness and completely losing its identity and also its characters. But that happens with every kind of show sooner or later.
But anyway... if you have the opportunity to watch at least the first 4 seasons, do it. Weeds is not about dealing with drugs, but a way to express the hypocrisy of each single person in the world.
I give 8 just for the show in a whole, but the first 4 seasons deserve 10.
Weeds is a hilarious comedy, following other trend-setting shows like
The Sopranos and Six Feet Under that deal with real life issues (using
real life language). Sometimes wonderfully dark, and sometimes very
blunt, the humour seems to suit each episode's general mood.
The quickly progressing story lines provide plenty of interest and we quickly develop a sympathy for the main characters through some genuinely emotional dilemmas, especially Nancy, but this is no doubt helped by the fact that she is a gorgeous soccer mum in distress.
The small number of episodes in each series might be a little disappointing, but is easily forgiven in helping to maintain the high quality and originality of each episode. I can't wait for season 2.
What a clever, well written show. Immensely watchable and well acted.
Mary Louise Parker is perfect in the role of a Yuppie, widowed woman
making ends meet by selling Marijuana. The show highlights well the
difficulties for single women not just at the upper end of the economic
spectrum, but those not quite as well off. The language, although at
times is strong, is realistic and appropriate.
All of the roles are interesting. Elizabeth Perkins plays the role of the acerbic friend who never quite realized her life ambitions. Her one daughter is overweight, the other just hates her, and her husband is sleeping with the Asian American tennis pro.
Every episode offers something new. I will definitely keep on looking for the next episode.
Every Monday at 9PM CST I am in front of my TV to watch one of the best shows written with the best cast on a sitcom. And I would re-watch it throughout the week. The characters, the storyline and even the opening song that you can't get out of your head. The only way to make it better is make it an hour long and use Kevin Nealon a lot more. Please don't keep us in suspense! Is it going to be renewed? I got Showtime just to watch this show and it is definitely worth it! This show does well showing part of suburbia that most people don't want to think really exists. But exist it does and not just in California. I like the plots and the passion that keep you coming back for more and hating it when the show is over. There should be a few Emmy awards waiting!
Weeds is about Nancy Botwin a working mum and housewife who gets into
the darkest situations when her husband unexpectedly drops dead and she
is left to raise two kids, a brother-in-law and rustic area's secret
addiction to home-grown weed. Using this; as a way of dealing with her
emotional collapse, in return for providing for the family by dealing
marijuana to neighbours and spacey school-kids. Nancy is played with
perfect pokerfaced- untelling-drug-seller mum by Mary-Louise Parker,
ex-West Wing star who talks on a less political and more social tasks
of day to day life. She is groomed for any social eventuality.
Alongside the mum of two is youngest Shane (Alexander Gould) who played
the voice of Nemo in 'Finding Nemo' who is less stutter and more into
the wild flights of fancy. Older bro Silas (Hunter Parrish) who is
eager to get his school life on the OC-type list by doing anything or
Yes, selling drugs makes good TV? Weeds outshines the morally ambiguous judgement on drugs. Some of the people who do drugs are good, some are bad. But it's the person we judge, not the substance. While it seems a bit Desperate Housewives, it's got a lot more going for it. With bitchy neighbour Elizabeth Perkins who makes the typical rich mum attitude take a leap forward.
With its entwined spontaneity, this is addictive and yet bizarrely enjoyable. Like most TV shows trying today: firmly planted in reality.
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