Following Jigsaw's grisly demise, Mark Hoffman is commended as a hero, but Agent Strahm is suspicious, and delves into Hoffman's past. Meanwhile, another group of strangers are put through a series of gruesome tests.
As a deadly battle rages over Jigsaw's brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
In this third installment of the Final Destination series, a student's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from death itself which seeks out those who escaped their fate.
Mary Elizabeth Winstead,
When detective Eric Matthews is called to a crime scene of a victim of Jigsaw, he finds a lead to the place where he is hidden. Once there, he realizes that Jigsaw trapped his son Daniel Matthews with three women and four men in a shelter, and they are inhaling a lethal nerve gas. If they do not use an antidote within two hours, they will die. Eric follows with increasing desperation the death of each member of the group in monitors, while trying to convince Jigsaw to release his son. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This film originally came from a script by the director Darren Lynn Bousman which was called "The Desperate". After trying for years to get it made but being told repeatedly that it was too violent, finally a company wanted to do it because they suspected Saw (2004) which was becoming a hit at Sundance might blow out big and they wanted to capitalize on its success. Some producers even described Bousman's script as "too Saw-ish". Just before he was about to close a deal to make the movie, Saw (2004) opened huge at the box-office and the next day he received a call, and the producers asked if he could change it around to "Saw 2". Leigh Whannell (who wrote the first "Saw") was then brought on a little later to help Bousman with creating his original idea into a proper sequel to Saw (2004). See more »
The first time we see the number 9 on Addison's neck, it has a curvy line, looking like an upside down 6. Later, when there are flashes of the previous numbers, the 9 shows up with a straight line. See more »
Saw II follows on the heels of Saw, as another taught, tense thriller. The mark of a great thriller/shocker/horror movie is the number of twists and turns, and this is what identifies Saw II as one of the better members of its genre.
This is NOT a movie where people walk backwards into dark rooms. This is NOT a movie where people pull sheets off bodies. That's all too predictable for Saw II. In fact, there's virtually nowhere in this film, where you can say that you've got it figured out.
Few movies keep me on the edge of my seat. This was one of them. There was no one dozing off during this flick. And the number of folks who walked out to take/make cell phone calls was the lowest I've ever seen.
Like Saw, this sequel is more than a little bloody in some places, but that's to be understood. It was never promoted as a walk in the park. If you're in the mood for a thriller that will keep you on the edge of your seat, this is worth a try.
And this movie left more than a few folks in the audience waiting for another sequel.
305 of 419 people found this review helpful.
Was this review helpful to you?